What have you been watching? Including Power, Crossbones, Halt and Catch Fire, Continuum, Suits and more

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Despite working from home for most of this week and ironically therefore having more time to write things but less time to watch them, I’ve managed to keep up with the vigorous summer schedules (blimey, I remember when summer was dead and there was nothing to watch. Now look at it). Not many new shows starting this week, though, although I have reviewed the first episode of Steve Bochco’s new TNT show Murder In The First. And I also gave Power a go.

Power (US: Starz; UK: iTunes et al)
To say I was putting this one off as long as possible would be an understatement. Stop me when you want to get off: night club owner is also a drugs kingpin in a series exec produced by 50 Cent. It just sounds like it’s going to be horrible. And it was. I managed to get through 10 minutes before just deciding that the torture, relentless 50 Cent soundtrack, abuse/debasing of women et al was really not going to make it an enjoyable experience. It wasn’t without its virtues: it stars Omari Hardwicke (Dark Blue) and Naturi Naughton (The Playboy Club), who are both good, even though Naughton basically only has to act selfish and stupid. The direction is fine and it’s well shot. It’s surprisingly bi-lingual.

However, the next 50 minutes of the episode might be the best crime show since The Wire, but I’d rather watch open-heart surgery, because there’d be more humanity in that.

After the jump, yet more, with a round-up of the regulars, with reviews of 24, Continuum, Crossbones, Enlisted, Halt and Catch Fire, and Penny Dreadful

Continue reading “What have you been watching? Including Power, Crossbones, Halt and Catch Fire, Continuum, Suits and more”

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Review: Murder In The First 1×1 (TNT)

Murder In The First

In the US: Mondays, 10pm (ET/PT), TNT

TNT’s an odd network, a sort of in-between house on basic cable between regular old vanilla, commercial, network TV and the no-holds-barred, challenging world of premium cable. With no real identity of its own, it churns out shows that would largely sit very happily on any broadcast network were it not for the occasional swear word: Falling Skies, King & Maxwell, Perception, Memphis Beat, Dark Blue, Leverage, Saving Grace, Trust Me, Rizzoli & Isles, Franklin and Bash, The Closer, Major Crimes – the list goes on and assuming you hadn’t forgotten that pretty much all of those shows ever existed, you’d have been hard-pushed to remember they were on TNT and perhaps even cable. The network’s one truly good show was Southland… which it picked up from NBC then slashed its budget.

At most, you might think of TNT as ‘The Crime Channel’, because of the 13 shows listed above, 11 involve cops, lawyers and/or robbers, and the rest of the time, it’s broadcasting reruns of Law & Order. But you don’t. It’s just TNT. It’s just… there.

I don’t think it’s escaped TNT’s notice that it’s not very noticeable, either. It’s got an ambitious summer schedule of dramas lined up that includes spy thriller Legends, for example. But it’s starting us off gently with another crime drama, except to make it a bit more memorable, it’s gone once again to Steve Bochco, who previously gave the network Raising the Bar (make that 12 out of 14 shows).

Young people might not have heard of Steve Bochco (and let’s face it, they’re probably not going to be watching TNT, since it leans towards a much older demographic, anyway), but together with Mary Tyler Moore’s MTM Enterprises, he was pretty much responsible for launching the second wave of great American television that began in the 80s. He started it off with the innovative Hill Street Blues before giving us LA Law, Doogie Howser MD, Hooperman, NYPD Blue and (oh horror) Cop Rock, which I guess was innovative, too, given it was as the name suggests, a musical drama about cops:

Possibly Bochco’s greatest creative achievement, even if it wasn’t a ratings success, was the almost-theatrical Murder One. As with Hill Street Blues, Murder One was unusual for its time in having story arcs – a season-long high-profile criminal case in Murder One’s case. It was filled with a fantastic cast that included Patricia Clarkson, Mary McCormack and the magnificent Stanley Tucci and Daniel Benzali, who presided like a Renaissance Pope over his cadre of lawyers:

So perhaps we shouldn’t be surprised that for his latest show, Murder In The First, Bochco has pitched at that older demographic who liked his previous shows. Giving Murder One a slight Law & Order twist, Murder In The First follows a criminal investigation by San Francisco police into two murders linked to a celebrity all the way through to the trial and (presumably) conviction of the killer. It also adds in a dash of Hill Street Blues, with its focus on the domestic lives and working relationships of the cops.

Starring Taye Diggs (Day Break), Kathleen Robertson (Boss), Richard Schiff (The West Wing), Steven Weber (Studio 60), Nicole Ari Parker (The Deep End) and Draco Malfoy himself – Tom Felton from the Harry Potter movies – it’s not exactly what you’d call ground-breaking, but is probably going to be a passable piece of summer viewing. Well, better than everything else on TNT, anyway.

Here’s a trailer:

Continue reading “Review: Murder In The First 1×1 (TNT)”

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The BarrometerA Barrometer rating of 3

Fourth-episode verdict: Undateable (NBC)

In the US: Thursdays, 9/8c, NBC

Not that I’m suggesting NBC’s Undateable is needy or anything, but after two weeks, it’s already shown us four episodes and is asking for validation. Time to back away and break the bad news to it?

Not quite. So what if its sense of humour isn’t that great and it’s made a few mistakes? It’s really trying and has winning personalities so maybe we should just stick with it until it works out what it needs to be doing.

At a time when just about every drama and comedy is telling men (particularly nerds) that they don’t need to try hard, don’t need to look good, don’t need to be sensitive or consider what women want and don’t need to change, Undateable is giving us something different: a show in which the sensitive guy who tries hard and gets to know the girl wins through, while the cool alpha male has to learn that treating women as disposable objects is a distinctly uncool thing to do.

After a couple of episodes that set up the show’s basic premise and lead characters, episodes three and four again did different something unexpected and interesting: rather than string out the central “nerd pines after woman” plotline for a season or more as any other show would have done (eg The Big Bang Theory), essentially sending out the unwholesome message that if you stalk a woman for long enough, she’ll eventually give in and have sex with you, Undateable followed in Ground Floor’s footsteps and (spoiler alert) simply paired up the two central characters, giving the woman in question (Briga Heelan) a good motivation for doing so at the same time. It effectively nullifies the show’s title, but provides a much needed education to certain members of the audience, so no great loss.

Episode four continued this theme and flipped it on its head, giving alpha male (Chris D’Elia) a taste of his own medicine so that he has to learn from the nerd how to be nice to a woman for a change so that he’s at least in with a chance of a second date with a woman who used him the way he uses women. The supporting cast are getting a little more characterisation, with the English gay character (David Fynn) getting a look in in episode four and the overweight Shelly (Ron Funches) being the focus of episode three, which was also the first episode to properly address the show’s notional location of Detroit.

It’s all very worthwhile public information but not quite as funny as it should be. The continued repetition of jokes that weren’t funny in the first place needs to stop. Brent Morin’s nerdy character is a bit of a cock and not especially likable, even if he is sensitive, and while the producers had a good off-screen reason for all the singing in Ground Floor – both Heelan and co-star Skylar Astin have singing training, Astin was, of course, one of the stars of Pitch Perfect and the two characters hang around a karaoke bar a lot – here it feels forced and unnecessary. There’s not a huge amount of chemistry among the cast, either. No one feels especially like a real person and although there are various digs at Fynn’s Britishness (some of which he counters), he feels more like an American with an English accent than someone genuinely English – slightly unsurprising given that his character was originally played in the pilot by American actor Matthew Wilkas.

But it’s trying, there are surprising moments – two male characters, one gay, having a bubble bath together, to prove the straight one isn’t uptight, for example – Heelan’s always worth watching and D’Elia has so far grinned at his own jokes only once, which must have taken iron self-control on his part. Although it’s not quite gelling at the moment, given time and the pedigree of the leads and the producers, it could settle down into a pretty decent ensemble comedy.

Barrometer rating: 3
Rob’s prediction: Will last a season and might even be renewed for a second one

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