Doctor Who

In the UK: Saturday, 6.15pm, 13th April 2013, BBC1/BBC1 HD. Available on the iPlayer
In the US: Saturday, 8pm/7c, 13th April 2013, BBC America

Mark Gatiss is a fanboy. This will probably come as a surprise to you only if you’ve never heard of Mark Gatiss before. Otherwise, this should be known to you.

A member of the League of Gentlemen (a troop of horror-story loving fanboys), Gatiss first appeared in the realm of Doctor Who writing some of Virgin’s range of New Adventures books that emerged following the cancellation of the original series. Then, after writing and starring in some of the Liz Shaw spin-off P.R.O.B.E. stories, and some of the Big Finish Doctor Who and Sapphire and Steel audio ranges (he’s an S&S fanboy, too), he came to write some Doctor Who TV episodes: The Unquiet Dead, The Idiot’s Lantern, Victory of the Daleks and Night Terrors. He’s also written fiction that pastiches 19th century fiction, hosted and contributed to documentaries on some of his favourite fanboy subjects (Nigel Kneale, Hammer horror), adapted and starred in HG Wells’ The First Men In the Moon and being a Sherlock Holmes fanboy, too, it should come as no surprise by now for you to hear that he’s one of the show runners and writers for Sherlock.

A fanboy, then. Clear?

The biggest problem facing fanboys in general and Mark Gatiss in particular is originality. It’s all right when you have something to adapt and something to riff on, but actually coming up with good new ideas is actually terribly hard for the fanboy. It’s no surprise therefore that whenever Gatiss writes anything, it’s usually slight variations on an existing, familiar story, with knowing references to other things thrown in and some sort of Important Obvious Metaphor thrown in for good luck.

By now, it shouldn’t surprise you when I tell you it was Gatiss who suggested to bestest Sherlock pal and Doctor Who show runner Steven Moffat that they should do a story feature the Ice Warriors, just about the only popular old Who monster that the new series hadn’t featured. Nor should it surprise you that our Stevie was a bit dismissive of the idea, thinking they were a bit rubbish looking.

But Gatiss has brought them back, with an Important Obvious Metaphor about the Cold War (hence, the title) thrown in for good luck. It’s a little bit The Ice Warriors, a little bit Dalek… okay, a lot Dalek, with a big chunk of Alien and just a soupçon of Hunt For Red October on a low budget thrown in. And while it never hit the ‘totally excellent’ mark, by sticking with what he’s best at, Gatiss turned in what’s probably his best Doctor Who yet.

Here’s a trailer.

Continue reading “Review: Doctor Who – 7×9 – Cold War”