Film

Anyone got a clue about the Vue’s queues?

Vue Cinema LogoI went to Islington Vue cinema on Tuesday to watch Harry Potter and The Order of the Phoenix (surprisingly good and dark). It’s the first time I’ve been to a Vue in a while and they’ve changed the ticketing system. It’s a pain in the arse, I’ll tell you that much.

Vista”, as it’s called, means you can supposedly buy your tickets at any till, saving you the hassle of queuing once for your confectionery and once for your tickets.

In practice, this means they’ve closed the front desks, so if you only want to buy tickets and no confectionery, you’ve still got to go into the Hall of Doom (aka the confectionery area) and brave the queues. Unlike the efficient front desk system, you’re pretty much playing pot luck here, as people jump from queue to queue – and wherever the confectionery staff were trained, it wasn’t a pub, since they can’t keep track of who should be served next. In fact, the people at the tills seem to jump around a lot, too, so you’re always guessing about exactly which till is open and where the till operator is going to be.

I can see where the management is coming from: they don’t have to have extra staff on the front desks, which saves money on wages; and with most of cinemas’ earnings coming from confectionery rather than tickets to see movies, anything that gets people into the confectionery area must be good for the bottom line.

All the same, it’s a pain and proof, yet again, that the Internet is good: order your tickets in advance over the Web, even if it costs you 50p more, then collect them at the front entrance to avoid the confectionery queues.

Anyone got good things to say about “Vista”?

Thursday’s news aka the news that is Thursday’s

Doctor Who

Film

  • Yes, Greg Grunberg will be in JJ Abrams’ secret movie
  • Guy Ritchie to direct a movie based on his own comic
  • How many Blade Runners do you want? Well, there’s five on this DVD set

Commercials

  • Morph shows us how to be green [QuickTime required]

British TV

US TV

Wednesday’s news of pure excitement

Film

British TV

US TV

Tuesday’s minor news

Doctor Who

  • Martha will have a boyfriend when she returns in series four. Which member of the Torchwood cast, I wonder? Tee hee

Film

US TV

  • Bones to solve the mystery of Vanished. Plus Geena Davis won’t replace Mandy Patinkin on Criminal Minds and Zachary Quinto almost certainly will be Spock in Star Trek XI
  • Sarah Connor Chronicles retakes because of school shooting
  • Replicators back in Stargate: Atlantis
  • Lots of Heroes chat/spoilers from Tim Kring
  • New Amsterdam staff tries to explain why it’s not Angel. There’s a lot of that about
  • HBO renews Big Love
  • David Rapaport to recur in My Name is Earl
  • Rory Cochrane will be Tim Speedle again on CSI: Miami but not in flashback
  • DB Woodside disappointed by Wayne Palmer last season on 24
  • No more pirates on CBS
  • Esai Morales to recur on Jericho

Preview: Pushing Daisies

Pushing Daisies

In the US: Wednesdays, 8/7c, ABC. Starts in the Fall

In the UK: ITV1/ITV2

The French have a lot to answer for. The Napoleonic Wars, Michelin, the croque-monsieur: all are listed in their various crimes against humanity. Also on the list is the concept of the auteur, first proposed in Cahiers du cinéma back in the 50s. In short, it’s the idea that a film should be a reflection of a director’s personal vision.

Zut alors! Between the DoP, editor, visual effects team, producer, actors, production staff and the assembled multitudes for any movie, how can the director be entirely responsible for its look and style?

Nevertheless, there are some auteurs out there: Michael Mann, Darren Aronofsky, et al – all give films a particular, recognisable style.

There are television auteurs, too. Bryan Fuller is one. Responsible (among others) for Dead Like Me, Heroes and Wonderfalls, he’s now come up with another modern fairytale called Pushing Daisies, in which a man is blessed/cursed with the power to bring people back from the dead.

Don’t believe me? Okay, how many heroes of modern TV shows can you name who are pie-makers? Hmm. Okay, you’ve got a point with Richard Griffiths in Pie in the Sky. And that can bring the dead back to life? Ha. Got you there.

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