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British TV

  • GMTV fined £2m over phone line scandal
  • Decided not to watch ITV1? Now you can decide not to watch it again an hour later: Michael Grade is considering ITV1+1
  • Channel 4 ratings at 15-year low

US TV

Audio and radio play reviews

Review: Doctor Who – The Wishing Beast/The Vanity Box

The Wishing BeastThere is a certain truth to the idea that what you can imagine is a whole lot spookier than what can be shown on-screen. With the minimal budget available to the Big Finish team, you’d have thought they’d have taken advantage of that simple premise to do their best trying to spook us with sound effects, rather than trying to pretend that battles between giant robot transformers sound good.

Hang on, they’ve tried spooky with Sapphire and Steel. I can understand their reticence now.

Anyway, they’re giving it another go with this slightly intriguing tale, in which two old ladies try to grant a wish for that amazing adventurer in time and space, Mel – and her companion, the Doctor – with the help of their pet dragon The Wishing Beast. There are ghosts. There’s a vacuum cleaner. And it alternates between silly and threatening.

Oh yes, it also comes with The Vanity Box, a one-episode play better described as Doctor Who: The Coronation Street Years.

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Review: Sapphire and Steel – Perfect Day

Perfect DayOn the face of it, writing a Sapphire and Steel story shouldn’t be that hard. You can more or less make it up since there are no real rules. The less you say about what’s going on, the spookier and more interesting it gets. The more alien you make the heroes, the better. Ideally, you should make it a four-hander involving Sapphire and Steel, maybe a five-hander if you bring in another element. And the plot should be about regular humans doing something more or less normal and then time deciding to pick on them for no reason.

Simple, huh? (Well, probably not. Cf Adventure Five, the only TV story that wasn’t written by PJ Hammond).

And yet the Big Finish team never do it. Instead of following those simple guidelines, they always populate them with half a dozen extra characters, and have to have some moral tale in which time decides to break in because gay people are forced to hide in the closet or someone doesn’t realise that death is inevitable and can’t be wished away. And, like some “very special episode” of Blossom, Sapphire and Steel have to learn something about “what it is to be human”.

Have a guess what happens in Perfect Day.

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Cult TV: The Golden Age of ITC

Cult TV: The Golden Age of ITC

Anyone interested in the history of British television will be aware of Lew Grade’s company, ITC. Dominating the 50s, 60s and 70s with shows such as The Adventures of Robin Hood, Danger Man, The Saint, Thunderbirds, Captain Scarlet, The Prisoner, Randall and Hopkirk (Deceased), Jesus of Nazareth, and Sapphire and Steel, ITC was a production powerhouse, the likes of which we’ll probably never see again.

Robert Sellers book, Cult TV: The Golden Age of ITC, attempts to chronicle at least some of that history. With a foreword by Sir Roger Moore and an afterword by Gerry Anderson, the book includes interviews with many of the shows’ surviving stars and production staff and provides some insight into their continuing success as cult television, even if it’s not the perfect .

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UK TV

Review: Doctor Who – 3×8-3×9 – Human Nature/The Family of Blood

Family Of Blood

I’m a big man.

I say this not to boast – although wey hey! – but because it’s a truism that it takes a big man to admit it when he’s wrong.

I admit it. I was wrong. Paul Cornell can write. He can write very well (subject to any possible script edits made by RTD, Helen Raynor, et al).

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