UK TV

Fifth-episode verdict: Torchwood

The Torchwood CarusometerMajor Caruso

So here we are. Episode five of Torchwood. Again, an improvement from the second and third episodes but also an improvement from last week’s Cyberwoman.

Yet the thing is, they still managed to muck up a PJ Hammond script. How do you do that? It was classic Hammond, where everything was inexplicable, unstoppable, magical and scary. If RTD had simply handed it to Shaun O’Riordan, David McCallum and Joanna Lumley, we’d have had Sapphire and Steel: Assignment Seven, and we’d all have been duly grateful. But he didn’t and so the episode only managed to clock a “Partial Caruso” on the The Carusometer, which equates to “a show with two walk-on cameos by David Caruso, during both of which he takes off and puts on his sunglasses repeatedly”.

Where did it go wrong?

Well, the direction wasn’t awful, but there was some ridiculous (literal) signposting and there were close-ups on things we really didn’t need close-ups of (the Torchwood logo on the side of the stupid Range Rover for example. You’re supposed to be covert, nimrods). The music and sound effects were absolutely awful, removing any trace of menace from the direction – thank you again, Murray Gold. The CGI could have been knocked up in a copy of After Effects 1.0 in some bloke’s bedroom circa 1996. And the acting was, once again, as stiff as the Old Wood trees, particularly from Evil Child. It just goes to show there’s a lot more that goes into making a TV programme than just the script.

So it’s time for the fifth-episode verdict. As you can see from Torchwood‘s Carusometer for the first five episodes, we’ve gone through the whole gamut of bad readings. A simple average would give an overall reading just shy of four, a Major Caruso. Does it look like the show’s going to get any better than that? No, judging from the trailer for next week’s episode. So…

The Medium is Not Enough has declared Torchwood to be a 4 or “Major Caruso” on The Carusometer quality scale. A Major Caruso corresponds to “a show that David Caruso might exec produce or star in, or maybe write during a lunch break, perched at a strange angle on the side of a boat”.

Which is a pity, really, since it had such promise.

UK TV

Torchwood 1×4 – Cyberwoman

Torchwood



Better, no? Still tinged with a certain amount of pants-ness and the acting is getting noticeably worse, but still better than the last two episodes anyway.

Re: the swearing. If they actually swore consistently – or went for it full-on like proper Welsh people – I’m not sure it would be an issue for anyone, except those who don’t like swearing. At the moment, every time someone swears, it’s like someone in the middle of the set holds up a placard with “Bum” written on it.

Nevertheless, at least it’s improving.

Reviews for Torchwood, Robin Hood, et al are in

Reviews of various programmes that I’ve been blogging about recently (bar Prime Suspect, which I’ll be blogging about once I’ve watched the second episode).

Torchwood, BBC3

“Unless it improves quickly, even they [the fans] might start to notice that this really isn’t Doctor Who for adults, as promised. Instead, it’s Doctor Who with added sex and swearing – which isn’t the same thing at all.”

James Walton, The Daily Telegraph

Torchwood, BBC3

“This looks promising: it’s slick, quick and a tiny bit scary.”

Sam Wollaston, The Guardian

Simon Schama’s Power of Art, BBC2

“They’d spent some money on costumes and stick-on beards, but the sets were empty and the acting was of the declamatory sort.”

Phil Hogan, The Observer

Simon Schama’s Power of Art, BBC2

“There is just enough substance in the programme to leave you feeling spiritually nourished.”

Hermione Eyre, The Independent on Sunday

Simon Schama’s Power of Art, BBC2

“The point of these authored, visually clotted documentaries is really to be infomercials for instant coffee table tomes.”

AA Gill, The Sunday Times

Prime Suspect, ITV1

“Despite the occasional wobble along the way, both Tennison and the programme had remained true to their ideals by resisting the pressure to go out with a melodramatic bang.”

James Walton, The Daily Telegraph

Prime Suspect, ITV1

“The first episode of Prime Suspect was about as good as television ever gets.”

AA Gill, The Sunday Times

Lead Balloon, BBC4

“Lead Balloon is well worth watching. It is a delectable comedy of everyday embarrassment, and as such feels exquisitely British.”

Hermione Eyre, The Independent on Sunday

Robin Hood, BBC1

“Correction: in a review earlier this month, I may have implied that Robin Hood was quite good. Having now sat through three hours of dialogue as clunky as a 1970s seat belt, it’s perfectly clear that I couldn’t have been more wrong. Apologies all round.”

Sam Wollaston, The Guardian