What have you been watching? Including Game of Thrones, 19-2, Le Bureau Des Légendes (The Bureau) and Zoolander 2

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

State of the country, politics, the world, et al right now:

Sob. Oh well, let’s talk about tele to try to cheer ourselves up. Last week, I reviewed the first few episodes of:

However, a few new shows have also stuck their heads up the parapets this week, so in the next few days I’m hoping to review Greenleaf (US: OWN), Queen of the South (US: USA) and maybe The Night Of (US: HBO) – it’s only a mini-series.

Obviously, this was supposed to go up over the weekend, but owing to post-referendum blues and a general desire to boxset a certain French TV show, that didn’t happen. However, I haven’t had time to watch anything more than Game of Thrones from last night’s usual bumper crop of shows. So after the jump, I’ll be talking about that, the latest episodes of more or less the only shows that don’t air on a Sunday – BrainDead, Cleverman and Outcast – last Sunday’s Preacher, Secret City, Silicon Valley, Still The King and Westside, as well as the return of Canada’s good show, 19-2, and the whole of season 1 of Le Bureau Des Légendes (The Bureau). Some are for a-chopping, though, and some are on a lifeline.

(For those of you wondering, I couldn’t be bothered to watch episode 3 of Animal Kingdom or Uncle Buck, after their uninspiring performances last week. Soz)

But first, a movie!

Zoolander 2 (2016) (iTunes)
Sequel to everyone’s favourite Ben Stiller movie, although it only became such once it came out on DVD, since it tanked a bit at the box office. It sees Stiller, Own Wilson, Will Ferrell, et al, returning as their original characters, who have all gone their separate ways after Derek’s school collapsed just a couple of days after opening. Then incomprehensible fashion designer Alexanya Atoz (Kristen Wiig) invites them to star in her new fashion show in Rome, and they’re soon imbroiled in a Da Vinci Code parody that sees the likes of Justin Bieber being killed off to protect a terrible, terrible secret, with fashion policewoman Penelope Cruz their ally in solving the crime.

I was a bit wary of this, since it got bad reviews, and the movie itself is really not much more than that Da Vinci Code twist on the original Zoolander structure. However, surprisingly, it’s actually quite gigglesome, with plenty of laughable moments, huge numbers of odd cameos (Kiefer Sutherland, Susan Sarandon, Fred Armisen, Anna Wintour et al), references to everything from Dune to Star Wars and the general surrealism that pervaded the original still managing to percolate through. 

Very stupid, but cheered us up a lot on Friday.

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Weekly Wonder Woman

Weekly Wonder Woman: DC Rebirth #1, Justice League #50, Superman #52, The Legend of Wonder Woman #27, & Justice League v Teen Titans

It’s here, everyone. Finally, it’s here – Rebirth, the DC Universe’s equivalent of that Old Spice ad:

That thing that’s canon? You’ll love this – it’ll still canon. That thing you used to love that was canon but wasn’t in the nu52? You’ll love this – it’s now canon again. That thing you loved but which was never canon and you never thought would be? You’ll love this – that’s now canon.

But we’ve a bit of overlap between the nu52/DCYou and Rebirth universes still to deal with, and so in the past fortnight, DC has given us a few final nu52 issues to round off some storylines, some of which affect our Diana. So after the jump, as well as looking at DC Rebirth #1, we’ll see how the Darkseid War ends in Justice League #50 and we’ll be seeing what happens to the nu52 Superman in Superman #52.

Meanwhile, alternative universe Wonder Woman origin story, The Legend of Wonder Woman, also comes to a conclusion of sorts in #27 and just for a bit of spice in our lives, I’ll be looking at a movie that got released in the UK last week – Justice League vs Teen Titans

I’m on a horse.

Continue reading “Weekly Wonder Woman: DC Rebirth #1, Justice League #50, Superman #52, The Legend of Wonder Woman #27, & Justice League v Teen Titans”

What have you been watching? Including Deadpool, The Americans and The Tunnel (Tunnel)

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

Well would you look at that – back as scheduled. Miracles will never cease.

As usual, though, the networks have carefully timed a batch of new shows to start airing while I’ve been away. I’ll be reviewing them in the next few days, but hold your horses on discussing Animal Kingdom (US: TNT), Private Eyes (Canada: CBC), Feed The Beast (US: AMC; UK: BT Vision) and Cleverman (Australia: ABC; UK: BBC Four) until then, if you’ve seen them.

After the jump, I’ll be looking at the season/series finales of Arrow, The Flash and The Tunnel (Tunnel), as well as the dwindling regulars (won’t someone give us some good new TV, please?): 12 Monkeys, The Americans, Game of Thrones and Silicon Valley. Surprisingly, despite my reduced viewing list, one of these is for the chop because I can’t even.

Before that, though, I’ve seen not one, but two superhero movies!

Deadpool (2015) (iTunes)
Ryan Reynolds in the first of Marvel’s adult-oriented superhero movies, here playing a mercenary who gets given mutant powers at the cost of his good looks, so tries to get the Brit scientist/kickboxer who experimented on him (Ed Skrein from The Transporter Refueled and Game of Thrones) to undo the damage so he can get back his girl (Morena Baccarin from Firefly and Homeland). But as well as his looks, the newly-christened Deadpool also loses his sanity – for some reason, he thinks he’s in a superhero movie and chooses to satirise anything and everything about it, as well as talk to the audience he thinks is watching him…

Although not as funny or as daring as it thinks it is and saddled with a conventional revenge plot that all the storytelling tricks in the world can’t cover up, Deadpool has a lot going for it, particularly its potty mouth, and meta jibes at Ryan Reynolds and the X-men. You’ll laugh at about half the jokes and there are scenes that will stick with you for days afterwards. But its own critiques (“It’s almost like the studio couldn’t afford more famous stars”) reveal the film’s biggest problem – it’s subversive enough that the studio wants to keep it safely confined in a box away from the rest of the franchise, unable to play with the big boys. Also, Gina Carano is wasted in a small role, which makes me sad. 

But you can’t really knock a superhero movie that has its lead masturbating with a toy unicorn, now can you?

Spider-Man 3 (2007) (iTunes)
Somehow I missed/couldn’t be bothered to watch the third of the previous (but one) Spider-Man movie franchises, but with another on the way, I figured I’d watch all the old ones (not including the Nicholas Hammond 70s TV show) just to see how they compare. Here we get Tobey Maguire’s Spider-Man finding (yet again) it’s hard achieving a work-life-superhero balance, and despite wanting to marry girlfriend Mary-Jane Watson (Kirsten Dunst), ends up neglecting her. Then, he discovers that the man (Thomas Haden Church) who really killed Uncle Ben has escaped from prison and acquired the power to turn into and shape sand. And best friend James Franco has discovered Peter Parker is Spider-Man and wants to get revenge for the supposed murder of his father (aka The Green Goblin). Just as Peter’s at his lowest ebb, he attracts the attention of an alien symbiote who turns his costume – as well as his soul – black…

Weirdly, despite its rep, I found this to be the best of the lot – Spider-Man 1 & 2 do not bear up well, despite my having found them reasonably good at the time, and The Amazing Spider-Man is astonishingly dreary and uncompelling. While the ‘Venom’ subtext is a little clunky and the character itself a bit rubbish, the story actually takes novel turns, with forgiveness and doing good lorded over violence and darkness (take note, DC Comics). 

Utterly meaningless if you haven’t seen the first two movies, mind.

Continue reading “What have you been watching? Including Deadpool, The Americans and The Tunnel (Tunnel)”

Streaming TV

What have you been watching? Including Marseille, Captain America: Civil War and The Americans


It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

Quiet, isn’t it? Where has all the new TV gone? Despite a fortnight in between WHYBWs, all I’ve managed to cover are the third episodes of Containment (US: The CW; UK: E4) and Game of Silence (US: NBC). I’m sure there’s something somewhere that I can review, but I just haven’t spotted it.

Okay, so there’s a new series of comedy pilots on Australia’s ABC on Wednesday, but being pilots, there doesn’t seem much point in reviewing them – I did like the sound of Ronnie Chieng: International Student, though. There’s a new Canadian Molly Ringwald/Jason Priestley sitcom, Raising Expectations, that started last night on the Family Channel – I just need to work out a way of watching it.

Amazon Prime’s picked up Hulu’s Casual, too. I didn’t watch that when it first appeared on Hulu since I figured “What’s the chance any UK network is going to pick up something on Hulu, hey?” There’s me duped. I might watch that, too, but I suspect the ship has sailed on that one.

In fact, the only new thing I’ve spotted that I haven’t yet reviewed, and had both the inclination and the ability to review was…

Marseille (Netflix)
Following on from last year’s Narcos, which was effectively Netflix’s first Spanish-language original drama, now we have Marseille, the company’s first French-language original. It stars – who else? – Gérard Depardieu as the mayor of Marseille, having to balance the competing demands of a degenerative disease, his family life, a drug habit, his back-stabbing protégé, a project to renovate the city with a new casino, and the mafia.

And it’s nothing special. I did say ‘original’, but for all intents and purposes, it’s Starz’s Boss but in French, with just a hint of Les hommes de l’ombre (Spin). It’s got the usual misogyny of such shows. It’s got the slightly tedious offsetting of power and crime. It’s billed as ‘steamy’ but is surprisingly perfunctory (and again misogynistic) for a French show. None of the characters are especially engaging and Depardieu oddly doesn’t have half the presence that Kelsey Grammer did in Boss. Subtitling loses quite a bit in translation and you’ll often have points where you wonder what people are reacting to as a result of what’s allegedly said (eg there’s a point where two women are laughing when one of them says ‘chick’. It makes a bit more sense if you know she actually said ‘poof’). And oddly for Netflix, the production values are pretty low, with more than a hint of ‘stuck in a cheapo studio with a cheapo video camera’ at times.

More laughable than gritty, it’s hard enough to get through one episode, let alone all eight, so I’m not going to try.

After the jump, it’s the regulars: 12 Monkeys, The Americans, Arrow, Banshee, DC’s Legends of Tomorrow, Game of Silence, Game of Thrones, Lopez, Silicon Valley and The Tunnel. Most of those are double helpings, since there was no WHYBW last Monday, it being a Bank Holiday everywhere; two of them will be getting crossed off the viewing list, too. I’ll also be looking at the season finales of both Limitless and Lucifer.

But before that, a movie!

Captain America: Civil War (2016)
Depending on how you want to look at it, this is probably better titled Captain America: Winter Soldier 2 or The Avengers 2.5, since it sees Cap continuing his mission to find and rehabilitate his brainwashed pal, Bucky “The Winter Soldier” Barnes, with various members of The Avengers either trying to help him or hinder him after Barnes is implicated in an act of terrorism.

Otherwise, the plot is more or less identical to that of Batman v Superman: Dawn of Justice, with its concerns about collateral damage from superheroics and the consequent need for legal limits on superhuman powers. Yet despite the huge cast from the other movies (only Thor and Hulk are absent) and the necessity to launch both Black Panther and Spider-Man off its back, it manages to be a million times better than DC’s drudgefest. Once again directed by Winter Soldier‘s Russo Brothers (who got the gig directing, of all things, the paintball episode of Community), it manages to make all previous superhero movies look plodding and stupid, balancing comic book fun with gritty Euro thriller aesthetics, while serving all its characters well, being by turns tear-jerking, funny, breath-taking and tense.  

It’s a little longer than it needs to be, but nevertheless, afterwards we came out so drained by the spectacle, it took about three hours down the pub to recover. It also rendered Age of Ultron unwatchable. Some would argue it already was, but we’d enjoyed it at the time.

Best Marvel movie so far.

Continue reading “What have you been watching? Including Marseille, Captain America: Civil War and The Americans”

What have you been watching? Including The Tunnel: Sabotage, 12 Monkeys and Scott Pilgrim vs The World

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

I promise it’s not deliberate: “What have you been watching?” has not gone fortnightly. But work got a bit silly on both Friday and Monday and I couldn’t string two sentences together by the end of the day, so WHYBW had to take an enforced break. 

It’s back now. You can exhale.

I’ve been doing my best to catch up with all the new shows, although I’m afraid to say that a certain ‘can’t be arsed’ feeling has permeated my viewing schedule. I have at least reviewed the following new shows in the past two weeks:

I’ve also passed a third-episode verdict on TV Land’s Lopez. However, I really just couldn’t be arsed to watch:

Dice (US: Showtime; UK: Sky Atlantic)
The new eponymous Andrew Dice Clay comedy, because it stars Andrew Dice Clay

The Path (US: Hulu)
This cult drama (no, not like The Tripods) has managed to air four episodes so far and I got through a minute of it before I decided to do more enjoyable things and gave up.

The Girlfriend Experience (US: Starz)
This may be a beautifully directed drama produced by Steven Soderbergh and based on his film of the same name, but it’s still on Starz and it’s still about New York escorts, so is basically going to be porn, isn’t it? I managed 5 minutes of internship interviews at various attornies (oh, how will she make ends meet?) before giving up.

The Ranch (Netflix)
Ashton Kutchner stars as one of two brothers trying to run a business together on a Colorado ranch. It looked potentially interesting until it turned out to be a multi-camera comedy with an audience, at which point I gave up.

The Durrells (UK: ITV)
Keeley Hawes takes her family of future authors to live on Corfu in the 30s. I gave up, mainly because of Keeley Hawes. However, I might come back to it at some point.

Watch those trailers (or even an episode) and tell everyone if you could be arsed, why don’t you?

I also couldn’t be arsed to watch any more episodes of:

  • Blå Ögon (Blue Eyes) (Sweden: SVT1; UK: More4)
    As I said in the previous WHYBW, the show has two plot threads: a conspiracy thriller and a right-wing terrorist drama. The latter is great, the former is bobbins. Unfortunately, the third episode was 75% of the former, only 25% of the latter, so I gave up after 15 minutes.
  • The Catch (US: ABC; UK: Sky Living)
    I almost can’t remember what the episode was about, but the desperate attempt to do Ocean’s 11 with a cast desperately under-equipped for the challenge was more than I could bear.

That means that after the jump, we’ll be looking at the final episodes of 11.22.63Billions and The Magicians, as well as the latest episodes of Arrow, The Americans, Banshee, DC’s Legends of Tomorrow, Limitless, Lucifer and Supergirl. We’ve also had the return of both 12 Monkeys and The Tunnel (Tunnel) – how well will they hold up in their second seasons, I bet you’re wondering.

Before that, though, a movie, and I should also offer as a side-note that Netflix has acquired RTÉ One’s Rebellion, which makes my decision to review the first few episodes not quite as insanely stupid as it looked at the time, hey? 

Scott Pilgrim vs. The World (2010) (Amazon Instant Video)
The movie that almost killed off director Edgar Wright’s Hollywood career before it began – the fuss behind the scenes over Ant-Man eventually did that – is a comic book adaptation that has so many things going for it yet ultimately never quite works. A fusion of comic book and gaming logic and visuals with the real world, it sees nerdy inadequate college student Scott Pilgrim (Arrested Development’s Michael Cena) wanting to date new girl 
Ramona Flowers (Mary Elizabeth Winstead) but finding he has to fight her seven evil exes first. Literally.

We did try to watch this a couple of years ago, but we switched off, bored, after the first 40 minutes or so. Giving it another go last weekend, I have to say that wasn’t an entirely incorrect decision, but it does get a lot better in the second half. It has many individually visually beautiful moments, dozens of nerdy heady nods to the expected and the unexpected (Flash Gordon), and is frequently hilarious, but stuck together, none of it quite works – the narrative falters like watching all the narrative scenes from a video game stuck together.

All the same, six years on, it’s fun to see not only its influences (I’m pretty sure The World’s End owes a lot to it) but also what a marvellous supporting cast it had, with people who were already quite big to start with or who went on to many big things later on (Alison Pill, Anna Kendrick, Aubrey Plaza, Chris Evans, Brie Larson, Mae Whitman, Brandon Routh, Jason Schwartzman, Thomas Jane).

My wife’s been vegan for the past few months and this clip is now her new favourite thing, too – I’ll make sure she doesn’t drink any half-and-half, don’t worry.

Continue reading “What have you been watching? Including The Tunnel: Sabotage, 12 Monkeys and Scott Pilgrim vs The World”