Where are the repeats we want at Christmas? Introducing “The Canon”

It’s an off-repeated mantra that there are too many repeats at Christmas. Oh look, here’s a Liberal Democrat spokesman doing it now (seriously dude, have you nothing better to do?).

Yet, it’s patently not true any more. Yes you can barp on about how every Christmas, you always get The Wizard of Oz*, The Great Escape**, etc, but if you actually look in the schedules, for the most part, there is a complete lack of the supposedly oft-repeated collection this year. The controllers have listened, and now our cultural Christmas heritage is no longer there to be enjoyed by a new generation.

Now it’s not like British TV ever reached the US’s dizzying levels of shared re-run heritage – we’ll never beat Rudolph the Red-Nosed Reindeer, which has been airing pretty much every year since 1964 and now gets repeated several times each year over Christmas. But there are films and TV shows that used to come out every Christmas, that we all used to watch because there was nothing else on, but because they’re not on any more, no one over a certain age will have a clue about***.

This is a shame. Whither goes our shared cultural heritage? If there’s a supposed literary canon that everyone must have read to fully understand British culture (Shakespeare, Austen, Milton, the Bible, Burns, the Mabinogion, Dylan Thomas, etc), surely there must be a film and TV canon that must be seen by all literate citizens in order to understand their own cultural history?

Introducing: The Canon

So, my friends, I’m suggesting we start putting together our collective heads to decide this canon – which will henceforth be called The Canon, it’s so important – so that we can petition for their educational repeating every Christmas.

I may – or may not since I’m quite unreliable sometimes – be slowly assembling a list over the coming week of films and TV programmes that are quint-essentially British and that everyone should have watched at some point in their lives.

But – IT’S A MEME EVERYONE – feel free to add your suggestions for additions to The Canon in the comments section below or on your own blog, leaving a link below so we can all read them together. I’m guessing Doctor Who will figure in it somehow.

I’m going to get the ball rolling with something that someone has already sent me for Christmas – Roger Moore in North Sea Hijack.

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Monday’s itty bitty bits of news

Doctor Who

Film

Commercials/Music

Books

Radio

British TV

Web TV

US TV

  • Showtime acquires Secret Diary of a Call Girl
UK TV

BBC4’s Ghost Stories season returns

Lost Hearts: Part of the Ghost Stories Season on BBC4 this Christmas

As we all know, BBC4 is only good for a few things, one of which is its annual ghost story season. Thankfully, this consists of all those MR James and Charles Dickens ghost stories that were filmed in the 70s and then wisely shown on BBC1 by the then much lovelier BBC. God bless you ghosts of Christmases past. The season starts tomorrow, so get your PVRs primed in anticipation.

Although minuscule BBC4 budgets appear to have become so small, they can’t afford to film a new one this year as they have for the last couple of years, we do have more than usual, including one I don’t recall having been in previous seasons.

Here’s the schedule:

Saturday 15 December

THE HAUNTED AIRMAN

11.30pm-12.40pm; 2.10am-3.20am

Dramatisation of Dennis Wheatley’s tale about a recuperating military pilot who sees frightening visions.

Sunday 16 December

MR JAMES: A VIEW FROM A HILL

10.40pm-11.20pm; 2.30am-3.10am

Another chance to see this classic ghost story. When Mr Fanshawe borrows his host’s binoculars, he sees an unsettling sight on aptly-named Gallows Hill – or does he?

Monday 17 December

MR JAMES: THE STALLS OF BARCHESTER

11.40pm-12.30am

Robert Hardy stars as an ambitious cleric who decides to advance his career by murdering his archdeacon.

Tuesday 18 December

MR JAMES: NUMBER 13

10pm-10.40pm; rpt 2.35am-3.20am

Greg Wise stars in this unsettling tale in which a traveller finds that the hotel he’s booked into conceals a supernatural secret.

Wednesday 19 December

MR JAMES: THE TREASURE OF ABBOT THOMAS

10pm-10.35pm

Michael Bryant stars as a historian who finds the clue to hidden treasure in an old stained-glass window.

MR JAMES: WHISTLE AND I’LL COME TO YOU

11.05pm-11.50am

Jonathan Miller’s chilling adaptation of Oh, Whistle, and I’ll Come to You, My Lad, starring Michael Horden as a hapless professor who finds a mysterious whistle on the bleak Norfolk coast.

Thursday 20 December

MR JAMES: LOST HEARTS

10pm-10.35pm

A powerful drama about Mr Abney, an elderly and excitable black magician, who preys sinisterly upon children.

THE SIGNALMAN

11.20pm-midnight

Adaptation of the Charles Dickens story, in which a hooded figure seems to warn a lonely signalman of an unspoken danger.

I would, as always, heartily recommend The Signalman; Lost Hearts is pretty good, as are The Treasure of Abbot Thomas and Whistle and I’ll Come To You. Number 13 has some okay moments but doesn’t quite have the scariness of the other modern one, A View From a Hill. I haven’t seen The Stalls of Barchester so I’ll definitely be tuning in for that one.

I’d recommend that you avoid The Haunted Airman, because it was arse. The question remains though, as always: why aren’t BBC1 and BBC2 showing these or making their own. Or are they and I’ve missed them?

Friday’s trailing news

Doctor Who

Film

Film/US TV

British TV

  • iPlayer now works with Windows Vista, Macs and Linux
  • Robson Green to star in show by Cold Feet‘s creator [free registration required]
  • BBC working on pro version of Masterchef [free registration required]
  • BBC3 commissions its first drama, about four PAs [free registration required]
  • Hat Trick putting God on Trial [free registration required]
The Mind's Eye
Audio and radio play reviews

Review: Doctor Who – The Mind’s Eye/Mission of the Viyrans

The Mind's EyeIt’s quite funny listening to the documentaries on the end of these Big Finish audio plays. Some guy who sounds almost exactly like Russell T Davies (but isn’t) tries to think up questions to ask the actors in the plays. Guest stars repeat like a mantra that their kids will love them for doing it and it’s given them much kudos; regulars will trot out – with all the enthusiasm you can imagine someone asked the same question for 25 years can muster – what it means to them.

And of course the directors, producers and writers all proclaim how absolutely super wonderful and lovely it was to work with X, Y and Z and how the latest effort is more or less the best thing written down on paper since cuneiform was first invented.

Peter Davison is always a bit more refreshing and candid when questioned (as anyone who’s ever listened to any of his DVD commentaries will know). Did you know, for example, that he almost never reads the script before coming into the Big Finish studios? Or that he’ll record three plays in three days?

Still, he can get away with it most of the time. The double-bill of The Mind’s Eye and Mission of the Viyrans is really very good – quite old school, clever and strong on characterisation for the regulars. Yes, it’s got Owen Teale hamming it up something chronic as an evil scientist and Rebecca Front as one of the most uncommitted baddies in recent history. But they both work pretty well.

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