Australian and New Zealand TV

News and reviews of Australian and New Zealand TV

What have you been watching? Including Vinyl, Wanted and Vikings

20 February 2016 Rob Buckley 11 Comments

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Apologies for the silence this week – you can blame Windows 8 for that. It wasn’t even my Windows 8 (like I’d have it in the house), but the Windows 8 of somewhere at which I do volunteer work. My advice? Don’t try to fix Windows 8 – just wipe it and start again. Which is what I eventually did.

Anyway, that meant I couldn’t write about tele for several days, but don’t worry – it didn’t mean I couldn’t watch tele. Elsewhere, of course, I’ve reviewed the first episodes of:

And after the jump, I’ll be dealing with the regulars: American Crime, Arrow, Billions, DC’s Legends of Tomorrow, The Doctor Blake Mysteries, The Flash, Limitless, Lucifer, The Magicians, Man Seeking Woman, Marvel’s Agent Carter, Okkupert (Occupied), Second Chance, The Shannara Chronicles, Stan Lee’s Lucky Man and The X-Files. At least one of those gets the chop this week. Can you guess, which? This week also saw the return of Vikings, so I’ll be having a go at that, too. 

Out yesterday was Netflix’s Love, and I’ll try to give that a watch over the next few day; I’ll probably be playing catch-up with BBC4’s showing of Iceland’s Trapped, too.

But there was a couple of new shows out in the past week or so that although Windows 8 stopped me from reviewing them, I did manage to get a chance to watch them. Largely while I was fixing Windows 8.

Vinyl (US: HBO; UK: Sky Atlantic)
Martin Scorsese and Mick Jagger co-created this story of the 70s music business, in which Bobby Carnavale (Cupid, Boardwalk Empire, Nurse Jackie) plays the boss of a struggling company trying to work out what’s hip and cool, as punk et al arrive on the scene. Scorsese directs, there’s a soundtrack including Slade and Abba, there’s a strong supporting cast, including Ian Hart, Paul Ben-Victor, Juno Temple, Olivia Wilde, Ray Romano and Birgitte Hjort Sørensen. What could go wrong? Well, lots apparently. Maybe it’s just because it’s about the music business, in which I have minimal interest. Maybe it’s because of the sexism, racism, et al of the period. Maybe it’s some of the dodgy English accents floating around. Whatever it was, despite its having a certain degree of authenticity, I barely made it to the end of the extremely long pilot episode. Not for me.

Wanted (Australia: Seven)
Continuing her majestic stranglehold on all of Seven’s drama output, Rebecca Gibney stars in this odd-couple-on-the-run drama that she also created. Gibney plays a rebellious, free-spirited but broke checkout woman; Geraldine Hakewill is an uptight accountant with a nerdy boyfriend and a criminal secret. They’re both waiting for a bus when a car chase ends in front of them and they witness a murder. Unfortunately for them, crooked cops are involved in the action and before you know, there are more bodies, everyone thinks they’re responsible and they’re on the run, while trying to clear their name and avoid getting caught by bad cop Nicholas Bell or good cop Stephen Peacocke. It’s mildly diverting stuff, but everything goes pretty much how you expect, the jokes are weak, and neither Gibney nor Hakewill make you want to hang out with either of them, let alone go on the run with them.

Continue reading “What have you been watching? Including Vinyl, Wanted and Vikings”

What have you been watching? Including The Man From UNCLE and Sicario

14 February 2016 Rob Buckley 6 Comments

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

It’s been if not a bumper week for TV, one that’s certainly full. Elsewhere, I’ve passed verdicts on:

After the jump, the regulars: American Crime, Angie Tribeca, Arrow, Billions, The Flash, Limitless, The Magicians, Man Seeking Woman, Marvel’s Agent Carter, Okkupert (Occupied), Second Chance, The Shannara Chronicles, Supergirl and The X-Files, as well as the return of The Doctor Blake Mysteries. At least one of those is for the chop, one of them earned a last minute reprieve and another could be departing soon.

I’ve a few new shows from Thursday night onwards that I haven’t had a chance to watch yet, but which hopefully I’ll be able to let you all know about this week: Wanted (Australia: Seven) and Those Who Can’t (US: TruTV). Otherwise, I’m bang up to date.

In fact, I’ve had a go at a few movies, too.

Sicario (2015) (iTunes)
Emily Blunt is an FBI agent drawn into the moral greys of the drugs war, as she joins an inter-agency taskforce with Mexican drug dealers in their sights. Despite some lovely cinematography, and a good cast that includes Josh Brolin, Benicio del Toro and Jeffrey Donovan, it’s something of a yawn fest that thinks it’s saying something clever about the lengths good men must go to to fight evil. Except it’s all been done before. There are two excellent, tense sequences, but otherwise it’s a yawnfest, and Blunt’s neophyte is practically superfluous requirements – had it simply about our ‘grey areas’ friends, it would have been a much leaner and more interesting movie.

Fantastic 4 (2015) (iTunes)
Yet another origin story for the Fantastic Four, in which plucky scientists and their friends and relatives get given special powers through a cosmic accident. This version is probably the worst so far, however, despite taking more than a few liberties with the original story, swapping out cosmic rays in favour of some inter-dimensional travel experiments. The lovely wife and I tried to watch this a few months ago, but quickly gave up through sheer boredom. This rewatch revealed it was a full hour and 20 minutes before anything that could be quantified as ‘mildly exciting’ happened in the movie – that being the 10 minute final battle between the Four and evil hacker/scientist Victor Von Doom. An excruciatingly painful bit of movie-making that proves that everything Marvel is not gold and that superheroes need to have both personalities and fun to be worth watching.

The Man From UNCLE (2015) (iTunes)
Guy Ritchie’s reboot of the 60s TV series attempts to do what Sherlock Holmes did for Sherlock Holmes. Here, we get an origin story of sorts – how CIA agent Napoleon Solo (Henry Cavill) and KGB agent Ilya Kuryakin (Armie Hammer) end up working together to defeat a greater enemy, with the help of Mr Waverley (Hugh Grant). The first 15 minutes isn’t half bad, as we learn a lot more about Solo than we did in the TV series (he’s a former war profiteer who agreed to join the CIA to avoid prison) and get a decent version of post-war Berlin to enjoy. Unfortunately, the intellectual, cool Kuryakin of the TV series here is yet another stereotypical Russian, ex-Spetsnaz soldier, and there’s almost zero cameraderie between the two of them.

At least for the first half, after which I turned off because it was just so astonishingly boring.

Fast and Furious 6 (2013) (Channel 4)
Seeing as both Gina Carano (would have been good as Wonder Woman) and Gal Gadot (fingers crossed, will be good as Wonder Woman) were in this, I thought I’d tune in for this, having studiously avoided all the previous installments of this ‘fast cars, fast criminals’ movie franchise. Unfortunately, it was just as awful as I thought it would be, with no trace of acting skill displayed by anyone, characterisation that’s beyond insulting and almost zero grasp on reality. I didn’t even make as far as any of the stunts. Oh well.

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News: Matt LeBlanc is Not Your Friend; Angel From Hell cancelled; Magicians renewed; + more

9 February 2016 Rob Buckley Post a comment

Australian TV

  • Seven to launch 7flix entertainment channel

International TV

US TV

US TV show casting

New US TV shows

New US TV show casting

What have you been watching? Including Room, Marvel’s Agent Carter, Arrow and Endeavour

23 January 2016 Rob Buckley 4 Comments

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

It’s been another huge week, full of new shows, continuing shows and returning shows. I’ve struggled manfully with them, but despite delaying WHYBW to Saturday to give me a little extra time to get through everything and then write about them, I’m still to cover three new series:

  • Mad Dogs (Amazon Instant Video): Shawn Ryan’s US remake of the Sky 1 original brings back Ben Chaplin in a different role but none of the other cast for this relocated show about a bunch of old friends (in both senses of ‘old’) who reunite for a plush holiday in the middle of sunny nowhere. Before you know it, everything ends up going a bit criminally pear-shaped and holiday heaven becomes holiday nightmare. I haven’t even watched the pilot of this, which has been sitting on Amazon for a while now, but given the original didn’t overly impress me and I gave up after about three episodes, I’m not sure I’m going to be in much of a rush to watch this version either. I do hope they explain why it’s called Mad Dogs, given the lyrics are ‘Mad dogs and Englishmen go out in the noonday sun’.
  • Baskets (US: FX): Co-created by Louis CK, Zach Galifianakis and Jonathan Krisel, this sees Galifianakis playing dual roles as twin brothers, one of whom aspired to clown school in Paris, but who ended up becoming a rodeo clown. It’s apparently a bit Marmite, but I’ll try to review it in the first half of next week.
  • Stan Lee’s Lucky Man (UK: Sky 1): Marvel’s Stan Lee gives us James Nesbitt as a Brit cop, down on his luck, who gets a magical bracelet that reverses his fortunes. It’s Stan Lee, so could be fun, but it’s also Sky 1 so could be stupid/mediocre beyond belief. Again, first half of next week for this one.

Despite those three failings, I have managed to cover rather a lot this week already, with reviews or previews of the first episodes of:

As well as a third-episode verdict on Cooper Barrett’s Guide To Surviving Life (US: Fox).

The meat of the week’s viewing has, however, been continuing and returning shows, so after the jump, you’ll find reviews of the latest episodes of (deep breath): 100 Code, American Crime, Arrow, Billions, Byw Celwydd (Living A Lie), Colony, Endeavour, The Family Law, The Flash, Grandfathered, Limitless, Man Seeking Woman, Occupied (Okkupert), Rebellion, Second Chance, Les hommes de l’ombre (Spin) and Supergirl. Oh yes, and the two-hour premier of the new season of Marvel’s Agent Carter. Pardon me if you were hoping I would carry on with Idiotsitter, but no thank you.

I’m pretty sure something’s going to have give on that list soon, but I’m not quite sure what yet. Pity the first show to turn in a duff episode.

This week, I also moseyed on down to the cinema to watch a movie:

Room (2015)
Adaptation of Emma Donoghue’s book of the same, which sees five-year old Jake (Jacob Tremblay) discovering that the small room he’s lived in his whole life may not be the extent of the universe and that his mother (Brie Larson) has been keeping some important and very disturbing details from him. While that scenario (inspired by real cases) doesn’t sound like a very enjoyable subject matter, both the book and the movie quickly switch things around and give us a genuinely moving tale of parental love, the adaptability of children and finding hope in extremis, so if you think it’s not your thing, you might find you’re completely wrong.

Not quite as initially claustrophobic as the book, the movie is still a magnificent piece of work, with Larson and Tremblay justifiably getting all kinds of award nominations. William H Macy appears for almost no good reason, except to remind you of all the roles he used to get before he ended up doing Shameless (US). Recommended – you won’t even be able to watch the trailer again afterwards, without wanting a cathartic little cry.

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Australian and New Zealand TV

Review: The Wizards of Aus 1×1 (Australia: SBS2)

21 January 2016 Rob Buckley 3 Comments

In Australia: Aired nightly, Tuesday 19 January-Thursday 21 January, 8.30pm, SBS 2

As we discovered quite recently with The Shannara Chronicles (although, truth be told, we’ve known it in our hearts for quite some time), fantasy is not only a genre that’s very easy to parody, it’s almost self-parodic. Even when it’s being serious, there’s an inevitable difficulty in suspending disbelief, particularly when it starts throwing in pompous dialogue, not bothering to develop characters much beyond their ‘destinies’ and their general unwillingness to embrace them, plots that are largely scavenger hunts but with better prizes, and so on.

So you might ask what the point of The Wizards of Aus is, as it’s a parody of the fantasy genre in which two powerful but rather petty wizards fight their plot-ordained conflict in powerful but rather petty ways. Do we need it? Fantasy is silly already.

It’s a good question and I’m not sure there’s a good answer, beyond “So that Michael Shanks can make some silly and occasionally funny jokes.”

Michael Shanks?

Michael Shanks

No, he’s Canadian. This Michael Shanks.

Michael Shanks

He’s Australian. Or maybe a New Zealander. Or maybe both.

The basic plot is this: Shanks is a wizard who lives in a world of magic and dragons and wizards and knights and warrior women. Except all they do all day is fight and do idiotic, heroic things. So Shanks decides to move somewhere where rationality rules: the suburbs of Melbourne, Australia. Unfortunately, so do a lot of the other magical beings from his world. Some get regular-type jobs, others continue with their malevolent activities.

Shanks is a sort of halfway point between the two worlds – too smart and rational for the fantasy world, too magical and lack in worldly wisdom for Australia – and the show basically divides the humour into three types:

  1. Flashbacks to the fantasy world
  2. A somewhat lame attempt to satirise Australian racism using magical beings as an obvious metaphor for immigrants
  3. The juxtaposition of the magic world with the real world, with wizards applying for recycling bins.

The first camp is actually quite funny, with Shanks smartly sending up the conventions of the genre. You really wish that was the whole show – a sort of Blackadder of the fantasy world.

The second camp is obvious and rarely makes a point beyond “Look! This is just like how we’re treating the boat people and Asians! Do you see? Do you see?”

And the third camp, despite all kinds of shiny guest stars such as Guy Pearce (Iron Man 3, Memento), Liam McIntyre (Spartacus, The Flash) and Bruce Spence (Legend of the Seeker, Mad Max 2), really seems more like a big, long and possibly quite expensive advert for the Australian digital effects industry than anything actually funny.

Less is more, it seems, even in the fantasy realm.

If it weren’t such a busy month, I’d probably stick with the remaining episodes as although it’s a bit scattergun, there is at least reasonable promise in the show’s mocking of fantasy conventions. Unfortunately, it is so I won’t. YMMV.