Possibly better than 50% of season 2’s episodes are these two adverts for Coca Cola that aired in China. For those that don’t speak Mandarin, the phrase Brett Dalton is trying to say in the first video is “Let’s get married.”
[via]
Possibly better than 50% of season 2’s episodes are these two adverts for Coca Cola that aired in China. For those that don’t speak Mandarin, the phrase Brett Dalton is trying to say in the first video is “Let’s get married.”
[via]
Film
Film casting
Scandinavian TV
UK TV
New UK TV show casting
US TV
US TV show casting
New US TV shows
New US TV show casting
It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.
The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.
Can you feel it? Can you? The summer season of TV is starting everyone! New things to watch! Hooray!
Okay, it’s starting slowly this week, but next week, we should have even more. Nevertheless, elsewhere, I’ve already reviewed the first episode of Netflix’s Between and previewed both Supergirl and Mr Robot. I’m also planning to review NBC’s new Charles Manson drama, Aquarius, and preview CBS’s new ‘comedy’ Crowded separately. But they’ll have to wait until next week now.
After the jump, the current TV regulars: Community, Game of Thrones and Silicon Valley. But first, a couple of film reviews!
Ex Machina (2015) (iTunes)
Domhnall Gleeson is a programmer working at a very Google-like company of the near future, who wins a employee lottery the prize of which is to spend a week with the company’s owner, Oscar Isaac. There he has the chance to try a new Turing Test variant on gynoid Alicia Vikander. The new question is – despite knowing she’s a robot, will he still decide she’s intelligent and care about her? And will she care about him? Except, of course, all is not what it seems…
Written and direct by Alex Garland, it’s very clever and very beautifully shot, if a little slow and, towards the end, exploitative, with great performances all round. However, it would probably have had a much bigger impact on me if I hadn’t seen the low budget but very similar and considerably more entertaining and action-packed Caity Lotz version The Machine just a few months ago. Watch that instead.
3 Days to Kill (2014) (Netflix)
Sometimes, knowing too much about a movie can either make it or kill it. Or sometimes both. Here, we have what is essentially Taken, with Kevin Costner as an ageing CIA agent in Paris who has to come to terms with the fact that he hasn’t been a great husband or father to his ex-wife (Connie Nielsen) and daughter (Hailee Steinfeld), all while killing lots of bad guys and occasionally homaging The Bodyguard.
This shouldn’t come as a huge surprise since the script is by Luc Besson. So on that level, there’s some information that might make you want to watch the movie and actually, if that’s all you had to go on, that would probably be a reasonably good summary of its strengths. If you know what a Luc Besson action movie is like, you’ll know more or less what to expect (comedy, comedy sidekick, French-speaking Africans, kids, insane Paris car chases, women with guns, etc).
So now I’ll add a little extra fact to the mix: Amber Heard is Costner’s boss. This may or may not make you want to watch it, although Heard actually does pretty well in the acting stakes here, and there are some funny scenes involving her and Costner determining exactly what ‘young’ means to both of them (“32? Middle-aged, grandpa!”).
So let’s drop the last factette on you: it’s directed by McG. This should send you running to the hills and certainly you can expect a few exploitative and crass McG tropes in here, too. But actually, it’s largely just McG emulating Besson, so forget I just told you this information – if you can do that, you might actually half enjoy it. It’s not brilliant, but it is a lot more Besson than McG.

This week, it’s the end of Convergence, now that DC has completed its move to the West Coast. Thank the gods for that. That means we’ve got a couple of leftover fights to deal with: over in Convergence: Action Comics #2, we have Red Son Wonder Woman versus some Power Girl or other; and in Convergence, we find out that all that fighting was pretty much for nothing because the status quo must be re-established.
Meanwhile, Diana spends her time goading people for no good reason in Injustice Gods Among Us #4 and we got from the sublime to the ridiculous in Sensation Comics Featuring Wonder Woman #36. And that’s all after the jump, you lucky people.
Which is a bit annoying as I have tickets to see him at the Apollo on October 3. Any guesses as to whether that’ll be cancelled or not?
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