US TV

Review: Mom 1×1 (CBS)

Mom on CBS

In the US: Mondays, 9.30/8.30c, CBS

There comes a point in virtually every modern Chuck Lorre sitcom – usually pretty soon on – where you start to despair at the show’s cynicism. People are bad. They’re mean. They’re cruel to each other. The audience laughs.

Then there’s the show’s misogyny. Women are held up for ridicule, told they’re bad for having sex, drinking alcohol or going to parties.

The audience laughs.

Mom doesn’t so much change this as take it to its logical conclusion. Here, Anna Faris is a waitress who once wanted to be a psychiatrist but never quite made it, in part because she had two kids to raise by herself, in part because she drank too much, took other substances and generally enjoyed herselfdid Bad Things.

To be fair, though, she’s a better mother than her mother (Allison Janney) was. Indeed, once Janney shows up you realise that this has stopped being a sitcom and turned into something actually quite upsetting and devoid of laughs. Because it’s surprisingly hard to laugh at characters you genuinely feel sorry for.

Here’s a trailer:

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Charley says: Always use the Green Cross Code

Tufty, it turned out, might be cute but he was a bit of a mummy’s squirrel. What cool kid was going to do what Tufty did?

What the government realised was they needed someone a bit more muscular to get kids to cross the road properly. Enter the Green Cross man, played by Dave Prowse, who would just a couple of years later become the body (but not the voice) of Darth Vader himself.

The Green Cross man would intervene when kids were going to cross the road dangerously. He’d teleport to them from his monitoring station at Green Cross Control using his wristwatch then stop them running without looking or whatever it was they were planning on doing. He’d then teach the kids the Green Cross Code – stop, look, listen, think – and then conclude each advert with “I won’t be there when you cross the road, so always use the Green Cross Code.” 

And if the thought of a big, West Country bodybuilder in spandex popping up next to them wouldn’t scare kids into crossing the road properly, I don’t know what would. Maybe a robot.

TV reviews

Review: The Blacklist 1×1 (NBC/Sky Living)


In the US: Mondays, 10/9c, NBC
In the UK: Acquired by Sky Living. Starts 4 October

Ah, James Spader. Star of the original Stargate movie and Sex, Lies and Videotape, he was the thinking heterosexual woman’s crush of the early 90s, the sensitive, hot intellectual actor it was okay to collect a sticker album for.

But time marched on and thanks to a process called ‘Shatnerisation’, he stopped being the subtle, sophisticated actor he once was, preferring instead to ham it up something chronic on The Practice and Boston Legal. It’s therefore somewhat appropriate that for his return to mainstream TV, he’s picked one of the least subtle roles available to him this season: ‘the concierge of crime’ Raymond ‘Red’ Reddington on NBC’s The Blacklist.

Reddington is a Moriarty, a man other criminals come to to organise their plots, put them in touch with other criminals and get them what they need. But one day, he mysteriously turns up at the FBI’s headquarters, voluntarily surrendering himself to the authorities. He then offers up the name of a criminal and agrees to help the FBI catch him on one condition: that he only speak to FBI rookie Elizabeth Keen (Megan Boone). Why her and what he’s doing are even bigger mysteries, but before the end of the first episode Reddington is offering his continuing help to catch everyone on his ‘blacklist’ of big bads, providing he gets to stick with Keen.

And while that’s all as ridiculous as it sounds, it’s actually a surprisingly enjoyable hour and Spader, despite being the headline act with the spotlight firmly on him, curiously decides to diet his performance and reduce the ham. The hat doesn’t help though.

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Tuesday’s “A New Orleans NCIS spin-off, a returning Tomorrow Person and a Mars western” news

Trailers

  • Trailer for Dom Hemingway with Jude Law, Richard E Grant, Emilia Clark and Demian Bichir

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