US TV

Review: 11 22 63 1×1 (US: Hulu; UK: Fox)

In the US: Mondays, Hulu
In the UK: Acquired by Fox

Normally, in science-fiction involving time travel, said McGuffin is useful. Want to go back in time to kill Hitler before he rises to power? Fair dos. Hop into the Wayback Machine, set the controls for Munich, 1921, and give it a whirl with your phased plasma rifle in the 40W range.

So US Netflix rival Hulu’s first original series, 11.22.63, based on the huge doorstop of the same name by Stephen King, gives us a moderately unusual alternative. Here, we have Groundhog Day time travel – time travel that resets and doesn’t necessarily leave you in the place you’d like to be.

It stars James Franco as an unassuming modern day high school teacher who’s friends with Chris Cooper, who runs the local diner. Cooper ages and goes a bit weird surprisingly quickly and one day, Franco finds out why: at the back of Cooper’s closet is a door that leads to the early 60s. Go through it, change the past, come back and you’ve changed the present; but go back again and you’ll reset everything you did the last time you went through and you’ll have to start from scratch.

Cooper’s now dying of cancer, so he’d like to pass his pet project onto Franco. No, not importing cheap meat from the past. The other one. He wants low-achiever Franco to stop JFK from being assassinated and thereby save the US from the Vietnam War and a dozen other calamities. It probably wasn’t Lee Harvey Oswald that shot JFK, mind, but Cooper has done a lot of research into who might really be responsible and is happy to give Franco the results of his work researching the USSR, the CIA and others. Now it’s up to Franco to find out definitively what the Warren Commission couldn’t.

The only trouble? The time portal at the back of his diner only takes you back to the same day in October 1960. Franco’s going to have to live for three years in the past to get to the fateful date. And the past really doesn’t like Franco and wants him to go back to the present.

Continue reading “Review: 11 22 63 1×1 (US: Hulu; UK: Fox)”

US TV

Review: Those Who Can’t 1×1-1×2 (US: TruTV)

In the US: Thursdays, 10.30/9.30c, TruTV

TruTV. It wasn’t so long ago when you were just CourtTV, but then you decided to start focusing on reality TV, and TruTV was born. That seemed reasonable. Then you decided to have a go at short-form comedy programmes, but at least they were more ‘prank shows’ than sitcoms. But now you’re having a go at long-form comedy. So what’s Tru now, TruTV?

Like TV Land, which is trying to bust out of its previous demographic, too, TruTV has decided to spearhead its edgy new style by getting a troop of improv comedy performers to come up with a sitcom about teachers. But while TV Land handed Teachers over to a group of female performers working with small children, TruTV decided that a group of male performers pretending to be high school teachers would be the best option for Those Who Can’t. Looking at the differences is instructive. Or maybe it isn’t. But let’s look at them.

While Teachers was basically about a bunch of female teachers who brought their own personal issues to school, resulting in incompetent teaching, Those Who Can’t is about a bunch of guys who never grew up into men and so aren’t very good at teaching nearly-men. Indeed, they largely get bullied by them or each other.

And that’s pretty much all the jokes: nerdy men trying to out-alpha each other while being out-alphaed by all the kids they teach. That and lots of jokes about dicks. And balls. And dicks and balls.

There is the occasional gay joke, just to break up the monotony. And one about the Spanish teacher teaching Castillian Spanish rather than Latin American Spanish – gosh, those lisped c’s are just so amusing, aren’t they? But that’s it for variety.

Despite only 42% of US high school teachers being male, the entire faculty appears to consist of men, from the principal (Ground Floor‘s Rory Scovel) downwards. The sole exception is the librarian (Maria Thayer), who’s there for the guys to hit on and be rebuffed, when she’s not acting like ‘one of the boys’ and making jokes about dicks… and balls… and dicks and balls, of course.

But that’s it. Pretty much everything about Those Who Can’t is predictable and the show is bereft of any hint of reality. Even when the mean kids turn up at a teacher’s house and YouTube themselves paintballing him, nothing happens, so naturally the teachers have to then go off and plant heroin in the lead kid’s locker to get him expelled. Sounds fun? Don’t worry – it isn’t.

Those who can’t? Make comedy show for TruTV, it turns out.

Weekly Wonder Woman

Weekly Wonder Woman: Wonder Woman ’77 #15, The Legend of Wonder Woman #14, Injustice: Gods Among Us – Year 5 #8

Last week was quite quiet on the Wondy front. Sure, we had the last trailer for Batman v Superman before the movie hits the big screen next month. That featured not only a leaping/flying Wonder Woman…

…but also the first lines of dialogue we’ve heard her utter so far.

But in the comics book world, there wasn’t much to shout about. Unsurprisingly, given the ideas of romance demonstrated by DC in the first issue, there was no Young Romance this year to celebrate Valentine’s Day. Instead, we only had the concluding part of Wonder Woman ’77‘s fight with Clayface, young wartime Wondy going to the movies in The Legend of Wonder Woman #14 and alternative Diana doing some punching over in Injustice: Gods Among Us: Year Five #8.

All of that after the jump.

Continue reading “Weekly Wonder Woman: Wonder Woman ’77 #15, The Legend of Wonder Woman #14, Injustice: Gods Among Us – Year 5 #8”

News: Daniel Craig’s Purity; Ashley Judd in Twin Peaks; Apple’s Dr Dre series; Damon Wayons in Lethal Weapon; + more

Internet TV

US TV

US TV show casting

New US TV shows

  • Daniel Craig to star in adaptation of Jonathan Franzen’s Purity
  • Syfy green lights: series of Oculus Rift-enabled futuristic cop drama Halcyon

New US TV show casting