Clive Owen is back driving BMWs again

The people of Britain first became aware of Clive Owen a long time ago – back in the 80s, in fact, when he was Chancer on ITV. That show made him very popular with the ladies in particular thanks to his starring role as the wide-boy conman ‘Stephen Crane’ – if you’ve seen the show, you’ll know why I put that name in quotes – and he became indelibly stamped on the popular psyche as a result.

But it took a while for the rest of the world to wake up to Clive Owen and although the indie movie Croupier helped to establish him, it wasn’t through movies or even a TV show that he became a star. Instead, it was through a series of auteured adverts for BMW called ‘The Hire’. Each mini-movie advert was streamed online – one of the first ad series to take advantage of the Internet – and featured Owen driving a BMW.

Okay, that’s not very informative, I know, but that was more or less the only thing the ads had in common – how could it be otherwise when you had the likes of Tony Scott, John Woo, Ang Lee, John Frankenheimer, Joe Carnahan, Wong Kar-wai, Alejandro G Iñárritu and Guy Ritchie directing them in their own unique styles, and Gary Oldman, Forest Whitaker, Don Cheadle, Marilyn Manson, Ray Liotta, Stellan Skargård et al guest starring?

Here are the John Woo and the Guy Ritchie ads so you can compare and contrast.

After the series began in 2001, BMW saw its sales go up 12% from the previous year, the ads being viewed more than 11 million times in four months. Indeed, the films were so popular that BMW produced a free DVD for customers who visited certain BMW dealerships – except BMW ran out of DVDs.

The result was that – at least in the US – Doug Liman could cast Owen in a bit part in The Bourne Identity, have him do little more than drive a BMW arround and the audience would know that a sly wink to the series was being cast in their direction. 

Owen, of course, went on to much bigger and better things, including movies and Cinemax’s The Knick. But now, 15 years after the ads, he’s back for old time’s sake. The director chosen for ‘The Escape’? None other than Neill Blomkamp, with Dakota Fanning, Jon Bernthal and Vera Farmiga along for the ride.

You’ll have to wait until October 23rd before you can see the full thing on BMW Films. Until then, you can enjoy this shiny trailer with Jon Bernthal shouting and shooting a lot.

Joss Whedon would rather you didn’t vote for Donald Trump. And neither would his mates

Joss Whedon – you either love him or only like him a bit. I think it’s probably impossible to hate Joss Whedon unless you’re about 12 years old and have no sense of TV history.

Politically, Whedon is, of course, a great big feminist and Democrat, and you shouldn’t be surprised that with a few exceptions – cough, cough, Sarah Michelle Gellar – so are his mates. With President Trump an actual realistic possibility in the next four months, Jossy-baby has got a huge number of his more famous pals to put together a video pleading with you not to vote for the racist, misogynist, homophobic, lying sociopathic conman who could well usher in the Apocalypse. He’s even got half of the cast of The West Wing along for the ride.

The video’s probably preaching to the converted and won’t sway many dissenters, but it’s worth a gander anyway because it’s pretty funny, too.

News: ITV2 acquires The Great Indoors; Uma Thurman is a TV fixer; Ghost in the Shell teasers; + more

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Weekly Wonder Woman

Weekly Wonder Woman: Wonder Woman (Rebirth) #4 & #6; Wonder Woman ’77 #21-27 (ish)

Welcome back to Weekly Wonder Woman, which this week and for one week only happens to fall on Wonder Woman Wednesday. 

It’s been a while, hasn’t it? Sorry about that, but holidays, work and TV have all got in the way. Fingers crossed, though, we’re back on track now. We might even be weekly again. Wouldn’t that be something?

In WWW’s absence, things have happened, of course. She’s been set to feature on four US postal stamps from October 7:

The first trailer for the new Justice League cartoon, Justice League Action, has been released:

As has one for the video game sequel to ‘Injustice: Gods Among Us’, which features Diana as well:

A photo for the live action Justice League has also been released. Superman’s in it – did you see that coming?

Live action Justice League

Wonder Woman artist Liam Sharp has signed exclusively with DC. We’ve learnt there’s going to be a Wonder Woman crossover with The Bionic Woman in Wonder Woman ’77 in December that includes art by Alex Ross…

Wonder Woman Bionic Woman crossover comic cover

…and that the forthcoming NBC show Powers (I’ll review it when it airs, folks) will also involve Wonder Woman peripherally, at least. 

You could also have learnt to draw Wonder Woman the Ivan Reis way at DC Art Academy.

See what happens if you go away for a bit? Madness, that’s what. Madness.

Of course, the previous two months have also seen an awful lot of comics featuring our Diana. There’s literally no way I could cover all of them today without taking all of today to write WWW, so I’m going to do what I did last year and recap the missing issues of each title once the latest issue of that title is out in the forthcoming weeks.

In the case of Wonder Woman, I’m also going to break down the recaps between the two different storylines. And on top of that, despite the fact that there are new issues out today featuring Wondy, I’m only going to look at the titles that were out last week, otherwise I’ll not have anything to look at next week.

Once you’ve done all your back-of-a-fag-packet math with that algorithm, you’ll see that after the jump, I’ll be looking at Wonder Woman (Rebirth) #4 and #6, as well as Wonder Woman ’77 #21-27. Well, I might cheat with the latter ones.

Continue reading “Weekly Wonder Woman: Wonder Woman (Rebirth) #4 & #6; Wonder Woman ’77 #21-27 (ish)”

US TV

Review: This is Us 1×1 (US: NBC; UK: Channel 4)


In the US: Tuesdays, 10/9c, NBC
In the UK: Acquired by Channel 4

Calling your show This is Us is a bold move. It implies a certain universality of the human experience, which in an age of identity politics is hard enough in a single city of the US, without TV producers having to think about how much of the New York City cultural experience transfers to South Africa, for example. 

Yet that’s what This is Us is going for. You probably have to look back to Parenthood and before that thirtysomething to find shows that were so convinced of their universal applicability and smartness.

This is Us – or perhaps that should be This is US, given it’s American focus – tries to demonstrate its pancosmic thesis through the conceit of three storylines, each involving one or more people who all have the same birthday: a married couple (Milo Ventimiglia and Mandy Moore) who are about to have triplets; an actor brother and a love-lorn sister (Justin Hartley and Chrissy Metz); and a rich trader (Sterling K Brown) whose drug-addict father (Ron Cephas Kones) abandoned him as a baby after his mother died.

A title card preceding the drama says that according to Wikipedia, people who share the same birthday aren’t guaranteed to have anything else in common. But how much do you want to bet that it’s hinting at a “universality of the human spirit”, that universality being love, predominantly for family, predominantly in an American way? And that on top of that, that there’s a secret link between the three storylines that will become immediately obvious by about two-thirds of the way through? One that involves a bit of cheating involving Milo Ventimiglia’s physique?

Continue reading “Review: This is Us 1×1 (US: NBC; UK: Channel 4)”