The horrors of the art house cinema

If you’ve been to an art house cinema more than once in you life, this article on Slate will ring one or two bells. I’ve already written about my last NFT movie experience, but I faced far worse back when I attended Cambridge Arts Cinema so often, I actually managed to complete a complete loyalty card (not an easy thing to do). That was on a slope, so whenever anybody lost control of their bag of Maltesers, everyone in the cinema became involved in a mini version of the opening scenes of Raiders of the Lost Ark. Then there was the time a French couple turned up, she didn’t speak English, so he had to translate every line of the movie for her.

The best story I ever heard, though, involved Sense and Sensibility, when a group of country types actually setting out picnic blankets in the cinema. And then there was that posh woman in the audience of The English Patient who suddenly exclaimed to her friend, ten minutes before the end, “Oh! The man in the bed! He’s supposed to be Ralph Fiennes!”

Author

  • Rob Buckley

    I’m Rob Buckley, a journalist who writes for UK media magazines that most people have never heard of although you might have heard me on the podcast Lockdown Land or Radio 5 Live’s Saturday Edition or Afternoon Edition. I’ve edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for TV producers magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it “web site for urban hedonists” The Tribe. Since going freelance, I've contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network, TV Scoop and The Custard TV.

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