BFI events

What TV’s on at the BFI in December 2021? Including The Tourist and The Mezzotint

Whenever it can, TMINE lets you know what TV the BFI will be presenting at the South Bank in London

I’m not going to pretend that I’m going to be doing this as often as I used to, particularly since the last one of these was in November 2020, but I will when I can. And if there’s not much on.

This December, there’s a showing of Doctor Who‘s City of Death, previews of The Tourist, the Ghosts Christmas special and this year’s Ghost Story for Christmas (The Mezzotint), and a collection of Christmas specials past, as well as some slightly odd music-related treats. Plus more!

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Streaming TV

What have you been watching? Including Leverage: Redemption, Invasion and Dopesick

It’s “What have you been watching?”, your chance to recommend to fellow TMINE readers anything you’ve been watching this week

It’s been a fortnight since the previous WHYBW, thanks to the delights that are half-term and the mandatory staff holiday TMINE resultingly enforces. And there’s been a lot of TV for me to watch in that time! Shock! That’s new… but also old, which is reassuring.

But with a lot of TV to review, it’s going to be a bit of whistlestop tour. I should point out at this stage that I wasn’t able to watch 4400, the CW’s revival of the very similarly named show of the mid-2000s, The 4400, as I never watched that and I wasn’t that excited to watch a reboot of it. But if you reckon I should, let me know.

After the jump, we can talk about new shows Dopesick, Invasion and Leverage: Redemption, the final episodes (oops) of season one of Only Murders in the Building and the return of Locke & Key.

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Events

The French Film Festival is Back at the Institut français

It’s always great to see a broad range of cinema available, not just the usual US and UK movies. Hooray then! Because hot on the heels of the London Film Festival, we now have the French Film Festival back at Ciné Lumière in London from 3 to 13 November and in 32 other cinemas UK-wide until 15 December.

Most of the films showing at Ciné Lumière will be UK premieres and were presented at the Cannes Film Festival earlier this year, including the Palme d’Or winner Titane. But there will be some classic French movies, too.

Directors Bruno Dumont and Catherine Corsini will respectively be travelling from France for the screening of France, starring Léa Seydoux, at the Festival opening night (3 November), and The Divide (6 November).

Other highlights include Petite Maman by Céline Sciamma, Paris, 13th District by Jacques Audiard, and OSS 117: From Africa with Love starring Jean Dujardin.

Here’s a trailer and I’ll put the programme and full details after the jump, complete with trailers! Just between you and me, I feel I should point out I just copied and pasted from the web site, but I think this makes it easier to see everything at a glance.

I feel Rob would want me to point out that there will be two French TV shows screened as part of the festival as well: UFOs and All The Way Up.

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Dirk Bogarde
BFI events

December 2021 at the BFI, including Jack Clayton and Dirk Bogarde at 100

Yay! Details of the BFI’s showings in December! Here’s the press release.

December at BFI Southbank – featuring BFI JAPAN, the work of JACK CLAYTON, screenings of classic Christmas films, BUSTING THE BIAS, Dirk Bogarde at 100 and much more

With special guests including director Mark Gatiss (THE MEZZOTINT), the cast and crew of GHOSTS (guests TBC), actors Jamie Dornan, Danielle Macdonald and Shalom Brune-Franklin (THE TOURIST), director Sharon Maguire (BRIDGET JONES’S DIARY), singer and performer Patti Boulaye, broadcaster and critic Mark Kermode, directors Markus Hansen and Jean-Marie Boulet (BILLY BANG LUCKY MAN)

The BFI today announces the programme for December at BFI Southbank including the culmination of BFI JAPAN 2021: 100 YEARS OF JAPANESE CINEMA, the BFI’s major UK-wide celebration of Japanese film. This month’s programme features work by radical independent directors like Seijun Suzuki and Nagisa Ōshima, as well as more recent popular and art house Japanese cinema by filmmakers such as Shunji Iwai, Hirokazu Kore-eda and Naomi Kawase. Also in December, BFI Southbank mark the centenary year of one of the most intriguing voices in post-war British cinema, JACK CLAYTON, with a full retrospective including THE INNOCENTS (1961), ROOM AT THE TOP (1959) and THE PUMPKIN EATER (1964). The season will be accompanied by a free display in BFI Southbank’s Mezzanine Gallery of material draw from the extensive collection held by the BFI National Archive of Clayton’s scripts, stills, posters and letters. Also drawing on material from the BFI National Archive, our TV season for December, THE PRECIOUS THINGS, will be a feast of weird and wonderful curios from the archives that feature a host of famous faces, from Vincent Price and Basil Brush to Terry Jones and Tina Turner – brilliant, baffling, idiosyncratic footage often unseen since its original transmission.  

It wouldn’t be December at BFI Southbank without a feast of Christmas entertainment, led this year by a BFI re-release of one of the most charming romantic comedies of all time, Ernst Lubitsch’s THE SHOP AROUND THE CORNER (1940), in selected cinemas UK-wide on 3 December. In the hectic run-up to Christmas, two ambitious rivals on the gossip-ridden sales floor of a Budapest emporium – played by James Stewart and Margaret Sullavan – are conducting an anonymous romance with each other by letter. This classic comedy has been often remade, including into the Tom Hanks and Meg Ryan comedy YOU’VE GOT MAIL, but the original film remains unsurpassed, and perfect seasonal fare. BFI Southbank’s ongoing BIG SCREEN CLASSICS series – where we screen great films daily for the special price of £8 – will this month focus on CHRISTMAS ON SCREEN. Titles include MEET ME IN ST LOUIS (Vincente Minnelli, 1944), IT’S A WONDERFUL LIFE (Frank Capra, 1946), MIRACLE ON 34TH STREET (George Seaton, 1947), GREMLINS (Joe Dante, 1984), THE MUPPET CHRISTMAS CAROL (Brian Henson, 1992), TOKYO GODFATHERS (Satoshi Kon, 2003), A CHRISTMAS TALE (Arnaud Desplechin, 2008), CAROL (Todd Haynes, 2015) and more. In addition to our £8 ticket offer for BIG SCREEN CLASSICS, audience members aged 25 & under are able to buy tickets for BFI Southbank screenings in advance, and special events on the day, for just £3, through our ongoing ticket scheme for young audiences. 

For those wanting to get a preview of some hotly anticipated Christmas specials for 2021, BFI Southbank will have TV Previews of THE MEZZOTINT (BBC, 2021), the GHOSTS CHRISTMAS SPECIAL (BBC, 2021) and TERRY PRATCHETT’S THE ABOMINABLE SNOW BABY (Channel 4, 2021). Laced with MR James’ trademark terror, THE MEZZOTINT, starring Rory Kinnear, is the latest ghost story for Christmas directed by Mark Gatiss, who will take part in a post-screening Q&A on 7 December. On 9 December, BFI Southbank will welcome members of the cast and crew of GHOSTS for a Q&A following a screening of this year’s Christmas Special. This hugely popular comedy from the makers of HORRIBLE HISTORIES has become a firm favourite since it premiered in 2019 and this event will also feature a screening of an episode voted for by fans of the show. There will be a FUNDAY PREVIEW of the wonderfully festive animation, TERRY PRATCHETT’S THE ABOMINABLE SNOW BABY on 4 December; prior to the screening, ticket holders will also be able to join a family workshop in the main foyer to design their own member of the Abominable Snow Baby family. 

To mark the 20th anniversary of BRIDGET JONES’S DIARY (Sharon Maguire, 2001) Woman with a Movie Camera powered by Jaguar will present a special screening of the film on 16 December, followed by a Q&A with director Sharon Maguire. After a painful festive party 30-something Bridget Jones, played to perfection by Renée Zellweger, decides to set some New Year’s resolutions: she’s going to lose weight, cut out the cigarettes and keep well clear from all the wrong men. Co-starring Colin Firth, Hugh Grant and a who’s who of British acting talent, BRIDGET JONES’S DIARY is one of the best-loved romantic comedies of the last 20 years, and this anniversary screening offers audiences a chance to hear from director Sharon Maguire about bring this iconic character to the big screen. 

Also in December will be BUSTING THE BIAS, a series of screenings, talks and presentations taking place from 3-5 December, showcasing disabled practitioners’ work while creating ongoing discourse for improved access for disabled talent to work in the screen industries, and advocating for authentic on-screen representation and leadership off-screen (the full programme will be announced soon). There will also be a TV preview of THE TOURIST (BBC, 2021) starring Jamie Dornan as a British man who finds himself in the Australian outback being pursued by a vast tank-truck trying to drive him off the road. The screening of the first episode of the series, written by Harry and Jack Williams (THE MISSING, LIAR) on 7 Decemberwill be followed by a Q&A with actors Jamie DornanDanielle Macdonald and Shalom Brune-Franklinalongside other members of the creative team. 

Other highlights this month will include a special screening on 5 December of the Tom Baker-era story DOCTOR WHO: CITY OF DEATH, which was co-written by the great Douglas Adams; monthly star-studded event MARK KERMODE LIVE IN 3D AT THE BFI on 6 December; and Patti Boulaye in Conversation on 12 December, during which the singer and performer will talk about her life and television career on the occasion of the publication of her memoirs. Completing the events programme will be new regular programme strand, THIS KIND OF THING, in which we explore video games and beyond at BFI Southbank – from consoles and VR to AI and wearables. The first event on 10 December will be a unique live event where audiences talk, listen, eat, drink and play their way through the evening, exploring just what a video game is in 2021, and beyond. This month’s event complements BFI JAPAN, exploring the country as one of the engine rooms of the past, present and future of video game culture, creativity and play.

Finally, to mark the centenary year of DIRK BOGARDE, we screen a selection of work featuring the British star who shook off the mantle of the matinee idol to gain respect, not just as an accomplished actor but also as a writer of considerable talent. Screenings will include HUNTED (Charles Crichton, 1952), in which a boy finds a corpse in a bombed-out building and is taken hostage by the killer; I COULD GO ON SINGING(Ronald Neame, 1963) about a stage star (Judy Garland, in her final film) who is reunited with her estranged son; the darkly comic tale of a nightmarish butler who exploits the weakness of his lazy, entitled employer THE SERVANT (Joseph Losey, 1963), screening in a recent 4K remaster; and SO LONG AT THE FAIR (Terence Fisher, Anthony Darnborough, 1950), a perfectly formed period mystery. 

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Film reviews

Review: Venom – Let There Be Carnage (2021)

Director: Andy Serkis
Writers: Kelly Marcel (screenplay by), Tom Hardy (story by), Todd McFarlane(Marvel’s Venom character created by)

On general release

Eddie Brock attempts to reignite his career by interviewing serial killer Cletus Kasady, who becomes the host of the symbiote Carnage and escapes prison after a failed execution.

Nat says: ‘Can someone translate this into girl for me?’

Venom: Let There Be Carnage follows on almost immediately from the end credits scene of Venom (2018), which was a movie I was surprised to find I really liked. I was expecting a sort of superhero Real Housewives bitch fight.

But what I got was something that while a bit silly – and, yes, a bit Real Housewives – was also funny. I also do enjoy Tom Hardy in most things and he really seemed to be enjoying himself, too. The man jumped into a tank in a restaurant and ate a live lobster! It was hard not to love it as a result. Honest!

Importantly, I also could follow what was going on. It wasn’t hard. Aliens from outer space are brought to Earth. To survive, they need to achieve a symbiosis with a human host. Most humans don’t make good hosts, but Tom Hardy’s failed journalist Eddie Brock proves to be a great host for one alien called Venom.

At first, Venom seems to be evil and wanting purely to eat humans. However, over time, it becomes clear that Venom may give Hardy superstrength, speed, indestructibility and a really, really bad make-over, but he’s actually a bit of a loser on his own world and a terrible coward when faced by the alphas of his own kind.

That seemed quite fresh to me, after countless sci-fi movies with indestructible, motiveless nasty aliens that like to kill everyone with their sharp, pointy bits. Yuck.

By the end, Hardy and Venom have their own physical and emotional “odd couple” symbiosis, with Venom wanting to roam the city stopping bad guys – principally by eating their heads – and Hardy doing his best to keep Venom in check.

Unfortunately, Venom: Let There Be Carnage would have needed translating into girl for me to like it more than I did. I’ll explain what I mean in a moment…

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