Review: Doctor Who – The Boy That Time Forgot


The Boy That Time Forgot

‘The boy whom time forgot’, surely? Oh well.

First off, let’s ask ourselves a rhetorical question in a loud, slightly self-righteous voice.

“Is nothing sacred? Nothing, I ask you?”

Just thought I’d get that off my chest. See, this Big Finish adventure takes one of the classic moments of the fifth Doctor’s TV reign, tramples all over, gets into its SUV, drives over it, reverses back for another go, then throws it into an old reservoir where it’s left to float among the dead fish and tyres.

Memories: crushed.

All the same, once you’ve accepted that particular shock to your system, The Boy That Time Forgot is quite fun and interesting. Treading a very fine line between self-mockery and pathos, it manages to avoid being an utterly pointless exercise in mining continuity for all its worth – and then some – and becomes something almost thought provoking.

Be warned, I’ll have to spoil you a little bit after the jump just so you have the faintest idea what I’m on about. It might make you more interested in the play, too.

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UK TV

Free Big Finish audio play: The Coup, starring Nicholas Courtney

UNIT - The Coup
Not all of you listen to the Big Finish audio plays. That’s fair. Although there are plenty of good reasons for this, including not liking Doctor Who, Sapphire and Steel, etc, one big reason is they cost money.

But Big Finish is currently giving away a free play from their UNIT range of stories that stars Nicholas Courtney (the Brigadier from the adventures of the second, third, fourth, fifth and seventh Doctor TV stories), Siri O’Neal (Moondial anyone?), Scott Andrews, Matthew Brehner, Sara Carver, Michael Hobbs, Joseph Lidster and Mark Wright. So if you fancy a taster and have half an hour to spare, why not give this one a go?

Written by Simon Guerrier, The Coup is set in London in the near future. The UK division of the United Nations Intelligence Taskforce is prepares to cede its authority to a new organisation. But who is attempting to sabotage the hand-over?

You can buy the full first series for only £20 and it’s worth noting that episode four also stars David Tennant. Yes, that David Tennant.

Review: The Vengeance of Morbius

The Vengeance of Morbius

It’s not often that the biggest fault with a Big Finish play is that it’s not long enough. Quite often, you just sit there, watching the tumbleweed go by and glaciers nip past you as you wait for the play to come to its inevitable conclusion.

But for the first time in quite a while, I came to the end of a play and found myself wishing that they’d spent a whole lot more time on it. I’m not saying that it was brilliant, it’s just when you have a character who has the potential to be one of the most interesting Doctor Who villains around, an hour doesn’t seem like quite enough to explore the character properly, does it?

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Audio and radio play reviews

Review: The Companion Chronicles 3×1 – Here There Be Monsters


The Companion Chronicles: Here There Be Monsters

And so it is we have a new regular series of audio plays at Big Finish: The Companion Chronicles. As we all know, Big Finish has been creating monthly, full cast plays featuring the television Doctors and companions for over a decade now. Not all the Doctors, mind, because some have passed on to the great Matrix in the sky – and one’s a complete mentalist.

The Companion Chronicles was an attempt to (cheaply) fill that gap, by having two-handed dramas featuring just one of those missing Doctors’ companions relating a tale featuring him or her and the missing Doctor – usually as they’re about to kark it.

Two series in and the idea’s proved so popular, Big Finish have gone monthly with it and decided to extend it to later companions as well. Up first is Susan, the Doctor’s first ever companion and only known (proper) relative.

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Review: Doctor Who – The Death Collectors

The Death Collectors

Casting’s a funny old game, isn’t it? You can ruin a production with it, or make it a triumph. You can make thousands flock to it, or send them running for the hills.

Take The Death Collectors for instance. It’s been sitting on my metaphorical shelf for the best path of a month now, glowering at me sinisterly. I say sinisterly purely because it’s a Sylvester McCoy story and I find them about as appealing as an emergency tracheotomy performed with a Pizza Hut knife and coke straw. This one doesn’t even have Hex (or, shudder, Ace) to make it slightly more appealing.

Oh, but what’s this? Katherine Parkinson is the guest star? The sort of red-headed one with the nice voice off The IT Crowd?

Ah. Now, I really think you should have made more of that Big Finish. Maybe written it in giant letters across the cover and relegated Sylvester McCoy to the small print perhaps?

Pass me my iPod…

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