Famous in Love
US TV

Review: Famous In Love 1×1 (US: Freeform; UK: Amazon)

In the US: Available on Freeform
In the UK: Available on Amazon

It’s a little hard to critique the reality of fairy tales. Should an overworked maid join a union, go on strike, become an economic migrant or lobby for an increase in the minimum wage to alleviate her condition? Or she should hope that a fairy will grant her a beautiful outfit and that a handsome prince will end up wanting to marry her because she dances well? Logically, option one is the better, more realistic one, option two the anti-feminist, passive one. Yet we all know that option two pans out for Cinderella whereas option one would have consigned her to perpetual indenture.

Watching modern TV fairy tales The Arrangement and Famous In Love, it seems that “hoping to be catapaulted to fame and fortune by becoming an instantaneously successful movie superstar when another hot major movie star takes a fancy to you during an audition” is the current US equivalent to holding out for that pumpkin carriage. They’re also about as realistic.

The Arrangement, it has to be said, is by far the better of the two shows, while Famous In Love is a great big slap in the face to aspiring actresses everywhere. It sees Bella Thorne (the long-time star of Shake It Up but last seen as the unsuprising ‘surprise’ death in the first episode of MTV’s Scream) playing a slightly bored, but otherwise happy economics student who’d much rather be an actress. Despite apparently having had no acting training, she still goes with bestest gal pal Georgie Flores to an audition to star in a movie franchise guaranteed to be the ‘next Harry Potter‘ and wows everyone, including star Carter Jenkins, with her unparallelled acting skills and highly kissable lips. Before she and the audience know it, she’s hired to play the lead.

But does being rich and famous bring you happiness? Flashforwards to the future successful Thorne seem to suggest otherwise. But what makes her so miserable? Well, there’s the rub. Is it just the lack of private life? Is it a doomed future real-life relationship with Jenkins? Is it a potential estrangement from her still-struggling actress pal Flores? Is it the possible loss of hottie bestest boy pal/romantic interest Charlie DePew, who can’t compete with superstar Jenkins? Or is it something else to do with the machinations of Hollywood?

Time will tell, I’m sure.

Famous In Love is billed as the replacement for Pretty Little Liars, so don’t be surprised that about 50% of the plot is actually about various possible pairings of the assembled characters, as well as rivalries between friends and enemies. Similarly, there’s also a mystery to be solved – namely what happened that estranged Jenkins from his former best friend Keith T Powers and caused popstar Pepi Sonuga to disappear from the public eye – and a closeted lesbian (no, no clues).

However, it’s not even close to the quality of PLL and The Arrangement shows how pretty much every part of the show can be done better. Thorne is likable and quirky enough for sure, but the dialogue and scripting causes it to be so forced, you start to feel sorry for her, given the acres of supposed ‘nervous rambling’ she has to wade through every other scene. The fact she gets to go to the top of her profession without having served her dues in dead-end waitressing jobs or even trained in her art, unlike The Arrangement‘s Christine Evangelista, makes pumpkin-based transportation seem like an earned plot development. Hell, she hasn’t even had to sit in the audience enduring Inside The Actors Studio before she made the big time.

Perhaps the only thing of note about Famous in Love, apart from it being one of the few TV shows to actually have the female lead in the infamous ‘Friend Zone’ at its outset, is that there’s a British showbusiness reporter in the thick of things. Literally an hour before I watched the episode this morning, I suddenly wondered to myself. “Whatever happened to Nathan Stewart-Jarrett from Misfits? He was always complaining there weren’t any acting jobs for middle class black Britains, just gritty stuff set on gang-run estates. Maybe he went over to the US to seek his fortune.”

Guess what, reader. Stewart-Jarrett plays that very same showbusiness reporter. How spooky.

If you have to watch one show like this, watch The Arrangement. But you probably don’t have to watch either, to be honest, so maybe watch Misfits instead.

Freeform’s upfronts 2017-8 – a rundown and clips from the new shows

It’s that time of year again. Yep, it’s the ‘upfronts’ season, which is when all the US networks reveal to advertisers the new shows that are going to be hitting the TV screens some time from about July this year through to now-ish next year. (BTW, this isn’t the same as the international screenings, which is when the buyers from UK TV networks turn up to see what they’d like to acquire, so we won’t know what will be heading our way for quite some time.)

What do you mean the upfronts aren’t normally until May? Well, you’re quite right, as the likes of Fox, NBC, ABC, CBS and The CW will indeed by showing off all their future wares starting the week of 15th May, as per usual.

However, in the age of Peak TV, there are literally now so many channels producing content that there’s actually one or more upfront presentations by a cable or internet network virtually every day from now until then, with the likes of BET next week, Hulu, YouTube and Vice the week after, and so on. Most of these aren’t producing the kinds of shows that TMINE covers, so don’t be expecting to be inundated by daily treats, I’m afraid, but it’s a still a pretty large spread.

Yesterday, it was Crackle’s turn, but since they don’t actually have any clips to show off, I could comfortably cover it in today’s news. But it was also young adult channel Freeform’s turn, and there’s clips and shows aplenty for you to regard. So after the jump, brace yourself for the excitement of:

  • Killer mermaid drama Siren (no, really)
  • Superhero drama Marvel’s Cloak & Dagger 
  • Platonic best friends comedy Alone Together
  • Global women’s magazine drama The Bold Type

Continue reading “Freeform’s upfronts 2017-8 – a rundown and clips from the new shows”

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Weekly Wonder Woman

Weekly Wonder Woman: Wonder Woman #20, Justice League #18, Batman ’66 Meets Wonder Woman ’77 #10

It’s Wonder Woman Wednesday, today, I know, which is a day later than usual for Weekly Wonder Woman but can’t be avoided thanks to Bank Holiday Monday. So simply put your hands over your ears, close your eyes and go “La, la, la! There are no important new comics out today!” for a few minutes and then we can carry on as normal.

Done that? Good.

So, lots happened in the fortnight I was away on holiday. We got a new Justice League poster for starters:

Still pretending Superman’s not going to be in it, hey? I’m sure that tactic will pay off big time.

Wonder (Woman) Wednesday was also made official by Gal Gadot and Chris Pine, who are now promising to bring you “something new, from contests, to behind the scenes photos, maybe even never before seen clips” every #WonderWednesday.


In other news, Gadot revealed it was the music of Beyoncé that helped her land the role in the first place. 

Hmm. It feels like I’m missing something. Oh yes – Greg Rucka and Liam Sharp are leaving Wonder Woman. Rucka is leaving on a high note given the rather good readership figures the title now has, which makes a nice change from when he was given the boot more than a decade ago for some rather low readership figures.

Why’s he off? Too much work, he says.

Before we get to rampant speculation, this is my decision. I just can’t maintain the pace on the title while also fulfilling my commitments to my other collaborators. It is, genuinely, as simple as that…

Liam Sharp just appears to be heading off because Rucka’s off. No word about Nicola Scott, but she’s going to be working with Rucka on Black Magick again, at least, which suggests she might be off, too.

Rucka lays down the timeline for the group departure:

Wonder Woman 23 sees the end of our “primary” storyline, “The Lies/The Truth,” and Wonder Woman 24 serves as something of an epilogue to that tale. Wonder Woman 25 will, I hope, set a table for who is to follow, and provide for them as much room to work and explore and grow. 

And who is to follow? Shea Fontana, who’s going to be writing the first five issues at least, starting July 12. Fontana has previously written Diana for the DC Super Hero Girls comic, including a couple of graphic novels, so at least knows the character, even if the audience might have a been a tad younger.

Having worked on DC Super Hero Girls for the last few years, I have a great sense of Wondy, a teenage Wonder Woman in a high school setting, and it’s an honor and an adrenaline rush to be writing her now ‘all grown up’. Many of her core characteristics continue to remain routed in peace, justice and equality, but as an adult she’s seen a lot more war and tragedy, and is dealing with her world from a wiser, more experienced point of view.

Joining her on artwork will be Mirka Andolfo, who’s been doing work on DC Comics: Bombshells, so again no stranger to Wonder Woman.

Right then – after the jump, a look at one of Greg Rucka’s final issues of Wonder Woman, as well as the continuing adventures of the Justice League. We also find out a bit more about what Batman ’66 is up to in 1977.

Continue reading “Weekly Wonder Woman: Wonder Woman #20, Justice League #18, Batman ’66 Meets Wonder Woman ’77 #10”

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