US TV

What have you been watching? Including Strange Empire, Coverband, Electra, The Flash and Doctor Who

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

You may have noticed I was playing epic catch-up on Saturday, in contravention of my normal rule of weekend blogging. So on top of Friday’s all out efforts and a couple of extra ones today, I’ve reviewed the following new shows, some of which have already been acquired for Blighty’s viewing pleasure:

Yay, me. No back log now. Time to have regular weekends again. Phew.

In fact, so ahead of myself am I that I’ll point out that ages ago, I reviewed NBC’s Constantine, which starts on Friday. Okay, it’s changed a bit since the pilot but you’ll get the general point.

But I’ve not stopped there. Oh no. Because I’ve also watched a New Zealand and a Canadian show just for luck. Okay, I was a bit behind on all of them, so I’ve only seen the first episode of each, but honestly, that felt like enough.

Strange Empire (Canada: CBC)
Set in the 1860s on the Alberta-Montana border, this sees three women (Cara Gee, Tattiawna Jones and Melissa Farman from Lost) band together for survival after virtually all the men in their town are murdered and those remaining behind battle for power. Very nicely made and already being described as the saviour of CBC, it’s historically interesting but about as tedious as any other western, and none of the characters really grabbed me.

Coverband (New Zealand: TV One)
A one-hit wonder band reunite back in New Zealand years after they were famous. Unfortunately, the female lead singer was the one who was a success, leaving the terminally unsexy rest of the band to make it by themselves, something at which they fail miserably. Now having to deal with the pressures of normal lives and forced to do cover versions of other bands’ records, they suck completely until they stagecrashed by Laughton Kora, who shows them what rock charisma and singing really are, so they hire him. Kind of.

It’s an amiable and accurate enough show, based on cast member Johnny Barker’s own experiences as an Auckland cover band musician, and were there enough time in the world, I’d probably tune in for a few more episodes. But the show’s not so inspiring that I’ll throw something else aside for it and I’ve already seen The Wedding Band crash and burn, so I don’t think I need to see that happen again.

Unfortunately, New Zealand doesn’t want to produce any globally available videos of its own shows, apparently, so here’s a picture of the cast to tide you over.

Coverband

That’s it for new new shows, but after the jump, I’ll be running through: Arrow, black-ish, The Blacklist, Doctor Who, The Flash, Forever, Gotham, Homeland, Marvel’s Agents of SHIELD, Plebs, Scorpion, Selfie and The Walking Dead.

But hey! Before you go, I should mention I went to the theatre, too!

Electra (Old Vic)
Kristin Scott Thomas as Electra, a new translation of Sophocles’ original text by Greek tragedy stalwart Frank McGuinness, music by PJ Harvey – what could go wrong? Well, not much actually, beyond a certain staticness to the direction, a slightly weak performance by Jack Lowden as Orestes and a very strange performance by Tyrone Huggins as Aegisthus. Other than that, a fine piece of work, surprisingly faithfully staged (although that’s not quite how Greek people prayed), with an outstanding performance by Thomas and a surprisingly funny text by McGuinness – in part to cover up for casting slightly older than originally written, but also to hide the unlikelihood of Electra not recognising Orestes. Liz White (Life on Mars) gives the best performance I’ve ever seen from her as Chrysothemis, Electra’s sister.  

Continue reading “What have you been watching? Including Strange Empire, Coverband, Electra, The Flash and Doctor Who”

What have you been watching? Including The Edge of Tomorrow, A To Z, black-ish, Homeland, Manhattan Love Story and Arrow

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

I was away last week, as you hopefully noticed, and while I had high ambitions of watching lots of German TV and telling you all about it, I didn’t turn on my TV even once the whole time I was there. It’s almost like I have a life or something.

I also didn’t watch much of the usual shows while I was away – except on plane flights and Germany ain’t that far away – which given how many new shows have been starting up or airing their second or third episodes, has meant a weekend of catch-up TV. But I’m nearly there, bar the latest episode of Homeland.

Of last week’s outright new shows on the main US networks, I’ve already reviewed The Flash, and I’ll be reviewing The Affair and Cristela either tomorrow or on Thursday. I might review Starz basketball comedy Survivor’s Remorse and the Audience Network’s manly-men MMA drama Kingdom, but they’re possibly a bit sporty for me, so we’ll see. I might also turn my eye to Canada’s women-western Strange Empire, and Australian political drama Party Tricks, too, towards the end of the week.

But that’s it for new new shows, so after the jump, I’ll be running through: A to Z, Arrow, Bad Judge, black-ish, The Blacklist, The Code, Doctor Who, Forever, Gotham, Gracepoint, Homeland, How To Get Away With Murder, Legends, Madam Secretary, Manhattan Love Story, Marvel’s Agents of SHIELD, Plebs, Scorpion and Selfie. Which ones will I keep watching and which ones will I be dropping? Keep reading to find out.

But before that, strangely enough, despite the epic backlog, I did manage to watch a movie this week.

The Edge of Tomorrow (2013)
Cowardly Tom Cruise enters video game Groundhog Day when he kills an alien during a D-Day style military campaign and inherits its ability to put time into a loop. Emily Blunt then trains Cruise in how to be a proper soldier, so he can win the war, thoughtfully killing him each day to reset the time loop. A cross between a first-person shooter and the Allied invasion of Normandy, the film benefits a lot from Doug Liman’s more thoughtful approach to direction and Cruise does well at first as a snivelling PR guy who has to learn to become a more conventional Cruise hero. Ultimately not making a lot of sense, it nevertheless is an engrossing and above-average piece of science-fiction with some scary-arsed aliens and that probably would have done a whole lot better under its original title of All You Need Is Kill.

Continue reading “What have you been watching? Including The Edge of Tomorrow, A To Z, black-ish, Homeland, Manhattan Love Story and Arrow”

US TV

Wonder Woman ’77 announced – so just who does read comics?

Who reads comics? The standard response – indeed, stereotype – perpetuated by TV shows including the likes of The Big Bang Theory is this:

Comic Book Guy

Comic Book Guy from The Simpsons – a fat, white, straight male nerd.

Stereotype it may be, but is it true? To some extent, yes. A poll conducted by DC Comics into who bought comics in US comic book stores found that only 7% of purchasers were women. And a lot of women don’t feel especially welcomed by the average comic book store.

But that’s all changing. Go to the average comic-con in the US and you will see people like this, for example:

Jay Justice as Wonder Woman

Yes, people who don’t fit the standard stereotype at all.

In part (but certainly not wholly) that’s because of online. No longer do you need to set aside an annexe of a house to collect comic books; no longer do you need to even step foot in a comic book store if you don’t want to. You can order graphic novels via Amazon or simply read them digitally on your tablet (or phone if you really just hate having perfect vision) using Comixology and other comic book readers.

So who reads digital comics? Increasingly, the answer is this:

A female nerd

Comixology’s sales figures indicate that as many as 20% of digital comic readers are young women, particularly outside the US. How about the remaining 80%, though?

You might think it’s just young men, who are part of the digital generation who shun dead trees. But you’d be wrong. Or at least DC thinks you’re wrong, because although it’s been happy to push digital comic versions of younger-skewing TV shows The Flash, Arrow and Smallville, as well as tie-ins with cartoons such as Batman Beyond 2.0, it’s also seeing a good deal of success with Scooby Doo crossovers as well as Batman ’66 – a series based on the Adam West Batman of the mid-60s.

Batman 66

Batman ’66 is already a best-seller and doing well in both print and digital, which is where it started as an ‘enhanced’ comic – that is one that had animations as well as standard comic panes.

Now, you might think that Batman 66 is an exception, because you could stick a Bat on anything from Fairy Liquid through to piles cream and Batfans would still buy it; more so, the original show is still wildly popular among the general populace and is a real pop culture icon.

Except this weekend, DC announced another title in the same vein: Wonder Wonder ’77.

Wonder Woman 77

Based on the 1970s TV series starring Lynda Carter, Wonder Woman ’77 will be a digital-first title debuting in December. Now Wonder Woman has obviously been doing very well of late in the nu52 universe. Pre-nu52, there was one Wonder Woman title, Wonder Woman, and she’d occasionally pop up in Justice League or some other titles. But now, as well as Wonder Woman, we have Superman/Wonder Woman, the digital-only Sensation Comics Featuring Wonder Woman and Wonder Woman ’77. That’s four concurrent Wonder Woman titles – more than there’s ever been before at any point in her 73-year history.

Clearly, she’s doing something right. But the question is: who will buy this new, digital-first title?

Undoubtedly, Lynda Carter is the platonic ideal of Wonder Woman as far as many fans are concerned, and there are aspects of the show that still define most people’s idea of who Wonder Woman is and the wonders she can do.

But largely, we’re talking about a show that never really entered the popular psyche and never got the re-runs in quite the same way as Batman. More so, it just wasn’t very good – try rewatching them, I dare you, because while the first season set during World War II is just about bearable, the latter two seasons are really hard going. Anyone coming to them fresh now is unlikely to be converted into an ardent fan by watching them.

On the other hand, I’ve got them all on DVD and iTunes, largely because I watched them all when I was a kid back in the 70s. So while I imagine there’ll be regular Wonder Woman fans giddy for any new Wonder Woman who’ll buy Wonder Woman ’77, particularly those who hate the nu52, I doubt anyone young who is uncommitted would flock to this in the same way they might to Batman ‘66

And I don’t think DC thinks so, either. I think it’s after a new group altogether from all the previous groups we’ve looked at – an older group that normally wouldn’t enter a comic shop but who are now enabled by digital technology to read comics, particularly those based on shows they watched when they were kids.

Yes, DC is after the Silver Surfers. How ironic.

I’ll be buying it, of course. Will you?

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