Classic TV

Kneale Before Nigel: Quatermass/The Quatermass Conclusion (1979)

QuatermassStarring: John Mills, Simon MacCorkindale, Barbara Kellerman
Writer: Nigel Kneale
Director: Piers Haggard
Price: Blu-ray £29.99 (Amazon price: £21.75), DVD £19.99 (Amazon price: £14.75)
Released: 27 July 2015

In the last quarter of the 20th century, the whole world seemed to sicken. Civilised institutions, whether old or new, fell… as if some primal disorder was reasserting itself. And men asked themselves, “Why should this be?”

Professor Bernard Quatermass is one of the most important characters in TV history. Created by blog god Nigel Kneale back in 1953 for the BBC, Quatermass was the hero of The Quatermass Experiment, a ground-breaking piece of adult science-fiction television, created at a time when all the US had to offer the world was Captain Video.

The Quatermass Experiment saw Quatermass, the head of the ‘British Rocket Group’, sending into space a rocket containing three astronauts, only for it to come back down again with two of them missing and the survivor strangely changed. What happened to the missing astronauts is for the coldly scientific Quatermass to find out and his investigations are set to change the way we think about ourselves.

The six-part serial was so popular that despite being broadcast at a time when very few people actually owned a TV, it was able to empty the streets. The result was not only a movie adaptation by Hammer Films, but a 1955 sequel appropriately called Quatermass II. If The Quatermass Experiment was “we go to them”, Quatermass II was “they come to us”, with Quatermass discovering that his plans for a base on the moon have already been put into practice… in England. But what’s inside these domes and how is it that no one’s noticed them until now?

The popularity of this new serial was again sufficient for both a movie adaptation and another lavish sequel, Quatermass and the Pit, to be approved, the latter being broadcast in 1958. This saw a WWII bomb discovered during building works in London. However, subsequent examination reveals that the discovery is a lot, lot older than anyone could have guessed.

“We go to them”, “They come to us” but now it turns out that they have always been here – and that we are the Martians.

However, that was the last of Quatermass for a while. Although Kneale was asked in 1965 to write a new Quatermass story for the BBC2 anthology series Out of the Unknown, he declined the offer, which meant that the first new Quatermass the 1960s got to see was a Hammer adaptation of Quatermass and the Pit in 1967.

The success of this movie prompted Hammer to ask Kneale to write a new Quatermass movie for them, but that got no further than initial negotiations, meaning Quatermass and the Pit was also the only new Quatermass story of the 1960s. But following the success of The Stone Tape in 1972, the BBC asked Kneale for a new Quatermass serial… and he agreed.

Kneale completed the script in February 1973, after which preliminary filming work began. However, for various reasons, the BBC got cold feet, and the serial was cancelled in the summer of that year.

The BBC’s rights to the serial expired in 1975, by which time Kneale was working for ITV on projects such as Murrain and Beasts. Then, in 1977, Star Wars arrived on the scene and suddenly everyone was interested in science-fiction again. In particular, Euston Films, an ITV film subsidiary, became interested – perhaps, in part, because it was overseen by blog goddess and famous Doctor Who producer Verity Lambert. And Euston wanted both a four-part TV series and a movie.

Guess what’s going to be released on Blu-Ray next week. Yes, after the jump, we’re going to be looking at the forthcoming release of Quatermass and The Quatermass Conclusion – the final adventures of Professor Bernard Quatermass (almost)

Here’s a trailer or three.

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The Weekly Play

Nostalgia corner: Ace of Wands (1970-72)/The Wednesday Plays: Dutch Schlitz’s Shoes/Mr Stabs (1984)

There can’t be many TV characters that have managed to endure for 15 years, on and off. There must be even fewer still who were villains and played by different actors. Even fewer of them must have appeared in children’s TV shows and been set up for their own spin-off series. And even fewer have had children imitating them in playgrounds.

But to do all of that and to appear in no fewer than three unrelated TV shows? That surely must be unique.

So spare a thought for Estabse, an immortal member of ‘the Brotherhood’, servant of Beelzebub and prodigious user of ‘hand magic’, for his journey is indeed both unique and fascinating.

It begins in Ace of Wands, in itself a fascinating and unique show warranting an entry in Nostalgia Corner, before moving over into The Wednesday Play and two different anthology series: Shadows and Dramarama. Are you prepared to meet Mr Stabs?

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The Wednesday Play: Leeds United (1974)

It’s quite easy to dismiss a lot of the late 60s/early 70s Play For Today strands as agitprop. I’ve done it myself, plenty of times. But it’s worth remembering that even when it was agitprop, that didn’t mean that everyone in the left wing was happy with the results.

Leeds United is one play that garnered considerable backlash… from trade unions. It was written in 1974 by actor Colin Welland (Kes, Z Cars, Straw Dogs, Sweeney!) who’s now best known as the writer of Chariots of Fire, for which he won the Best Screenplay Oscar and notoriety for his “The British are coming!” acceptance speech:

Directed by Roy Battersby and starring Lynne Perrie, Elizabeth Spriggs, Lori Wells, Josie Lane and Bert Gaunt, the play was based on the true story of a 1970 strike in Leeds by female textile-factory workers. What did they want? To be paid the same as their male colleagues. When did they want it? Now. Their biggest obstacle? Their own trade union.

While Welland, of course, survived the furore from the trade unions, Battersby didn’t fare as well. Despite being a Trotskyist and full-time organiser for the Workers Revolutionary Party, his career was considerably damaged. His third Play For Today, Leeds United would be the last of his contributions and he never worked on the series again. He worked very little on TV for the rest of the 1970s, but his career revived in the 80s. He eventually won the Alan Clarke BAFTA for ‘outstanding creative contribution to television’ in 1996.

Leeds United is this week’s Wednesday Play. Try not to blacklist anyone after you’ve watched it.

The Weekly Play

The Wednesday Play: Vampires (1979)

Given the sad passing of Sir Christopher Lee this week, it seems appropriate that this week’s The Wednesday Play should be Vampires, a 1979 BBC Play For Today, about the power of horror movies to affect the imagination. One of the slot’s best remembered plays, it nevertheless features mainly untrained, child actors and was written by an unknown, Liverpool writer Dixie Williams. 

One of only two film productions BBC Pebble Mill could afford to make that year, Vampires tells the story of three boys who stay up late to watch Lee’s career-launching role – Hammer classic Dracula: Prince of Darkness. Suitably entranced, they soon end up playing at being vampires, but down the local cemetery, they become convinced that a lone man dressed in black is a real-life vampire. As the play progresses, increasingly spookier and macabre events transpire and the play continues to suggest that maybe they’re not wrong and that vampires are the least of their worries…

Directed by John Goldschmidt, who was best known for his documentaries at the time and who gives the play a distinctly matter-of-fact approach to its supernatural subject, Vampires also includes moments of great fun, including a schoolboy discussion of the difference between horror and science-fiction that invokes The Quatermass Experiment, as well as more traditional Play For Today themes, including the difficulty of bringing up kids when you’re a poor, working class mother living in Liverpool in the late 70s.

And it’s your Wednesday Play. Enjoy!

What TV’s on at the BFI in July 2015? Including The Wednesday Play Where Adam Stood (1976)

It’s time for our regular look at the TV that the BFI is showing, this time in June 2015. This month’s output is devoted purely to the fourth part of the ongoing Dennis Potter season, this time focusing on the themes of sex and death. If that doesn’t sound much, you should probably see how many showings that amounts to, given it includes showings of all of Casanova, Blackeyes, Karaoke, Cold Lazarus, and The Singing Detective, as well as Blue Remembered Hills and Double Dare.

There’s also Where Adam Stood, Potter’s 1976 free adaptation of the autobiography of naturalist and fundamental Christian Edmond Gosse, whose father had trouble reconciling the Bible with the latest works of Charles Darwin, causing Gosse all manner of difficulties. Don’t want to wait to see it? Well, you don’t have to as it’s this week’s Wednesday Play (on Thursday):

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