What did you watch last week? Including Magic City, Best Friends Forever, Tower Heist and Arrested Development

It’s “What did you watch last week?”, my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case e’ve missed them.

First, the usual recommendations from the first-run shows: The Almighty Johnsons, The Apprentice, Awake, Being Human (US), BeTipul, Community, The Daily Show, Happy Endings, Mad Men, Ringer, Shameless (US) and 30 Rock. Hunt them down.

You’ll notice that after last week’s episode and this week’s mindbender, Awake has now been promoted to the A-Team – go and watch it.

So first a few shows I’ve tried over the past week but didn’t have the time to review separately:

  • Arrested Development: Miracle of miracles, Netflix actually has something to watch (even if its new releases section hasn’t changed in two months) so I thought I’d catch up with my list of shows that everyone loves that I’ve never found the time to watch (next up: The Sopranos). I’m now up to episode eight of AD and I’m not laughing much, but it’s promising at least. When does it get good? I’ll probably keep watching for Portia De Rossi for a while at least – she’s a lot hotter than I remember.
  • Best Friends Forever: NBC’s latest attempt to do a female-oriented comedy show does at least not insult your intelligence unlike Whitney and Are You There, Chelsea? It has a quirky line in dialogue and the central characters are fun and idiosyncratic. But it’s another of those shows that seem to have been written by women who have never met any men before, only seen them on TV, and which assumes that women want to watch shows in which other women want to talk about waxing, relationships, divorces, etc, and nothing else. Not funny enough to keep watching unfortunately.
  • Magic City: Not even a knock-off of Mad Men, this is a terrible Starz knock-off of The Playboy Club of all things. Basic set-up: mobster hotel boss in 1950s Miami. And that’s it. No other distinguishable characters and although it looks fantastic, it’s only real appeals are lots of nudity, that Ukranian woman who was in the second Daniel Craig Bond movie (I think it’s her anyway) and Christian Cooke from ITV’s Demons, putting on his Sontaran Stragem accent. Utterly forgettable.
  • The Syndicate: Well, I did try to watch some more of it, but the only scenes I could get through were the ones with Joanna Page that didn’t involve any stereotypical, overacting northerners. So not much of it.

And a few thoughts on the regulars:

  • The Almighty Johnsons – A really, really good episode, with some actual swordfighting in it. The goddesses got to do something for a change, although they’re still being treated badly by gods and scriptwriters alike, and Loki got to do more than just posture.
  • Being Human (US) – I haven’t finished yesterday’s episode yet, which has been really good so far. But last week’s was a bit wishy washy although the writing out of a certain character was unexpected and well handled.
  • Community – A decent pastiche of civil war documentaries, and the Britta photography was fabulous, as was the reference to The Cape , but not as funny as last week’s.
  • Happy Endings – Overall, a disappointing second season, lacking the bite of the first. Disappointing was the increasing flamboyance of Max, the gay character, who had been refreshing unstereotypical last season. Plenty of fun to be had, though, although the finale had a little bit of a forced cliffhanger.
  • Mad Men – More interesting than the first episode, Betty getting some intriguing nuances, likewise Don.
  • Missing – a big improvement: the fights were decent, Sean Bean, John Carradine and Gina McKee were back. The predictions I made in my first review are coming true, it seems, which means that it’s all a double-bluff, since my predictions can never be true.
  • Ringer – Even Ioan is finding it hard to keep a straight face at times, but it’s still gripping me.
  • Shameless – which I should have written about last week, but didn’t. All in all, an odd season that consisted mainly of writing out characters and returning everything to the status quo after going in several directions for the first half of the season. But the journey was still very much worth taking.
  • 30 Rock – better than the previous episode.
  • Touch – it seems like all the guest characters might actually start getting linked together, which hints at a greater story arc that should make the show that much more interesting to watch. But I showed my wife the episodes and as predicted, blood nearly came out of her ears whenever they showed a supposed health or social worker interacting with special needs boy.
  • Two and a Half Men – Sophie Winkleman’s still in it and is making it watchable, but otherwise a horrible, horrible show.

And in movies:

  • Tower Heist: Ben Stiller and Eddie Murphy – with associated extras – get their own back on the 1%. Has its moments, but directed by Brett Ratner so as entirely average as you’d expect.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

US TV

What did you watch last week? Including The Almighty Johnsons, Dirk Gently, Shameless, The Mechanic and The Thin Man

Tom Cruise running in Cougar Town

It’s “What did you watch last week?”, my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

First, the usual recommendations: The Almighty Johnsons, Archer, Being Human (US), BeTipul, Community, Cougar Town, The Daily Show, Happy Endings, House, Modern Family, Portlandia, Ringer, Shameless (US), Southland, Spartacus, Suburgatory, 30 Rock and Top Gear. Assuming they’re on where you live, of course.

The observant will have noticed that I’ve promoted The Almighty Johnsons to the A-list there. I’ve caught up to those lovely New Zealanders now and I’d have to say that the first season is really good and really takes over from about episode eight onwards; the second season is a lot darker though, has some holes in the cast that the show really feels, as well as some changes to the set-up and general approach to the show – away from gods v goddesses to gods v (spoiler) Loki – that make it weaker. But it’s still a good show and the signs are that subsequent episodes will repair some of the damage. But what’s with Anders’ beard and all the rubbish new haircuts for everyone?

Now, some thoughts on the regulars:

  • Being Human (US): a slightly obvious twist last week that was still a good change for the show. Much better than the UK version now
  • Community: As close to normal as Community gets, and fabulous.
  • Cougar Town: Not just the Scrubs crossover to end all crossovers but we got ‘Tom Cruise-running’ as well. Excellent work all round.
  • Dirk Gently: Different in tone from the first episode, with Matt James (Doctor WhoThe Impossible Planet) on scripting duties. Less a holistic mystery than an actual mystery, it was easy to guess the very sci-fi explanation for what had happened, but that didn’t actually matter. It was even surprisingly touching. One complaint: St Cedds (good), not filming in Cambridge (bad).
  • Happy Endings: A bottle episode, but a well-handled bottle episode, particularly the body swap at the end. Yes, you read that right.
  • Kung Fu: Second season now. The fighting’s getting better. The scripts aren’t getting faster, though, even with ninja.
  • Modern Family: Meh. So so.
  • Ringer: What? I mean seriously, what? Those flashbacks to Siobhan and Andrew made literally no sense within the context of the first two episodes of the show. But it’s Ringer, so what was I expecting?
  • Shameless: Heart-rending two episodes in which to see dreams crushed by other people. One that Ayn Rand-ists should watch.
  • She-Wolves: England’s Early Queens: Didn’t actually watch this one, but my lovely wife did and she reports that it’s quite good in and of itself, but if you know anything about the period before Elizabeth, it’s very basic and you won’t learn much.
  • Southland: Wow. What an episode. This week’s the finale. This should be traumatic.
  • Spartacus: Really very awesome (haven’t watched Friday’s yet), thanks to an influx of Germans, although the constant use of rape as a way to elevate the danger levels is getting very tired. I’m now almost used to Liam McIntyre as Spartacus, even though he’s still not up there with Andy Whitfield.
  • Suburgatory: a bit more drama than comedy, but good to see Robin Givens still getting work.
  • 30 Rock: The return of Dennis! Yey! And “You Soloed me” – a classic line.

And in movies:

  • The Thin Man: a classic Dashiell Hammett story, while the plot is typical 1920s/30s intricate murder-mystery, it’s absolutely worth watching for possibly the first depiction of a modern marriage in a film:

  • Fear and Loathing in Las Vegas: Despite the presence of Terry Gilliam behind the camera and Johnny Depp in front, absolutely not a patch on the book and curiously uninvolving.

  • The Mechanic: Jason Statham takes on the Charles Bronson role in this unspectacular remake of the 70s movie about a professional hitman who takes on an assistant. A few good set pieces, but lacking the humour of the average Statham film, as well as the characteristic fight scenes, this is basically a movie by the numbers but with a few elements that take it above the normal. Reasonable enough, but don’t expect to see anything new.

How about you?

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

US TV

What did you watch last week? Including Archer, Kung Fu and Colossus: The Forbin Project

David Carradine in Kung Fu

It’s “What did you watch last week?”, my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

First, the usual recommendations: Archer, Being Human (US), BeTipul, Cougar Town, The Daily Show, Happy Endings, House, Modern Family, Portlandia, Ringer, Shameless (US), Southland, Spartacus, Suburgatory, 30 Rock and Top Gear.

Still in the backlog: the second episodes of Awake and GCB. But largely, the regulars are chugging along, doing their regular thing, and I’ve not much to say about them, except to say keep watching them, particularly Archer which had a very odd homage to Midnight Cowboy last week.

But I have also been watching:

  • Kung Fu: Slowly watching the first season again on CBS Action. Because everything is very slow on Kung Fu in a way that’s surprising for US TV. Fights, despite the title, are a bit dreadful, and you can tell the stunt guy actually only knows judo; Carradine’s take on being half-Chinese is also borderline racist. But it’s a lovely lyrical show, almost fairytale in its way, that makes it virtually unique in the annals of US TV. Go watch it on CBS Action or investigate the pilot movie over here.

And in movies:

  • Colossus: The Forbin Project – One of the first of the decent sci-fi movies of the 70s, nevertheless, it has dated quite a bit. But it’s still really good, and you have to love a downbeat ending and a German lead.

How about you?

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Film reviews

Review: Justice League: Doom

Starring: Kevin Conroy (Batman), Tim Daly (Superman), Susan Eisenberg (Wonder Woman), Nathan Fillion (Green Lantern), Carl Lumbly (Martian Manhunter/Ma’alefa’ak), Michael Rosenbaum (The Flash), Bumper Robinson (Cyborg), Carlos Alazraqui (Bane), Claudia Black (Cheetah), Paul Blackthorne (Metallo), Olivia d’Abo (Star Sapphire), Alexis Denisof (Mirror Master), Phil Morris (Vandal Savage)
Writers: Dwayne McDuffie, Mark Waid.
Director: Lauren Montgomery
Price: $24.98 (Amazon price: $14.99)
Released: February 28, 2012

When it comes to movies, Marvel and DC both have their specialities these days. Marvel has it sewn up at the movies, with things like Captain America, Iron Man, The Avengers, The X-Men, Daredevil, Thor et al. Sure, DC has Batman, but Superman isn’t working that well, Green Lantern wasn’t exactly brilliant and if you can’t work out how to make a movie of Wonder Woman after a decade of trying, clearly you’ve got problems.

By contrast, in the realm of animated movies and TV shows, it’s the other way round. You’d only have to have a teeny weeny, atom-sized piece of paper to write down all the decent animated shows that Marvel has put out (X-Men Evolution and that’s about it) in the last couple of decades, while DC has had Batman, Superman, Green Lantern and, of course, Justice League shows filling up the airways for years. They even did a halfway decent animated Wonder Woman movie.

Possibly their best effort was Justice League, which expanded to become Justice League Unlimited later on. That, of course, ended nearly six years ago, but now the brainiacs at DC have decided to take an old Justice League comic and create a brand new Justice League animated movie, Justice League: Doom, in which the Justice League’s arch-enemies club together to kill the League. Cleverly, DC has got together virtually all the cast from the original series, as well as Nathan Fillion (Firefly, Castle) from its Green Lantern animated TV series, Tim Daly from its Superman animated series and a great guest cast to do it.

And while it’s not outstanding, it does at least make you wonder why the hell they can’t make a proper live-action movie. Here’s a trailer.

Continue reading “Review: Justice League: Doom”

US TV

What did you watch this week (w/e February 24)?

It’s "What did you watch this week?", my chance to tell you what I watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

First, the usual recommendations: Archer, Being Human (US), Cougar Town, The Daily Show, House,  Happy Endings, Modern Family, Portlandia, Ringer, Royal Pains, Shameless (US), Southland, Spartacus, Suburgatory and 30 Rock. Do watch them (if you can and they happen to be on TV this week). The Almighty Johnsons is still in my view pile and there are a couple of other things that I’m going to be reviewing in the next day or so, including Those Who Kill (aka Den Som Dræber) and Justice League: Doom

  • Caerdydd: Slowly catching up on this about a year (or two) since we recorded it. Not as good as the previous series, but still great fun.
  • Modern Family: Very sweet
  • Ringer: Nice guest cameo by Misha Collins from Supernatural, and thankfully the whole thing was as ludicruous as always.
  • Royal Pains: Ah, the never-ending slow progress of the plot. And for a finale episode, incredibly badly written – bad dialogue, obviously plotting and no real draw for the next series and that might work in a lazy summer show, but in winter, you need to be a whole lot sharper.
  • 30 Rock: Great cameos by Jim Carrey and Andie MacDowell. But very strange.
  • Southland: I could see the cliffhanger coming a mile off, but still great work. Whoever does the trailers for TNT needs to be shot, since they give away the resolution to the cliffhanger.
  • Spartacus: Back on track now, with a very well paced and plotted episode, although the crunch moment (ho, ho) was an obvious twist. Good to see the return of Gannicus, too. Pondering Spartacus, it amazes me that it’s so popular. Although there’s the obvious, nudity, swearing and massive violence, complete with bloody entrails, we’re talking about a historical story, set in a foreign country, with no Americans (obviously) in the cast, people talking in pseudo-Shakespearian language, gay men front and centre, full frontal male nudity and the whole thing largely filmed and staged like theatre. It breaks all the rules, but yet people love it. Isn’t cable great?

And in movies:

  • Real Steel: Rocky with robots and Hugh Jackman. Surprisingly fun and not awful, although Evangeline Lilly is very much lost in a somewhat tedious "deadbeat father and son work out their differences by building and training a boxing robot" story that has no room for women unless they’re dead or wearing Gucci cocktail dress with cut-outs. But some great robot boxing, including a final homage to Ali’s rope-a-dope trick against Foreman. Wonder if they’ll turn ‘Zeus’ into a lean, mean fat-reducing machine.

"What did you watch this week?" is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?