US TV

What have you been watching this week (w/e October 8)

The Apprentice

A little later than normal, but it’s here at last, your chance to recommend to friends and fellow blog readers the TV that they might be missing – and for me to do mini-reviews of everything I’ve watched this week.

Lovely wife is back and we’ve managed to catch up on the backlog almost. Still got this week’s episode of Being Erica to watch, but otherwise, we’re sorted.

  • The Apprentice: Well, it’s back – Britain’s biggest collection of complete cocks has expanded once again. This year, the BBC is slightly taking the piss since although there are a few female cocks (that blonde one with the glasses) and a few female incompetents, all the men are absolute cocks – or at least, all the ones they decided to put on screen, since there were a few who apparently didn’t say so much as a word. Still, if you want a slightly upmarket version of The X-Factor to shout at, you can’t really do better than this, and thankfully, the biggest cock of the entire episode was thrown off.
  • Being Erica: Episode two felt a bit more like Being Erica of old, despite the new format, with Erica having to deal with the fallout of her relationship decisions at the end of season two. Dr Tom’s back to his old self, too, with no hint of all the politics suggested by episode 1. However, just in case you thought that it was male writers who had the monopoly on being unable to write unconvincing dialogue for the opposite gender, this week, not one male character, gay or straight, had a convincing line of dialogue. I don’t think it’s because they’re Canadian.
  • Boardwalk Empire: I’m finally working my way through these and am on to episode two. For the uninitiated, this is a 1920s gangster story set in Atlantic City, New Jersey, where Steve Buscemi is the city treasurer. He’s half-gangster, half-legitimate town figure and boy is he glad that prohibition has set in. Episode 1 was directed by exec producer Martin Scorsese and was as beautiful a piece of work as you’re going to find on TV – wonderfully evocative of the era and an interesting contrast to the austerely beautiful aesthetics of Mad Men. It was also one of the bloodiest pieces of work I’ve seen for a while, with a full-on shot of someone getting their face blown off with a shotgun. With a supporting cast including Gretchen Mol (Life on Mars US), Kelly MacDonald (State of Play, Trainspotting), Michael K Williams (The Wire) and Dabney Coleman (Major Dad – tee hee), it’s very much must-see TV but despite that, it’s actually not that enjoyable yet. I hear it’s a bit like The Wire, in that it builds over the season, so I’ll be sticking with this for a while at least. Oh, in case you’re wondering UK readers, yes, it had been acquired, and it’s going to be one of the flagship programmes on Sky’s new Sky Atlantic TV channel.
  • Chuck: More guest stars again this week, with Stone Cold Steve Austin and Nicole Ritchie returning. Okay as they go, good to see Chuck flashing again, but nothing remarkable, and mostly about getting everything back to the status quo at the Buy More.
  • Community: Last week’s was good, but okay, despite the double cameo of Drew Carey and Rob Corddry: some individually great moments (the chloroform scene), but as a whole, nothing too special. But this week’s was the first truly awesome episode this season. Most of this is down to John Oliver (of The Daily Show), who’s going to be pretty much a cast regular this season as the anthropology lecturer, despite being a psychologist and not knowing anything about anthropology. Every single line, more or less, particularly when dealing with “Señor Chang”, was comedy gold, and Britta and Annie’s bickering, Pearce’s neo-Buddhism and even Betty White’s cameo were excellent. By the way, UK viewers, season one has finally started airing on the Viva channel in the UK. No, I have no idea WTF that is, but at least it’s on Freeview.
  • Cougar Town: Just chugging along. The funniest thing about it is the constant renaming of the show in the titles (this week “(badly titled) Cougar Town“). But it’s enjoyable, both textually and actually like hanging out with a group of drunk 40 year olds who like to play games with each other.
  • Dexter: Hmm. Dexter struggles with family. Dexter’s out hunting. Been here before. Enjoyable enough, but needs a little something more.
  • Detroit 1-8-7: I got about 20 minutes into episode one of this fake dramedy documentary cop show with Michael Imperioli (of The Sopranos and Life on Mars US) set in Detroit before quitting. Southland does the whole “fake documentary” thing far better, and this was actually quite tasteless (not in a good way, unless you find cellphones with inappropriate ringtones going off during “your daughter is dead” scenes entertaining), unfunny and uninvolving, with nothing new to say or do (Look, guys, it’s the rookie detective being sick at his first murder scene. Seen that before?). Weirdly, do you find it slightly offensive that the hero of the piece is the only white person in the cast?
  • Hellcats: The fourth episode of the series was a little bit on the rubbish side and oh no, no, no, no, no, ended with a goddamn music set piece to show off Aly Michalka‘s musical skills. Really, we don’t need that: that’s so early 2000s (cf Buffy, Charmed). Even Smallville ditched the Talon music scenes by season three. Episode five was more interesting with Christian judgementalism being dolled out by in great big ladles by Teryl Rothery at Ashley Tisdale and Marti going off to do a less comedic Legally Blonde against Gale Harold’s orders. It seems to have settled down into a Fame thing, with a bit of relationship soapiness and a dance routine each episode, the near-journalistic quality of the first eps a distant memory. But it’s still a good show. One thing I have noticed though: for cheerleaders, they don’t seem to spending a whole lot of time around football matches, do they?
  • House: Has now turned into fan fiction. Ugh.
  • Life Unexpected: How many of you are roughly 30 years old like Baze and Cate? How many of you reckon you’re a tad more grown up them then? Oh, practically all of you then. Really, could we have a bit more adult behaviour from the adults, please? Even Emma Caulfield’s acting like she’s 21 again. Paige, at least, is growing on me (particularly now I realise she’s scream queen Arielle Kebbel), but the absence of Abby is getting more and more glaring. But, at least the last episode remembered that Lux used to be a foster kid and brought back Tash to rub in the fact that life is usually pretty sh*te for foster kids.
  • Mad Men: A good episode as always. A nice illustration of how expectations of the behaviour of expectant fathers has changed and a good character piece for everyone from Roger downwards.
  • Modern Family: The earthquake episode was pretty funny, particularly thanks to the guest cameo by Nathan Lane. But can we have a non-camp gay man in this, just for a change? They do exist you know. Oh, and could Phil stop being such a dick? Thank you.
  • No Ordinary Family: Another piece of semi-family fun that never quite hits any highs but never really gets to any lows. Our family is busy adjusting to their new powers, with teenage boy revealing that he’s now got a super brain (or at least can spout math mumbo-jumbo that’s entirely irrelevant to the actual problem being solved, but it sounds good) and everyone else working out how to control their own powers. Some good bits with both Michael Chiklis and Julie Benz and a surprisingly nasty ending to the episode. This might just turn out to be the second decent new drama of the season.
  • Outsourced: Well, I made it through to the episode two and not only was that completely bereft of humour, it was about an offensive as episode one. Given that this is actually the most successful of all of NBC’s new shows so far this season, and it isn’t exactly storming the ratings, it does make you wonder if anyone’s sorry they jumped the gun and cancelled Heroes now. I’m out anyway, so no ep three for me. Avoid this, if possible, because even though the characters are sympathetic, everything else is dire.
  • Parenthood: I’m not exactly sure why I’m watching this beyond an admiration for the house-husband character and a general liking for both Monica Potter and Erika Christensen. I feel a ruthless streak coming on, to be honest, since there’s not really much here anymore, and all sorts of season one plotlines seem to have been dropped (Christensen’s battle with the hot housewife after her husband, grandfather’s investment cock-ups, etc).
  • Rubicon: OMFG. Something happened! Awesome! At last, we have some action, we finally know what this whole conspiracy is about and the bad guys have finally bought themselves a clue. If this were 24, all this would have been in episode 1, rather than episode 11, but at least we know now.
  • Smallville: In episode 2, Michael Shanks as an expert on ancient Egypt. Typecast, much? In episode 3, the return of Supergirl – better! Lots of in-jokes to the comics, which, let’s face it, is what the whole point of Smallville is, and everything does seem to be developing in pleasing directions as well. I’ll stick with it for Supergirl for now.
  • Stargate Universe: Ah, now that’s more like it. After last week’s disappointing start to the first season, we have Stargate Universe‘s patented “whatever can go wrong absolutely definitely will go wrong” school of drama, with deaths, murders, and everyone being self-serving and calculating exactly who to screw over. One slight disappointment is the easy way in which Rush solved the master code problem in between episodes, but it has given us the return of Louise Lombard. Also a little disappointed with how quickly they gave up on the possibility of having Lou Diamond Phillips as a spy in the Alliance Camp. But a good episode all the same.
  • 30 Rock: Last week’s was a bit daft, but still fun and did at least have Elizabeth Banks in it. This week’s was the first edgy show of the season, with a big send up of NBC’s lack of diversity that gave us a shout out to Community star Donald Glover (former writer for 30 Rock) but singularly failed to mention Undercovers. I wonder why that is, apart from Undercovers being dreadful. Some great moments.

But what have you been watching?

As always, no spoilers unless you’re going to use the <spoiler> </spoiler> tags, please. If you’ve reviewed something on your blog, you can put a link to it here rather than repeat yourself (although too many links and you might get killed by the spam filter).

US TV

What have you been watching this week (w/e October 1)

Kale Ingram in Rubicon, the hardest gay man in town

Lovely wife is off in Barcelona with her pals at the moment, so there’s a slight backlog on things we watch together – 30 Rock, Community, Modern Family, Cougar Town, Being Erica, Life Unexpected and Hellcats. I’ve also yet to muster up the enthusiasm to watch Detroit 1-8-7, My Generation and Boardwalk Empire and I’ve decided not to bother with Lone Star now it’s been cancelled. And as for Undercovers, The Defenders and The Whole Truth, there’s just not enough time in the world to be giving some shows a second chance. I’ve also got Outsourced episode 2 to watch, Law and Order: LA and I might even given Downton Abbey a try, despite it being on ITV. This is a very busy time of year!

  • Better With You: Just like with the first episode, there’s some good writing, there’s a good cast, it makes you laugh. It has its fair share of cliches, mainly to do with the oldest couple, but they’re reasonably tolerable. But the horrible, horrible laughter track and studio audience are like fingers on a blackboard. I’m not sure despite the fact it’s the only really funny new comedy so far this season that I can actually carry on watching it.
  • Chuck: It seems like the Buy More is turning into “the place where guest stars who would like to cameo on Chuck turn up”. This week it was the turn of the Old Spice guy who proved nearly as awesome as Captain Awesome – glad to see him back, too, because he is just awesome. Otherwise, a mixture of fun and… oh no, it’s the Buy More crew back. And is it my imagination of is Chuck just not bothering to “flash” much these days.
  • Dexter: A surprisingly emotional start, with our Dexter mourning the departure of someone close to him at the end of last season. Some real nice touches, no obvious serial killer adversary for our Dexter and it looks like the real enemy for him this year is going to be himself. No Julia Stiles yet (she’ll be along soon), which I’m looking forward to. So very promising.
  • The Event: Hmmm. Pretty much everything you guessed was going to happen during the pilot has now turned out to be the case. If I spend the reason of the season having every mystery proven to be obvious, I’m not going to be best pleased. Episode three is apparently the point at which things change in interesting ways, so I’ll stick around for that one, but the appeal of the show has dropped significantly as the silliness factor has kicked in.
  • Hawaii Five-0: Talking of very silly indeed, Hawaii Five-0 tried to do Sneakers this week and it was all a bit laughable. With no Len Wiseman directing, the action quickly fell apart, giving us possibly the stupidest, most badly edited catfight I’ve seen since the 70s. WTF is up with Daniel Dae Kim on that motorbike? And what age is Grace Park trying to play? But the Danny/Steve pairing is a fun one, the return to original series format (a guest helper of the week for Five-0) is a nice touch and the scripts are enjoyably stupid, so I’ll probably stick with this one for now.
  • House: Distinct lack of women on the main team all of a sudden. But an acceptable episode, even if the new “nice” House is hard to take seriously.
  • Mad Men: I’m up to speed at last! Very much enjoying the season so far and enjoying the hoops Don is being made to go through. Didn’t like Lane’s father (W Morgan Sheppard from Max Headroom et al) but I do like Don’s new girlfriend and the relationship he has with her.
  • Parenthood: A much more balanced episode, with both men and women getting decent plot lines. But the last minute “Asperger’s kid takes an interest at last” moment didn’t ring true, Monica Potter’s character is just collapsing and not enough is actually happening – it’s actually hard to say what the point of Parenthood is since there’s no real plot drive towards anything. So I’m on the verge of giving up. Just not quite yet.
  • Raising Hope: I gave up after five minutes into episode 2, on the general grounds it wasn’t funny.
  • Rubicon: Not much happening at all still. But it’s engrossing and I have to say Kale – not the hero but his boss – is proving to be one of the most interesting characters on TV for some time: a gay man in a relationship, successful, happy, talented, the hardest man in town despite being in his 40s or 50s, a former US Marine yet possessed with some of the finest taste in interior decor around. No one really quite like him on TV. Makes the show worth watching all by himself.
  • Running Wilde: Even Peter Serafinowicz couldn’t really rescue this one. A few funny moments, but way too few. I’ll probably watch next week’s though.
  • Shit My Dad Says: We lasted two and half minutes on this before giving up. Not funny in the slightest.
  • Smallville: I thought I’d give this one a try again, given it’s the last season. Still as dumb as a box of hammers, and way too comic strip, but it was good to see John Schneider get to cameo. Ditto Dr Fate, even if Chloe isn’t going to be around much now. I think I’ll skip a few more episodes until Supergirl’s back.
  • Stargate Universe: Not the rip-roaring return I was hoping for, given the strength of the various cliffhangers last season. Everything’s been wrapped up a little too neatly. I also wasn’t happy to see the return of the people they’d left behind on that planet, which robbed that episode of one of the show’s most magnificent ambiguities. The constant darkness also means I can’t see what’s going on half the time. But I’m interested to see what they do with the Lucian Alliance people with Robert Knepper about.
  • Supernatural: And… I’m out. The end of last season was a natural conclusion to the previous five years, so I think I might as well leave while the show is on a high. The departure of Eric Kripke as showrunner seems to have robbed the show of some of its strengths, since this first episode was dull and was just a traipse over the glories of past episodes. The new format felt very crowbarred into the show (spoilers: look! It’s me your dead grandfather! And here are all your cousins! Let’s go fight bad guys). None of it really rang true. So I think I’ll cut this out of my schedule.

But what have you been watching?

As always, no spoilers unless you’re going to use the <spoiler> </spoiler> tags, please. If you’ve reviewed something on your blog, you can put a link to it here rather than repeat yourself (although too many links and you might get killed by the spam filter).

US TV

Review: Hellcats 1×1-1×3

In the US: Wednesdays, 9/8c, The CW
In the UK: Not yet acquired

It’s easy to stereotype cheerleaders. Take your pick: blonde Barbies? Bubble heads? Sluts in flesh-expositng outfits? Cliquey? Agents of patriarchy, doing nothing more than standing there and looking pretty while cheering on men? Nothing more than pom pom twirlers?

This is, of course, bollocks.

Apart from the fact that there are male cheerleaders, top-level cheerleading is an incredibly demanding athletic sport – it’s responsible for 2/3 of sports injuries among women at college and requires hours and hours of dedication, training and practice. As with football, its associated scholarships can also be the only way some American women (and men) can afford to go to college and it’s enabled people from the likes of Katie Couric and Meryl Streep through to supreme court justice Ruth Bader Ginsburg and even Ronald Reagan to get to the upper echelons of society.

These and other stereotype crushing facts are what you’ll learn if you watch The CW’s new dramedy, Hellcats, based on Cheer: Inside the Secret World of College Cheerleaders by journalist Kate Torgovnick. Oh, and you’ll get to see lots of buff young men and women in skimpy outfits – including Ashley Tisdale from High School Musical! Woo!

Here’s the extended trailer:

Continue reading “Review: Hellcats 1×1-1×3”

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