Thursday’s “Knots Landing on Dallas, Doctor Who writers, and LA Noir goes to series” news

Doctor Who

Film

Trailers

  • Trailer for Mama, with Jessica Chastain and Nikolaj Coster-Waldau
  • Trailer for Jack Reacher with Tom Cruise

French TV

  • Accused to be remade [subscription required]

UK TV

US TV

  • Tuesday ratings: Ben and Kate down 20%, Emily Owens starts low, Hart Of Dixie up

US TV casting

New US TV shows

  • ABC buys dramas Warriors and Grievances
  • …to adapt the Netherlands’ Sea of Fire
  • TNT picks up Frank Darabont’s LA Noir for six episodes
  • …to adapt Dean Koontz’s Frankenstein
  • NBC buys two dramas
  • Hallmark orders series of Andie MacDowell’s Cedar Cove
  • Amazon developing Support and The Face and the Heel

New US TV show casting

The Wednesday Play: Edna The Inebriate Woman (1971)

Back to social realism again. Except not.

1966’s Cathy Come Home was perhaps the most influential play on British television. Dealing with homelessness, its director Ken Loach used documentary techniques to give the play a heightened sense of realism, to make the plight of the homeless involved less artificial.

But in 1971, Edna The Inebriate Woman went in the opposite direction. Also written by Jeremy Sanford, who himself lived as a homeless person to research the play, it stars Patricia Hayes from the Benny Hill Show as the eponymous Edna – although given she uses so many false names in the play, maybe that’s not her name either. In it, the Chaplin-like Edna tramps streets and lanes looking for a home. She goes through lodging houses, psychiatric hospitals, Holloway prison, derelict barns and refuges, bounced around by the social services and the police and the unwanted attentions of other tramps. Only a hostel run by the idealistic Josie (Barbara Jefford), is welcoming.

The Inebriate Woman differs from Cathy Come Home not least in its lush colour photography but also in its writing style: much like the inebriated Edna, the story is fragmented, with scenes interrupting each other, and there’s also comedy interspersed with the moments of misery. All the same, this is a powerful play about the misery of homelessness.

Enjoy!

Wednesday’s “Robert Thomas’ 2nd Metropolis, Gavin & Stacey’s 2nd US remake attempt, Maigret’s back, and Bottom’s not” news

Film

UK TV

US TV

New US TV shows

  • ABC buys drama Beneath and comedy High Maintenance
  • Rob Thomas to adapt ITV’s Metropolis again, again for The CW
  • Fox to adapt Gavin & Stacey

New US TV casting

  • Rhona Mitra to star in The Ship, Ryan Hurst joins King & Maxwell
  • Tom Lenk joins Lifetime’s Witches of East End
Sitting Tennant

Tuesday’s Sitting Tennant (week 39, 2012)

Hebbie's Sitting Tennant

“Talk to the foot because the face don’t want to know?” Who know what’s going on here but Hebbie gets 10 points for exposing it. See you on Friday and keep sending in those pictures!

  1. Hebbie: 30
  2. Sister Chastity: 20
  3. Toby: 10

Sitting Board of Winners 2012
January
Hebbie, Sister Chastity

February
Sister Chastity

March
Sister Chastity

April
Sister Chastity, Shilohforever

May
Hebbie, Sister Chastity

June
Hebbie, Sister Chastity

July
Hebbie

August/September
Toby, Sister Chastity

Got a picture of David Tennant sitting, lying down or in some indeterminate state in between? Then leave a link to it below or email me and if it’s judged suitable and doesn’t obviously infringe copyright, it will appear in the “Sitting Tennant” gallery. Don’t forget to include your name in the filename so I don’t get mixed up about who sent it to me.

The best pic in the stash each week will appear on Tuesday and get ten points; the runners up will appear on Friday (one per person who sends one in) and get five points.

Each month, I’ll name the best picture provider and then at the end of the year, the overall champion will be announced for 2012!