The Wednesday Play: The Challenger (2013)

Normally, I have to raid the archives for our regular The Wednesday Play but this Sunday saw BBC2 unveil the rather impressive The Challenger, a TV movie/play all about the US presidential commission into the Challenger disaster.

For those who don’t know, in the mid-80s, one of NASA’s space shuttles, the Challenger, exploded shortly after take off and a presidential commission was convened by President Reagan to investigate the cause of the accident. The commission included the likes of Neil Armstrong and Sally Ride, but most notably it also included the Nobel prize-winning physicist Richard Feynman, who ultimately was to discover the cause of the accident.

Feynman was/is a bit of a hero to geeks. A New York City boy and an atheist with contempt for all forms of authority and ‘sacred cows’, he was also involved in the Los Alamos project during World War 2, played the bongos, cracked safes and was generally an all round fun guy. That and he invented Quantum Electrodynamics, path integration and, of course, Feynman diagrams.

Being a geeky sort, when I won a physics prize at my school, it was Feynman’s What Do You Care What Other People Think? that I requested: I’d first seen Feynman in the 1981 BBC Horizon documentary, The Pleasure of Finding Things Out, which I’d really recommend watching it if you have any interest in science or indeed people, since it’s a great bit of work:

For those who prefer movies, his early life during World War 2, particularly his relationship with his dying wife, Arline Greenbaum, was depicted in the film Infinity, with Matthew Broderick playing Feynman.

The Challenger, a co-production between BBC Scotland, the Open University and the Science Channel in the US, was as much an examination of Feynman and the nature of science as a rational tool as it was of the cause of the disaster. With a stellar cast that includes William Hurt as Feynman, Joanne Whalley as his third wife Gweneth Howarth, Brian Dennehy as Chairman Rogers, Bruce Greenwood as General Kutyna, Eve Best as Sally Ride and Kevin McNally as Larry Mulloy, the play depicts the events during the inquiry, as well as his ongoing struggle with cancer (he died two years after the start of the inquiry). It follows the story from the disaster itself through to Feynman’s adventures in Washington DC, Huntsville AL (I’ve actually been there – I’m not entirely sure the programme makers have been, despite the various subtitles claiming so, but I guess you have to save budget where you can. Plus Huntsville ain’t the most exciting of places) through to the eventual conclusion of the inquiry.

Written by actress-writer Kate Gartside, it’s a tad more conspiracy theory-ish than perhaps it should be, but it’s a really impressive dramatisation and well worth a watch. Hurt’s not quite Feynman – he doesn’t try to do an impression, not even aiming for a New York accent, and doesn’t quite have Feynman’s exuberance – but he does a very good job all the same.

I’d love to be able to embed it below, but the BBC being what it is, I’ll merely link to the iPlayer instead, and leave you with Feynman’s appearance at the Rogers press conference, vividly demonstrating in characteristic style, what he’d found wrong with the shuttle, as well as his take on the commission. No word yet on a US broadcast date, by the way.

The Weekly Play

The Wednesday Play: The Black Stuff (1980), The Muscle Market (1981) and Boys From The Blackstuff (1982)

The Black Stuff

There have been few TV plays as influential or as seminal as The Black Stuff, Alan Bleasdale’s 1980 Play for Today which led to possibly the most famous anti-Thatcher serial of them all, Boys From The Blackstuff, which ranked seventh in the BFI TV 100 of the 20th century. Yet ironically, the play concerning a group of Liverpudlian tarmac layers on a job near Middlesbrough (‘the black stuff’ being tarmac), was actually written in 1978, a year before Margaret Thatcher became prime minister.

This original play was a reaction to Britain’s declining economic fortunes under Labour, with 1.5 million people unemployed – a 40-year high – at the time of its writing. The play featured the now-famous characters of Yosser (Bernard Hill), Loggo (Alan Igbon), Chrissie (Michael Angelis), George (Peter Kerrigan) and Dixie (Tom Georgson) coming across a group of gypsies who offer them a ‘side job’ while they’re on their properly contracted job. The gang reluctantly agree and after that, it all goes downhill…

The acclaim for the play led to the commissioning in 1981 of a play about the gang’s boss, Danny, played by Peter Postlewaite, called The Muscle Market. That was swiftly followed by the 1982 Boys From The Black Stuff, by which point unemployment had reached 3 million. Each episode focused a different member of the gang, now unemployed or in a different job. Best remembered for Yosser’s catchphrases “Gizza’ job” and “I can do that”, the serial showed how unemployment was destroying lives and how little support there was for those without work. As well as Hill and others, it launched the career of Julie Walters, who played Chrissie’s wife.

Since BBC Worldwide sucks, they won’t let me embed the video below, but head straight on over to YouTube to watch the full thing; I can at least embed The Muscle Market and the episodes of the serial itself below. As always, if you enjoy it, buy it on DVD (unfortunately, The Meat Market isn’t available on DVD).

The Weekly Play

I’m off! Plus two Wednesday Plays: Vote Vote Vote For Nigel Barton and Stand Up, Nigel Barton (1965)

The Venetian in Las Vegas

I’m off to Las Vegas. Yes, I am, for I was married there 10 years ago on Sunday and we’re going back there to celebrate. I doubt there’ll be any 1960s-style cowboys-cum-sherrifs to see while I’m there – although there should be some gondoliers – but I’ll be off until next Wednesday at least, when some attempt at normal service might resume.

Until then, have loads of fun without me, watch good tele, chat among yourselves (and if you’re just lurking, feel free to introduce yourself to the other commenters – they’re all very nice people) and guard the blog against interlopers.

If you can’t find any good tele, here are two of Dennis Potter’s classic The Wednesday Plays for you to enjoy: Vote Vote Vote For Nigel Barton and its sequel, Stand Up, Nigel Barton, which aired just a week later in 1965. As always, if you like them, buy them!

TTFN!

The Weekly Play

The Wednesday Play – God On Trial (2008)

God On Trial

It would be tempting to think that British and US television companies no longer produce plays. However, while that is largely true – and certainly, by the 1980s, most play strands on television became film strands such as Screen One and Film on 4 before disappearing altogether – there is occasionally room in the schedules for a one-off play. A case in point is God On Trial, a BBC/WGBH Boston co-production by Frank Cottrell Boyce and starring Antony Sher, Rupert Graves, Jack Shepherd, Dominic Cooper, Eddie Marsan, Stellan Skarsgård, Lorcan Cranitch and Stephen Dillane, among others. Set during the Holocaust, it sees a group of Auschwitz prisoners put God on trial for allegedly breaking His covenant with the Jewish people by allowing the Nazis to commit genocide.

Twenty years in the making, the play isn’t easy going but it’s powerful with a great cast, so something of a must-see. Let’s hope television continues to be able to find room in its schedules – and the budget – to be able to continue making its like. As always, if you like it, buy it so that producers do have the budgets!

The Weekly Play

The Wednesday Play – The Night America Trembled (1957)

One of the most infamous and amazing events in US radio history was the reaction to Orson Welles’ 1938 dramatisation of HG Well’s War of the Worlds. Unaware that it was fiction, many listeners believed they were hearing a live radio broadcast of a Martian invasion of New Jersey, and panicked accordingly.

Since then, the events of that night have been dramatised on several occasions, including the 1975 TV movie The Night That Panicked America. It even featured in an episode of the TV show War of the Worlds, which argued that the Welles broadcast was a cover-up for an actual Martian invasion.

But the first and perhaps most interesting dramatisation is today’ Wednesday Play: an episode of Studio One called The Night America Trembled. It looks at the effect the broadcast had on various elements of society, including a group of card-playing frat boys, some policemen and, most poignantly, a young girl babysitting some children. As well as the hallowed and smileless newscaster Edward R Murrow popping up to narrate and put the play in its historical context, it also features numerous actors who would later go on to become famous: as well as Ed Asner and Warren Oates, James Coburn makes his television debut, John Astin appears uncredited as a reporter and in one of his earliest acting roles, Warren Beatty plays one of those card-playing frat boys.

Perhaps its most remarkable feature, though, is that not once does Orson Welles get name-checked. Apparently, people were still a little sore about the whole thing…