Canadian TV

Review: Motive 1×1 (CTV)

Motive CTV

In Canada: Sundays, 9pm, CTV
In the US: Acquired by ABC for summer 2013
In the UK: Not yet acquired

In the never-ending struggle to come up with new crime drama formats, there are generally two methods of differentiation used by writers: character and gimmick. If you differentiate by character, you end up with shows such as Monk, Elementary, The Mentalist or Psych, in which someone over-laden with personality has to solve crimes while less interesting, more plodding individuals stand around filling up dialogue time and generally failing to solve crimes.

If you differentiate by gimmick, you end up with shows like Justice, Murder One, and The Whole Truth, in which quite dull characters stand around filling out plot time while the gimmicky plot mechanism that drives the show plays itself out.

In both cases, I should point out, you still need to have involving crimes and investigations or both techniques will be for naught.

Now Motive wants to have its cake and eat it, attempting to stand out from the crowd with both gimmick and character. The gimmick here is that as the show’s title suggests, it’s all about the motive: as much time is dedicated to why the crime was committed as to solving it, with huge chunks of the story told in flashback. But it also has character: no special character ticks here but cool, over-acting, intensely irritating detective-mom Angie Flynn, who’s just so down with her kid.

Does it work? Well, it stands out, but it’s forgotten that golden rule and as a result is still a very boring show that makes Cracked look like The Shield in comparison. Here’s a trailer: note, as with all Canadian TV shows, the contractually obligated appearance of at least one person from Stargate as well as Roger Cross from 24 (okay, he isn’t in the trailer but he’s in the show).

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Monday’s “Returning X-Men, Dr Strange is coming and loads more pilots” news

Film

Film casting

  • Anna Paquin, Ellen Page and Shawn Ashmore returning for X-Man: Days of Future Past

Trailers

  • Trailer for Michel Gondry’s Mood Indigo, with Audrey Tautou
  • New trailer for Snitch with Dwayne Johnson, Susan Sarandon et al [US only]

Theater

  • Ian McKellen and Patrick Stewart to star in No Man’s Land and Waiting for Godot

Canadian TV

UK TV

US TV

US TV casting

  • Sarah Chalke to guest on Grey’s Anatomy
  • John Pyper-Ferguson to recur on Once Upon a Time and Sendhil Ramamurthy to be a regular on Beauty and the Beast

New US TV shows

New US TV show casting

Wednesday’s “Pilot green lights, cancellations and Alex Kingston to recur on Arrow” news

Doctor Who

Film

Film casting

Trailers

  • Trailer for Olympus Has Fallen with Gerard Butler and Morgan Freeman
  • Trailer for Ghost Team One
  • Trailer for The Liability with Tim Roth and Peter Mullan
  • Trailer for Hansel & Gretel: Witch Hunters with Gemma Arterton, Jeremy Renner et al [NSFW]
  • Clip from Beautiful Creatures with Emmy Rossum

Theatre

Canadian TV

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New US TV show casting

The BarrometerA Barrometer rating of 4

Third-episode verdict: Transporter: The Series (RTL/M6/HBO Canada/Cinemax)

In Canada: Fridays, 9pm ET/MT, HBO Canada/Super Ecran 1
In the US: Acquired to air on HBO Cinemax, possibly in June
In Germany: Already aired on RTL
In France: Already aired on M6

Time for a third-episode verdict on Transporter: The Series, an international co-production that tries to replace the movie’s growling, car-driving Hong-Kong style martial artist who dare not get attached (Jason Statham) with a purring, karate-loving car-driver who loves a shag (Chris Vance).

Of course, what constitutes the first three episodes of the series is a good question, since the episode that aired last week – The General’s Daughter – was actually the first episode broadcast in France and Germany, and so is also a pilot of sorts.

Most of the same criticisms still hold for episode three/one that were true of episodes one and two. It’s a stupid show that doesn’t shoot action well and thinks that women are only useful if topless, naked or sat in front of a computer doing menial tasks. However, compared to the first two episodes, the action seems a lot more together. The fight’s are a tad more Hong Kong in terms of the use of props but, with a German stunt team, of course you’re going to get a lot more karate than kung fu. Pleasingly, Vance also seems to have got the hang of this fighting thing and is looking quite effective in the fights. And the car chases are now only sped up minimally, rather than virtually all the way through.

With less of the comedic German engineer from the first episode and more of the French police inspector from the movies, you’d have thought that would have meant the show was getting better, but the combination of the elevated misogyny and reduced characterisation, plus the fact that even when sped up, the third episode’s car chases weren’t in any way exciting – spoiler: one actually ended with Vance’s car trundling to a halt on a grassy verge after racing along driverless at 100mph – meant that it was actually quite dreadful TV viewing.

Nevertheless, despite being largely horrific, the halfway decent fight scenes are a least a reasonable enough excuse to watch. If you can sit through the rest of it, you’ll at least get that much each week. But if that’s enough, still well clear of this.

Barrometer rating: 4
Rob’s prediction: Will last a season but no more

Monday’s “Lifetime’s Prisoners’ Wives, a Vampire Diaries spin-off and a Jo Nesbo pilot” news

Trailers

  • Trailer for The Call with Halle Berry

Canadian TV

French TV

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US TV casting

New US TV shows

New US TV show casting