The Avengers: Infinity War poster
News

A gazillion trailers; Marvel’s Iron Fist, Wynonna Earp renewed; Rebel in the Rye; + more

Film casting

  • Michelle Pfeiffer, Walton Goggins, Laurence Fishburne et al join Marvel’s Ant-Man and the Wasp

Film trailers

Internet TV

Canadian TV

US TV

  • Teaser trailer for season 7 of ABC’s Once Upon A Time
  • Trailer for season 3 of AMC’s Fear The Walking Dead
  • Trailer for season 8 of AMC’s The Walking Dead
  • Trailer for season 4 of Fox’s Gotham
  • Trailer for FX’s American Horror Story: Cult
  • Trailer for season 4 of The CW’s The Flash
  • Trailer for season 3 of The CW’s Supergirl
  • Trailer for season 5 of History’s The Vikings
  • Trailer for season 4 of Syfy’s 12 Monkeys
  • Trailer for season 6 of The CW’s Arrow
  • Trailer for season 4 of TNT’s The Last Ship
  • Teaser trailer for USA’s Psych reunion movie
  • Thursday ratings

US TV show casting

New US TV shows

  • Hulu developing: character-based true-crime anthology series The Act
  • Teaser for The CW’s Black Lightning
  • Trailer for Syfy’s Ghost Wars

New US TV show casting

George Romero
Film

Sadly, George Romero has died – but he’ll live on through his work… or zombification – one of the two

Yesterday wasn’t a good day for the great and the good. Martin Landau of Mission: Impossible and Space: 1999 fame passed on; Trevor Baxter – best known as Professor Litefoot from the Jago and Litefoot stories is no more, too.

But another great was lost to us, as well: George Romero, who basically invented the modern zombie drama and opened up the doors to other horror directors such as Sam Raimi and John Carpenter, too. See that Walking Dead? That’s there because of Romero. See that Ash vs the Evil Dead? Wouldn’t have happened without Romero’s Night of the Living Dead. Even subtler things, such as having women and minorities fighting back and being heroes in horror, you can trace a line back to Romero’s work to find their origins.

Night of the Living Dead started it all and it’s the one you should watch if you want to see what Romero achieved. Completed on a $114,000 budget, it grossed $12 million in the US and $18 million internationally and spawned five sequels. True, it’s basically what its own writer John Russo describes as a “rip-off” of  Richard Matheson’s I Am Legend, but does that matter? Not at all, because Night of the Living Dead is as much about look as plot, and it’s Romero’s direction that makes the movie something far more than a simple rip-off.

Oddly, the movie is now in the public domain. US copyright law used to require a copyright claim on a movie’s print for it to be copyrighted and a cock-up at the distributor meant that as the movie changed name from Night of the Flesh Eaters to Night of the Living Dead, someone forgot to include the credit. That means you can watch the whole movie guilt-free on YouTube. Although buy it if you like it, so that Romero’s estate gets something after all, hey?

Harrison Ford in Blade Runner 2049
News

News: a new Blade Runner 2049 trailer; Mariah Carey drama; a High & Dry series; + more

Film

New UK TV shows

US TV

US TV show casting

New US TV shows

New US TV show casting

Bye bye Adam West
Weekly Wonder Woman

Weekly Wonder Woman: Wonder Woman #26

Yes, it’s Weekly Wonder Woman – keeping you up to date on pretty much anything involving DC Comics’ premier superheroine, including her BO

Wonder Woman‘s continued advance at the worldwide box office has dominated the news of the past week. Propelled largely by women and older movie-goers, it’s now overtaken to Suicide Squad to become the second-highest grossing DCEU movie worldwide and – if you discount anything featuring Batman, Iron Man or Spider-man, it’s the second highest grossing comic book movie ever. Which is nice.

Among the movies it’s now surpassed is Deadpool, something the merc with the mouth has no problems with:

Perhaps trying to nudge the movie over the Batman v Superman finishing line in the record books, we have Gal Gadot releasing some behind-the-scenes footage on Instagram:

We had fun ❤️ Here is some more exclusive #bts from #WonderWoman ⚔️🙏🏻Enjoy ✨

A post shared by Gal Gadot (@gal_gadot) on

There’s already talk of the sequel, too, possibly set in the 80s during the Cold War, possibly even with Steve Trevor. But with Justice League coming later in the year, publicity is as much about that movie as it is about Wonder Woman, which is why the upcoming San Diego Comic Con has most of the cast, including Gal Gadot, scheduled to appear.

The Justice League

But this week also saw something else important: Wonder Woman #26, the first issue by Shea Fontana, who is the first person not called Greg Rucka to write the title since DC’s Rebirth. Want to find out more? Then follow me after the jump, once you’ve watched this interview with Fontana who explains what she’s aiming to do with the title:

Continue reading “Weekly Wonder Woman: Wonder Woman #26”

The Wonder Woman statue in Madrid
Weekly Wonder Woman

Weekly Wonder Woman: Justice League #24

Yes, it’s Weekly Wonder Woman – keeping you up to date on pretty much anything involving DC Comics’ premier superheroine, including European artwork

Ow do? Back from your trip to visit the Wonder Woman statue in Madrid?

Thought so.

Things have been a bit quiet in the world of Wonder Woman this week, in part because of the July 4th weekend. But the movie is going strong, now passing $700m in box office takings worldwide to become the DC Extended Universe’s most successful movie to date at the US box office, as well as one of the 50 highest grossed movies of all time:

Wonder Woman still has a ways to go before catching Batman v Superman in the international box office ($663 million to $873 million), and it’s technically third among all DC movies, behind The Dark Knight and The Dark Knight Rises. But Patty Jenkins’ inspiring superhero film starring Gal Gadot and Chris Pine has exceeded even the most optimistic box office projections here in the United States. It’s one of the 50 highest-grossing movies and the highest-grossing movie directed by a woman of all-time, and, unsurprisingly, the highest-grossing World War I movie ever (sorry, War Horse). Wonder Woman is expected to end its international box office run with around $800 million.

Fingers crossed, it’s now on its way to breaking a few more records, then.

Only one comic to look at this week featuring our Diana, though, but it’s a reasonably important one because we have a diversity-boosting, DCEU-marrying addition to the Justice League roster to look forward to – one quite important to Diana. Can you guess who?

Amber Heard as Mera in Justice League
Continue reading “Weekly Wonder Woman: Justice League #24”