Review: Lost 4×1

Lance Reddick in Lost

In the US: Thursdays, 9/8c, ABC

In the UK: Sundays, 9pm, Sky One. Starts tomorrow

Characters re-cast: 0

Major characters gotten rid of: -1

Major new characters: 2

Format change percentage: 10%

It’s been a while since the format-busting finale of season three of Lost. With the exciting addition of flash-forwards, no longer were we in the dark about whether our hapless Oceanic survivors ever get off the island or not: yep, they get off but they’re not happy.

Despite the wait, with help at hand – or is it? – we pick up right where we left off with the new season.

Hands up anyone who thought we were going to get any more answers this episode.

First up, the gang’s all here, even Rose and Bernard. The fun and the character interplay are all here, too, with the focus on Hurley both on and off the island.

But it’s Lost, so it’s time to mess with your mind. One dead survivor is back too. He (or she) is still dead, but is quite chatty. We now know (or do we?) how many people make it off the island. But others (Others?) want to know about everyone else and maybe they shouldn’t have left. And then there are things that can sometimes be seen on the island by some people, but not all people, and who can see them is quite interesting.

If you’re new to Lost and think this might be a good starting point to join in, you can probably tell from that last paragraph that you won’t be able to. Lost is as impenetrable as always.

But for those who have been faithfully following for three seasons, season four looks like it’s going to continue in the same vein: a bit mental, a bit spooky, a bit sad and you have to look very hard at all times to pick up clues. Look out for the white shoes, for example. The fact that the flash forwards are going to continue means that we’re not all going to be bored senseless finding out why Sun doesn’t like purple, or whatever, which is the level some of the flashbacks were getting to last season.

Not quite the smash out of the ballpark that the season three opener was, but still maintaining the quality.


  • Rob Buckley

    I’m Rob Buckley, a journalist who writes for UK media magazines that most people have never heard of although you might have heard me on the podcast Lockdown Land or Radio 5 Live’s Saturday Edition or Afternoon Edition. I’ve edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for TV producers magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it “web site for urban hedonists” The Tribe. Since going freelance, I've contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network, TV Scoop and The Custard TV.