Anyone want some low-quality, location shots of future Doctor Who episodes? Nothing too spoilery (at least no more spoilery than the blog’s daily news), so if you want to see some more, come follow me over the jump.
Anyone want some low-quality, location shots of future Doctor Who episodes? Nothing too spoilery (at least no more spoilery than the blog’s daily news), so if you want to see some more, come follow me over the jump.
Time for our monthly round-up of forthcoming TV at the BFI. The big, if you can call it that, season is a retrospective of David Rose’s work. Rose was a drama-director producer at the Beeb, responsible for Z Cars amongst other things; he also helped to found Film Four.
The other TV event, other than a Dennis Potter play, Angels Are So Few (sort of the flipside of Brimstone and Treacle), being added to the Mediatheque, is a conversation with Hazel Adair, who created Britain’s first ever soap, Sixpenny Corner, as well as Compact and Crossroads.
Not much this month, but if you’re a big TV history buff, I’m sure you’ll be dropping by.
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Ooh, she’s good, isn’t she? Another classic from Poly of David Tennant sitting. Note how he’s not using the chair in the right way, but the photo is still a valid entry. Is it a press shot or from an actual programme (“How I wish I could stand up again, but now I’m stuck”)?
Captions and/or links to more pictures of David Tennant in a not-vertical position, please!
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Today’s Joanna Page is David Copperfield, in which she played Dickensian femme fatale Dora Spenlow – her first big role if you ignore the important part of “Servant” (not to be confused with “Servant” or indeed “Servant”) in Mike Figgis’ somewhat dry and empty yet sexed-up Strindberg adaptation Miss Julie. David Copperfield and Miss Julie mark the beginning of her costume drama period, which includes The Cazalets, To The Ends of the World, The Lost World and, of course, Aladdin at the Old Vic with Sir Ian McKellen, where she played ‘Panky’.
Dickens and I never used to get on together. Sure, everyone loves A Christmas Carol: that’s a truism. But after struggling manfully with Bleak House at school and my mother’s copy of Pickwick Papers at home, I decided I didn’t like him – too florid, the characters too grotesque and the Kingsley-esque character naming a major irritant.
But David Copperfield changed all that and we’ve never looked back. I’m going to rabbit on more about it after the break, to save you from spoilers, although the book’s 160 years old now – is that the longest ‘spoiler warning’ I’ve given so far?
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