What have you been watching? Including Spotless, 19-2, American Gothic, Preacher and Outcast

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

Yep, Monday again. So much for those grand “Friday or over the weekend” ambitions. Still, given I’m away on Friday, and Game of Thrones, Silicon Valley and Secret City have all now finished, the task isn’t so insurmountable, so maybe Monday ain’t so bad.

Elsewhere, I’ve reviewed the first two episodes of Queen of the South (US: USA Network) and passed a third-episode verdict on BrainDead (US: CBS; UK: Amazon). I didn’t get round to watching the megachurch-tastic Greenleaf (US: OWN), I’m afraid, because it looked dull, soapy and full of Oprah Winfrey. A preview of The Night Of… (US: HBO; UK: Sky Atlantic) will be coming at some point this week, I hope, although given it’s an adaptation of BBC One’s Criminal Justice, I’m not 100% psyched for it. I’m also halfway through “stupid teens at 80s summer camp” horror The Dead of Summer, so I’ll hopefully be reviewing that this week, too. And given that Amazon released the first two episodes of Showtime’s Roadies today, I might give them a stab, too.

That means that after the jump, I’ll only be taking a look at the latest episodes of 19-2, American Gothic, The Last Ship, Outcast, Preacher and Silicon Valley, as well as last week’s Secret City. Netflix also dumped season two of Marco Polo in our laps on Friday, but I haven’t watched any of that yet, I’m afraid. Again, not 100% psyched for it and it sounds like there may be even more historical liberties taken this season than there were last.

But also on Friday, Netflix gave us…

Spotless (France: Canal+; UK: Netflix)
Frenchman Marc-André Grondin runs a crime-scene clean-up company in London, but is falling on hard times. Then his wayward brother Denis Ménochet (Inglorious Basterds) turns up with a dead drugs mule in his camper van freezer, and soon Grondin’s financial luck is changing for the better, even if does mean he’s working for criminals to clean up their dirty work.

It’s a very curious affair – a French/British co-production with two French leads playing two French brothers who never speak a word of French to each other, even when they’re alone, except in flashback to when they were kids and saving their mother from their murderous father. Seemingly a drama at first, albeit a terribly written drama with some terrible dialogue, it becomes a comedy-drama by the end of the first episode and almost enjoyable. Almost.

Nevertheless, despite being written by a Brit and clearly filmed by people who aren’t content simply to show the tourist parts of London, there’s a distinct lack of reality to any of it and Grondin’s character is irritating and stupid. Running out of cash? Maybe you shouldn’t try to send your kids to private school while living in a huge house in central London, just as all your contracts are suspended. 

It’s already been renewed for a second season by Canal+ and the Esquire Network in the US, but unless episode two is significantly better, I won’t be watching the rest of it.

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What have you been watching? Including Game of Thrones, 19-2, Le Bureau Des Légendes (The Bureau) and Zoolander 2

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

State of the country, politics, the world, et al right now:

Sob. Oh well, let’s talk about tele to try to cheer ourselves up. Last week, I reviewed the first few episodes of:

However, a few new shows have also stuck their heads up the parapets this week, so in the next few days I’m hoping to review Greenleaf (US: OWN), Queen of the South (US: USA) and maybe The Night Of (US: HBO) – it’s only a mini-series.

Obviously, this was supposed to go up over the weekend, but owing to post-referendum blues and a general desire to boxset a certain French TV show, that didn’t happen. However, I haven’t had time to watch anything more than Game of Thrones from last night’s usual bumper crop of shows. So after the jump, I’ll be talking about that, the latest episodes of more or less the only shows that don’t air on a Sunday – BrainDead, Cleverman and Outcast – last Sunday’s Preacher, Secret City, Silicon Valley, Still The King and Westside, as well as the return of Canada’s good show, 19-2, and the whole of season 1 of Le Bureau Des Légendes (The Bureau). Some are for a-chopping, though, and some are on a lifeline.

(For those of you wondering, I couldn’t be bothered to watch episode 3 of Animal Kingdom or Uncle Buck, after their uninspiring performances last week. Soz)

But first, a movie!

Zoolander 2 (2016) (iTunes)
Sequel to everyone’s favourite Ben Stiller movie, although it only became such once it came out on DVD, since it tanked a bit at the box office. It sees Stiller, Own Wilson, Will Ferrell, et al, returning as their original characters, who have all gone their separate ways after Derek’s school collapsed just a couple of days after opening. Then incomprehensible fashion designer Alexanya Atoz (Kristen Wiig) invites them to star in her new fashion show in Rome, and they’re soon imbroiled in a Da Vinci Code parody that sees the likes of Justin Bieber being killed off to protect a terrible, terrible secret, with fashion policewoman Penelope Cruz their ally in solving the crime.

I was a bit wary of this, since it got bad reviews, and the movie itself is really not much more than that Da Vinci Code twist on the original Zoolander structure. However, surprisingly, it’s actually quite gigglesome, with plenty of laughable moments, huge numbers of odd cameos (Kiefer Sutherland, Susan Sarandon, Fred Armisen, Anna Wintour et al), references to everything from Dune to Star Wars and the general surrealism that pervaded the original still managing to percolate through. 

Very stupid, but cheered us up a lot on Friday.

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What have you been watching? Including The Last Ship, Westside, Secret City and Cleverman

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

You can tell the summer’s season now fully under way, can’t you? New shows everywhere, as well as returning shows, with more to come. But all is in hand. Elsewhere, you can find my reviews this week of the first episode or two of the following exciting new shows:

And after the jump, I’ll be updating you on the latest episodes of Animal Kingdom, Cleverman, Feed The Beast, Outcast, Secret City, Uncle Buck and Silicon Valley, as well as the returning The Last Ship and Westside. Two of those shows are for the chop and one is being promoted to the recommended list – but which are which? There’s also a whole bunch of potted third-episode verdicts, since I can’t be bothered to do them all individually.

I’ve also been doing some more laggardly box-setting, so I’ll be chatting about the final five episodes of Ófærð (Trapped) as well as the entire third series of Plebs, too. That’s all after the jump. TTFN!

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What have you been watching? Including The Night Manager, Outcast, The Americans and Cleverman

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

Sunday’s got a bit busy all of a sudden. As well as Game of Thrones and Silicon Valley, we now have Secret City and the returning The Last Ship, as well as Preacher once it catches up with me. So unless I take every Monday off work or forgo sleep, I’m thinking I’m not going to be able to watch all of those in time for WHYBW. So this week, WHYBW will be returning to Fridays (or more probably Saturdays. Sob), given Thursday’s worldwide TV schedule currently consists of Cleverman. Hold your thoughts on Silicon Valley, Secret City and The Last Ship until then, so we can share.

Anyway, thanks to the world unleashing a huge swathe of new shows for us all to try out, this week I reviewed/previewed elsewhere:

I’ll be previewing/reviewing Uncle Buck (US: ABC) and Still The King (US: CMT) in the next couple of days, and after the jump, I’ll be reviewing the latest episodes of Cleverman, Game of Thrones and Outcast, as well as the season finale of The Americans. But first, over the weekend, I finally got round to boxsetting a show you’ve almost all probably seen and forgotten already!

The Night Manager (UK: BBC One)
The first John Le Carré TV adaptation in 20 years, Tom Hiddleston’s audition tape for the role of James Bond sees him playing a former soldier turned hotel night manager sign up with SIS (in the form of Olivia Colman) to defeat international, improbably accented gun runner Hugh Laurie as he tours all manner of shiny places in HD. It all looks lovely and it’s got a great supporting cast (Tom Hollander and David Harewood), but the UK production aesthetics (music, title sequence) make it seem a lot cheaper than it is, and to be honest, Le Carré’s plotting stretches into the clunky, simplistic and improbable at times, with few surprises. The ending is also a disappointment, essentially relying on Laurie giving an almost total stranger who’s a thief and a murderer exclusive control over $300m – after the set-up, I was expecting something a lot smarter. But the low-fi spying, Hiddleston and the locations make it more memorable.

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What have you been watching? Including Deadpool, The Americans and The Tunnel (Tunnel)

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

Well would you look at that – back as scheduled. Miracles will never cease.

As usual, though, the networks have carefully timed a batch of new shows to start airing while I’ve been away. I’ll be reviewing them in the next few days, but hold your horses on discussing Animal Kingdom (US: TNT), Private Eyes (Canada: CBC), Feed The Beast (US: AMC; UK: BT Vision) and Cleverman (Australia: ABC; UK: BBC Four) until then, if you’ve seen them.

After the jump, I’ll be looking at the season/series finales of Arrow, The Flash and The Tunnel (Tunnel), as well as the dwindling regulars (won’t someone give us some good new TV, please?): 12 Monkeys, The Americans, Game of Thrones and Silicon Valley. Surprisingly, despite my reduced viewing list, one of these is for the chop because I can’t even.

Before that, though, I’ve seen not one, but two superhero movies!

Deadpool (2015) (iTunes)
Ryan Reynolds in the first of Marvel’s adult-oriented superhero movies, here playing a mercenary who gets given mutant powers at the cost of his good looks, so tries to get the Brit scientist/kickboxer who experimented on him (Ed Skrein from The Transporter Refueled and Game of Thrones) to undo the damage so he can get back his girl (Morena Baccarin from Firefly and Homeland). But as well as his looks, the newly-christened Deadpool also loses his sanity – for some reason, he thinks he’s in a superhero movie and chooses to satirise anything and everything about it, as well as talk to the audience he thinks is watching him…

Although not as funny or as daring as it thinks it is and saddled with a conventional revenge plot that all the storytelling tricks in the world can’t cover up, Deadpool has a lot going for it, particularly its potty mouth, and meta jibes at Ryan Reynolds and the X-men. You’ll laugh at about half the jokes and there are scenes that will stick with you for days afterwards. But its own critiques (“It’s almost like the studio couldn’t afford more famous stars”) reveal the film’s biggest problem – it’s subversive enough that the studio wants to keep it safely confined in a box away from the rest of the franchise, unable to play with the big boys. Also, Gina Carano is wasted in a small role, which makes me sad. 

But you can’t really knock a superhero movie that has its lead masturbating with a toy unicorn, now can you?

Spider-Man 3 (2007) (iTunes)
Somehow I missed/couldn’t be bothered to watch the third of the previous (but one) Spider-Man movie franchises, but with another on the way, I figured I’d watch all the old ones (not including the Nicholas Hammond 70s TV show) just to see how they compare. Here we get Tobey Maguire’s Spider-Man finding (yet again) it’s hard achieving a work-life-superhero balance, and despite wanting to marry girlfriend Mary-Jane Watson (Kirsten Dunst), ends up neglecting her. Then, he discovers that the man (Thomas Haden Church) who really killed Uncle Ben has escaped from prison and acquired the power to turn into and shape sand. And best friend James Franco has discovered Peter Parker is Spider-Man and wants to get revenge for the supposed murder of his father (aka The Green Goblin). Just as Peter’s at his lowest ebb, he attracts the attention of an alien symbiote who turns his costume – as well as his soul – black…

Weirdly, despite its rep, I found this to be the best of the lot – Spider-Man 1 & 2 do not bear up well, despite my having found them reasonably good at the time, and The Amazing Spider-Man is astonishingly dreary and uncompelling. While the ‘Venom’ subtext is a little clunky and the character itself a bit rubbish, the story actually takes novel turns, with forgiveness and doing good lorded over violence and darkness (take note, DC Comics). 

Utterly meaningless if you haven’t seen the first two movies, mind.

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