Now here’s something you don’t see every day: Matthew Perry from Friends and Peter Hitchens of the Daily Mail debating a serious issue.
Month: December 2013
Charley says: Be smart, be safe, with Les Gray of Mud
I mean, if you’re going to do what anyone says, it’s Les Gray of Mud you’re going to follow, isn’t it?
Joseph Gordon-Levitt: Sandman?, three Channel 4 sitcom pilots and former Wonder Woman to fight vampires
Film
- Joseph Gordon-Levitt to produce, direct and star in Sandman adaptation?
Film casting
- Emma Thompson, Judy Greer, Dean Norris join Ivan Reitman’s Men, Women & Children
Trailers
- Trailer for 22 Jump Street [NSFW]
New UK TV shows
- Channel 4 green lights: pilots for Flack, Catastrophe and Sit.com
- New trailer for Sky 1’s Moonfleet
US TV
- Promos for season four of Being Human (US)
- Sunday ratings
- Sunday cable ratings
US TV show casting
- Jane Seymour and Ed Asner to guest on Men at Work
- Dominic Adams joins Devious Maids
New US TV shows
- Breaking Bad spinoff Better Call Saul to be a prequel
New US TV show casting
- Kevin Zegers joins Fox’s Broadchurch remake Gracepoint
- Adrienne Palicki to star in El Rey’s From Dusk Till Dawn series
- Rosie Perez joins ABC’s Bad Education remake An American Education
What have you been watching? Including Kirstie, Getting On, The Tomorrow People, The Tunnel and Homeland
It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.
The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV.
As it’s nearly Christmas, US TV has been both slowing down and speeding up: shows are going on their holiday hiatus or even ending their seasons, leaving us with cliffhangers and plot resolutions aplenty. Nevertheless, there have been a couple of new shows, although I’ve still got BBC4’s Don’t Ever Wipe Tears Without Gloves in the viewing queue.
The first is HBO’s remake of BBC4’s Getting On, which tried to give a semi-comedic, semi-realistic examination of life as a nurse, but didn’t quite have the acting chops or writing to make it work:
TV Land’s Kirstie, aimed presumably at people who were already old in the 80s, reunited Kirstie Alley and Rhea Perlman from Cheers and added Michael D Richards from Seinfeld to the mix as an actress, her PA and her driver respectively, who have to deal with her life issues, which include a son she’d put up for adoption when younger and who now re-enters her life as a grown adult. It’s all multi-camera, shot with a studio audience and I would rather stab myself in the eye and the ear, repeatedly (in either order, I don’t mind) than have to watch another episode. Great cast, terrible, terrible scripts.
Now let’s look at the usuals.
Shows I’m watching but not recommending
Almost Human (Fox)
A sudden recollection by the writers that women exist turned out to be the worst thing possible, since despite this being 40 years from now, apparently any woman in a position of power will have had to have sacrificed a personal life to do so and really just want to be told how pretty they are and to land a guy. FFS. This week’s sci-fi idea: clones.
Agents of Shield (ABC/Channel 4)
Lots of storylines dovetail and J August Richards returns, bringing back the charisma he apparently stole from the younger regular cast. But it all hinges on a woman with only one dress and the Agents of SHIELD not having any proper procedures in place for some of the most obvious situations possible. Daft as brush and not as exciting as that.
The Tomorrow People (The CW/E4)
A guest appearance by Nicholas Young of the original Tomorrow People that probably had all the young cast snivelling in despair (“yes, you lot, cameos in remakes of this show is all you can expect by way of an acting career in 40 years time”) helped to liven up the show, which while still not anything truly remarkable is now finding its feet. Perhaps too much pointless sci-fi though I hate to think what they’ll find when they go looking for (spoiler)dad’s body. Just noticed that the ‘Founder’ is Crassus from Spartacus, who up until that show was a jobbing UK soap opera actor. Shows how far you can go with an English accent as a baddie in the US, doesn’t it?
Recommended shows
Arrow (The CW/Sky 1)
Deaths galore, an epic baddie reveal, a new superhero is in town (well, left town to be exact), Ra’s Al Ghul is around and Arrow gets his mask at last, all in a subtle nod to A Christmas Carol. Top stuff.
The Blacklist (NBC/Sky Living)
A clever change in format for the show, with most of the show’s tropes now dead, burned or destroyed. Even the big question – is James Spader Megan Boone’s father – seems to have been answered. Looking forward to seeing what they come back with in January, since it’ll be a relatively different show, I suspect. Nice to see Alan Alda getting a chance to be evil for a change, too.
Elementary (CBS/Sky Living)
As well as giving producer Liz Friedman a chance to channel her years on House, the past couple of episodes have either fleshed out Bell’s role or written him out (I’m not sure which, yet. It might even be both), either of which would be a good move. Not sure about the ‘sponsor’ thing and the sheer lack of any decent deduction by Holmes is getting silly.
Homeland (Showtime/Channel 4)
A combination of the sublime and the ridiculous last week, but it was still immensely thrilling, flashing back to the ‘will he, won’t he’ of the first season. This week, however, we had the season finale, and it left me wondering what the point of the past two seasons were, other than to course-correct from what happened in the first season. Overall, though, a much better third season than second season. Where the show will go from here, though, I don’t know, since it’s going to be pretty much starting from fresh with its fourth season.
The Tunnel/Tunnel (Sky Atlantic/Canal+)
Excellent stuff that fixed most of the problems of the original Swedish/Danish scripts and gave it all a brilliant cinematic look on top. It’s a strange show for me in that it’s not a must-see since I’ve seen it before, but even though I’ve seen it before, when I watch it, it’s still intensely thrilling. People without Sky will be able to buy it on DVD and Blu-Ray in January, you’ll be thrilled to know.
“What have you been watching?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?
A third Totally Serialized is coming to London in January

Remember the first two Totally Serialized (one, two)? Well, the third one’s coming next month…
Totally Serialized – Season 3
16 – 19 January 2014 at Ciné LumièreFrom 16 to 19 January 2014, Ciné Lumière will hold the third edition of Totally Serialized, London’s favourite TV series festival. It will showcase the best of new productions from both sides of the Channel as well as European TV series. Audiences can enjoy their favourite shows on the big screen (Garth Marenghi’s Darkplace, The Returned, My Mad Fat Diary) attend premieres of tomorrow’s cult series and meet the creators during Q&As and masterclasses.
The rise of TV shows in the past few years has been meteoric, with clunky acting, minimal plotlines and pre-recorded laughter replaced by multimillion-dollar productions starring A-list actors, with staggering special effects, and the finest writers churning out complex stories and incisive dialogue designed to keep the viewer hooked. An even more recent development in the British TV industry has been the breaking down of frontiers, with international buyers moving away from a remake-centred strategy and now broadcasting the original series with subtitles. French shows such as The Returned, Braquo, Spiral, Hard and Maison Close have benefited from this shift, and have proven to be a success on Channel 4, FX, BBC Four and Sky Arts respectively. One of the aims of this festival is to encourage this trend by showcasing tomorrow’s cult series.
TV professionals will get a chance to participate in an industry event dealing with various aspects of the constantly-evolving field of TV series, including producing, screenwriting, and financing, as well as case study of The Tunnel featuring writer Ben Richards amongst others. There will also be networking opportunities to allow ideas and future collaborations to flourish. The general public can also have a peek at what goes on behind the scenes with our Craft Masterclass on women and TV writing, organised in collaboration with BAFTA, during which leading screenwriters such as Virginie Brac (Spiral), Paula Milne (The Politician’s Husband, White Heat, Small Island) and Emma Reeves (The Dumping Ground, Young Dracula) will examine women’s contributions to screenwriting and the particular obstacles they face.
This masterclass will be a central part of our Leading Ladies strand, which will also include UK premieres of the French hit Mafiosa in the presence of director Pierre Leccia, and of season 2 of My Mad Fat Diary, in the presence of Sharon Rooney and writer Tom Bidwell. Our other highlight will be on political thrillers, with three gripping UK premieres on Sunday 19 January: the Belgian Salamander, recently acquired by BBC Four for its Saturday Night Slot; the Danish hit The Protectors, an Emmy Award-winning offering of Nordic noir which is set to delight fans of Borgen and The Killing; and the French Les Anonymes by Pierre Schoeller (The Minister), who will be here for a Q&A.
Following the success of our UK premiere of The Returned in last year’s edition of Totally Serialized, we are pleased to host a marathon of the full first season of the now Emmy-awarded French show as part of our Saturday Fright Night, which will also feature a 10th anniversary screening of all the episodes of Garth Marenghi’s Darkplace – with a Q&A with Matthew Holness – and a zombie party. For those who prefer laughter to chills, our Cult Comedy Marathon will showcase the best comedies from both sides of the Channel.
Totally Serialized is curated by Lorraine Sullivan and organised by the Institut français du Royaume-Uni, in association with: SACD, La Culture Copie Privée, MediaDesk UK, Canal+, BAFTA, TV France International, France 24 and Ile de France Film Commission.
Programme after the jump and even more details at the Totally Serialized web site.
Continue reading “A third Totally Serialized is coming to London in January”
