Tuesday’s “Doctor Who movie” news

Doctor Who

  • Harry Potter‘s David Yates to direct Doctor Who movie

Film

US TV

TMINE

What did you watch last week (w/e November 11)?

Misfits - series 3

Time for “What did you watch last week?”, my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

My recommendations for maximum viewing pleasure this week: Dexter, Modern Family, Happy Endings, Homeland, Suburgatory and Community.

Things you might enjoy but that I’m not necessarily recommending: Being Erica, Boss, Burn Notice, House, Chuck, Ringer and The Walking Dead.

So, I’ve decided to give up on two regular shows this week:

  • The Walking Dead, despite an excellent revelation a couple of weeks ago, has just been boring me silly. I’m not a big horror fan, anyway, so the zombies haven’t really grabbed me, but neither have the characters this season. It feels like they’ve been stuck on the same problem for five weeks (or whatever it is now), putting off the day when they have to progress the plot
  • Burn Notice: Now, I’ve been with this since the beginning, five seasons ago, and although it’s usually worth watching just for a fight scene or two, again, the lack of progress has become a problem. Now, to a certain extent, Burn Notice has always been superb at having the same underlying formula (Michael and co help out some innocent people, using their improbable spy training) while changing the exact mechanism by which this formula is allowed to continue (the Burn Notice, Tricia Helfer, Robert Winston, etc). I’m just bored of it now. It didn’t help that this week’s was so poorly acted and written that I actually had to turn it off after 15 minutes. So I’m going to be big and brave and strong and see if I can cut the cord this week.

A few thoughts on what else I’ve seen:

  • Dexter: interesting reveal last week – haven’t seen what they intend to do with it this week. But like I said, the series only ever kicks off around episode six or seven and this year that theory seems to be holding true, too.
  • Misfits: I think I’m actually liking Series 3 better than Series 1. Okay, no Nathan, but he was an unrelenting twat who really needed to be beaten regularly and Rudy does seem to have greater humility. This season seems to be balancing plot and characterisation well – better than season 2 certainly and I think better than season 1, as well. This week’s guest super-power was a bit daft, though, but the episode was fine overall.
  • Ringer: I’m not saying that there was a massive loophole at the start of last week’s episode, but how exactly did the guy who’s been held captive for a week know the ins and outs of SMG’s social life?
  • American Horror Story: Tedious and obvious. Turns out the only reason to watch this really is Alex Breckenridge.
  • House: good to see the rest of the old cast back, but this really is a show going through the motions now. Nice to see Jamie Bamber back on US TV though.

And in the movies section:

  • Justice League: The New Frontier – An adaptation of the graphic novel series set in the 1950s, with Superman, Wonder Woman, Batman and co having to deal with a big nasty, as well as McCarthyism. It’s faithful to the book while streamlining it, but it manages to include all the iconic moments (including one of Wonder Woman’s most famous iconic moments) as well as adding a few. Not really for anyone who isn’t a fan, but it’s worth watching if you are and there are some great choices for the voice cast: Jeremy Sisto as Batman, Lucy Lawless as Wonder Woman, David Boreanaz as Hal Jordan, etc.

And this week, in books (yes, a new addition!):

  • Absolutely, by Christopher Hitchens – a collection of Hitchens’ essays from magazines such as Slate, Vanity Fair, The Atlantic, etc, on a range of eclectic themes, including the Middle East (of course), authors ranging from Somerset Maugham to PG Wodehouse, whether women as a whole are as funny as men and more. It’s all written with Hitchens’ incredible wit and wisdom. Recommended (although you might end up skipping a few essays).
  • The Good, The Bad and the Multiplex – film critic Mark Kermode’s latest book, this is a bit hit and miss. If you listen to his Friday show with Simon Mayo on Radio 5 Live, there’s not much that’s new and what there is is largely facts and figures that you really didn’t want to know. It’s also a little bit ADHD, heading off in all kinds of directions, rather than staying on target. But it’s proving a good read so far.

“What did you watch last week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

US TV

Review: Hell on Wheels (AMC) 1×1

Hell on Wheels

In the US: Sundays, 10/9c, AMC
In the UK: Acquired by TCM UK to air in 2012

There’s been a lot of talk this season about AMC’s Mad Men. The Playboy Club and Pan Am have both supposedly been trying to emulate the success of Mad Man by both being set in the 60s and allegedly glorifying sexism, racism, et al. The parallels are relatively few and often spurious but what people have latched onto in this 60s setting. Apparently, until Mad Men, period drama didn’t happen on US TV so clearly anything period must owe a debt to Mad Men.

Now overlooking the quasi-period (e.g. Quantum Leap, New Amsterdam, Journeyman, That 70s Show, Life on Mars) as well as actually period (e.g. Glory Daze, Swingtown) is one thing. But to overlook the western? That’s downright ridiculous.

The western was once the mainstay of US TV: Bonanza ran for 13 years, Gunsmoke ran for 20 years and there were countless others. Modern day TV networks also haven’t forgotten the western: HBO had Deadwood while FX’s Justified is essentially a western set in modern times; and even as I type, the development slates at various US networks are already filling up with a whole new batch of westerns, ready to be unleashed on us next September, including a remake of the classic TV western The Rifleman.

But now look. While everyone’s been fixated on the 60s as the Mad Men USP, AMC – the home of Mad Men – is trying its hardest to cash in on the success of its own, currently absent show (as well as its first ever original mini-series, Broken Trail) with another period piece that relishes the mores and prejudices of a rapidly changing American society. Can you guess when it’s set?

Continue reading “Review: Hell on Wheels (AMC) 1×1”

Monday’s Piano reunion news

Film

  • Ridley Scott working on Blade Runner sequel

British TV

US TV