What have you been watching? Including X-Men: DOFP (Rogue Cut), The Equalizer and The Last Ship

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

I’ve had a heavy workload this week, which is why my output has slightly dwindled to a mere two TV reviews:

Sorry about that. But I have been managing to squeeze in some viewing, so after the jump, I’ll be looking at the latest episodes of: Ballers, Dark Matter, Glitch, Halt and Catch Fire, Humans, The Last Ship, Mr Robot, Stitchers, Strike Back: Legacy, Suits, True Detective, UnREAL, and The Whispers. Two of these I’ll be dropping from the viewing queue. Can you guess which ones, Tigers?

Hannibal’s been shunted to Saturdays in the US, by the way, so that’ll have to wait until next Friday now.

I’ve also watched a couple of movies.

The Equalizer (2014) (Now TV)
Denzel Washington reunites with Training Day director Antoine Fuqua for this adaptation of the famous Edward Woodward 80s TV series. Washington is Robert McCall a former CIA agent who retires after promising his deceased wife that he would stop doing the bad things. However, when a child prostitute (Chloe Grace Moretz in little more than a 10-minute cameo) is beaten up by her Russian pimp and Washington exacts revenge, everything escalates as he has to take on mob fixer Martin “I may be a Hungarian-New Zealander but I’ll play any other nationality” Csokas (Rogue, The Bourne Supremacy, Falcón).

There’s not a huge resemblance between this and the original TV series, with the whole movie essentially being the origin story that the pilot episode briefly touched on, it, too, setting up a potential franchise at the end. But surprisingly there’s not much action or even espionage work, to replace the episode-long drawn out violent politicking of the original series. Indeed, we bet the occasional shootout and fight scene and a series of incidents to which Washington presents fait accompli solutions to everyone’s problems.

Not an awful movie, though, there’s a certain degree of intelligence in the script and Washington makes for a very stoic lethal old buffer. But a disappointment for both action fans and fans of the original series. There’s not even a Rolls Royce in it.

X-Men: Days of Future Past: Rogue Cut (2014/5) (iTunes)
Not technically a new film at all, as I’ve already seen and watched the cinema release, but this new cut of the movie promised an entirely new sub-plot involving Rogue that had been excised from the original for running time. This version gives us just a few early additions in the first 90 minutes – a line here, a brief extra scene there – but is otherwise much the same as before. It’s not until towards the end that we get the big additions, and there is indeed an entire new sub-plot that gets added involving rescuing Rogue so that she can take over from Kitty. Everything makes a little more sense as a result and it’s interesting to see they must have refilmed certain scenes as some of the Rogue material conflicts with the cinema cut.

However, to be honest, it’s not that much extra, the extra plot was obviously only in it to crowbar Rogue into the movie, and its excision was no great loss as it all feels a lot slower as a result of the addition. So save your pennies, unless you’ve not seen the original but particularly if you were thinking of buying it on iTunes, as the promised two hours of additional material has so far been a no-show, thanks to an Apple cock-up.

Continue reading “What have you been watching? Including X-Men: DOFP (Rogue Cut), The Equalizer and The Last Ship”

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The BarrometerA Barrometer rating of 5

Third-episode verdict: Killjoys (Canada: Space; US: Syfy)

In Canada: Fridays, some time or other, Space
In the US: Fridays, 9/8c, Syfy
In the UK: Not yet acquired

I said on Friday that I was quitting Killjoys but I had some spare time on Saturday so I thought I’d give it one last chance. I really should have followed my own advice, since although episode three was marginally better than its predecessors, that still didn’t lift the show into the heady realms of ‘average’, let alone ‘good’.

The show is about as generic as it comes, seeing three ‘killjoys’ (bounty hunters) who work for the RAC (ha ha ha!) having to chase after criminals in outer space, usually with some shooting or fighting involved. The first episode introduced us to the three killjoys – well, technically two killjoys at that point (Hannah John-Kaman and Aaron Ashmore) who are joined by Ashmore’s soldier-boy brother with PTSD Luke Macfarlane. Episode two then gave us a bonding exercise between the three that ended with Mafarlane being recruited to the killjoys in lieu of a proper job, with episode three being his first ‘mission’.

All the time, they bicker and squabble with each other, either suggestively or like siblings, depending on the pairings.

And that’s about it. John-Kaman has ‘raised from birth to be an assassin’ secrets she’s keeping from the others; Macfarlane has ‘I was in a secret war’ secrets he’s keeping from the others; Ashmore just wishes people would take him seriously.

To its credit, Killjoys tries very hard to world-build and create an SF society on the four worlds in its solar system. Trouble is it’s still very, very boring and its action sequences are hopelessly generic. Although they all have a certain je ne sais quoi, the leads take it in turn to pass round the acting talent between episodes, yet it’s never quite enough to fill any of them up to the brim.

By the end of it, you probably won’t care what anyone’s secrets are and you might as well just watch Guardians of the Galaxy instead.

Barrometer rating: 5
TMINE prediction: Cancelled by the end of the season at the latest

What have you been watching? Including Scream, Mr Holmes, Ballers, True Detective and Mr Robot

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Summer schedules are here, so another week, another batch of new programmes to review. Elsewhere, I’ve reviewed most of the new shows, I think:

I’ve also passed third-episode verdicts on:

I haven’t watched this week’s episode of Strike Back, which I usually watch with my wife, but she had better things to do this week. So that means that after the jump, I’ll be looking at the latest episodes of the usual regulars – Halt and Catch Fire, Hannibal, The Last Ship, Suits, Stitchers, True Detective, Tyrant, Westside and The Whispers – as well as newbies Ballers, The Brink, Killjoys, Mr Robot and UnREAL. At least one of them’s for the chop.

But I’ve watched one other new TV show, as well as a movie…

Scream (US: MTV)
I was umming and ahhing about whether to review Scream, given that

  1. It’s MTV so aimed at ‘those young people’
  2. I never really liked the Scream movies
  3. I have a big workload next week so might not have the time
  4. I’m slightly boycotting anything associated with Kevin Williamson, as a result of the evil that is The Following and Stalker.

But as I had nothing else to watch this lunchbreak, I decided to watch it anyway. And frankly, I was bored. Scream as a movie was moderately interesting, critiquing and subverting the horror genre with characters making explicit analysis of the tropes of horror movies, so that these could then be undermined.

The TV Scream wishes it was even half that clever, though. Not truly a sequel, given it doesn’t really follow on from the original movies or feature those characters, as far as I can see, it does however feature a ghost-masked killer who’s always on the end of a phone (or social media interaction), talking to his victim. It also starts off by doing the exact same thing as the original Scream – killing the most famous cast member in her own home while she’s on the phone to the killer.

All the same, that’s where the similarities really stop, since the rest is tedious. The show spends most of its first hour boring us witless with a bunch of cookie-cutter teens and their cookie-cutter relationships, which are so tediously unoriginal, the show tries to be clever by pointing out how tediously unoriginal they are at the end. It also tries to ‘Scream’ TV shows, name-checking the likes of American Horror Story, Hannibal, The Walking Dead et al, without adding even an iota of insight or analysis to them.

Even halfway through, I was desperate for my lunchbreak to end and the sweet relief of work to begin. Surely that’s not the way it’s supposed to be?

Mr Holmes (2015) (in cinemas)
Sir Ian McKellen plays a 90-year-old Sherlock Holmes, retired and looking after his bees, while slowly losing his faculties. At the same time, he thinks back 30 years to an old case that Watson fictionalised and whose solution he can’t quite remember.

Those going in expecting a ‘Sherlock Holmes story’ will be disappointed as there’s only two minor mysteries for Holmes to solve in the entire piece and they’re not the hardest to crack. But while it’s still definitely a story featuring Sherlock Holmes – in various forms, including the Strand magazine Holmes and Nicholas Rowe’s Holmes, Rowe having starred in Young Sherlock Holmes – Holmes here is a proxy for intellectuality without emotionality/spirituality and how it’s ultimately no comfort if you’re human and mortal.

I wouldn’t say I loved it, but it’s something that definitely leaves you thinking about it for some time afterwards, and McKellen is superb at both ages.

Also features a slightly odd excursion to Japan with Hiroyuki Sanada (Helix, The Last Samurai, Ring, Lost).

Continue reading “What have you been watching? Including Scream, Mr Holmes, Ballers, True Detective and Mr Robot”

The BarrometerA Barrometer rating of 3

Third-episode verdict: Dark Matter (Canada: Space; US/UK: Syfy)

In Canada: Fridays, 10e/7p, Space
In the US: Fridays, 10/9c, Syfy
In the UK: Mondays, 8pm, Syfy

The best that can probably be said about Dark Matter is that it’s better than you think it’s going to be and that it gets better over time. A show initially so generic in its grungy, generic sci-fi ambitions, we all had a hard time working out if it was Blakes 7 crossed with Andromeda or Farscape crossed with Firefly. Since then, its essential core – generic characters in a generic spaceship experiencing generic science-fiction plots in generic outer space Wild West – has hardly changed. The characters are the same, the situations are the same and the tropes are the same.

But whether it’s now finding its feet or its original comic source has now been exhausted and the producers (who also wrote it) are trying to work out what’s better for the small screen, episode three felt marginally better. A more generic version of Blakes 7’s Stardrive, it was basically a ‘ship in a bottle’ episode that allowed everyone to interact and reveal more about themselves and the main plot. While pretty much everything went as you’d have expected it, there were a few surprise twists and despite the ‘gritty’ setting, it managed to be amiable and fun enough to maintain attention throughout.

More importantly, the very end of the episode suggests potentially more interesting territory is about to be explored: the crew may have lost their memories but (spoiler alert) they may never have had them and may only be clones of the real crew.

All the same, the show’s put enough of its cards on the table now that we can see there’s a peak quality threshold it’s never going to exceed. Dark Matter‘s generic space opera at best and to be fair to the producers, that’s all they’re aiming for. I’m not sure if I’m going to stick with it, but unlike its equally generic, Friday-night schedule buddy Killjoys, it does at least pass the time nicely and without many dull moments, there are some decent actors in the cast and it’s not stupid. And by both Syfy and sci-fi standards, that’s pretty good.

Barrometer rating: 3
Rob’s prediction: Could well make it to a second season, but I suspect I’ll have given up before then