It’s “What have you been watching?”, your chance to recommend to fellow TMINE readers anything you’ve been watching this week
HBO (US)’s Watchmen
This week’s reviews
My iPad is repaired (more or less). Productivity has returned.
This week, I’ve reviewed three new shows: the first episodes of Treadstone (US: USA; UK: Amazon) and Watchmen (US: HBO; UK: Sky Atlantic), as well as the entire first season of Living With Yourself(Netflix). They were all pretty good shows, too, which was a bonus.
Netflix’s The Kominsky Method
What’s coming this week
I’ve not watched any movies this week at all again. Sorry. More sorry – there’s not much new TV coming our way, although there are going to be a few new returning shows, at least.
That means Boxset Monday/Tuesday is going to be one of the usual intended suspects, I suspect: season two of Impulse (YouTube), season one of Modern Love (Amazon), season two of The Hookup Plan (Netflix) or season one of Beau Séjour (Belgium: Éen; UK: Walter Presents). Joining that crew is season two of The Kominsky Method (Netflix), so we’ll see how it goes.
Epix (US)’s Pennyworth
The regulars
It’s the usual usual after the jump: Batwoman, Evil, Magnum PI, Mr InBetween, Mr Robot, Stumptown, Titans and Total Control. With Pennyworth available as of today on StarzPlay in the UK, I thought I’d finish off the final two episodes in one go. I’ve even had time to watch three episodes of Engrenages (Spiral).
Let’s talk about all of them after the jump. Before that, guess which one has been promoted to the regulars list.
Cloning and the ethics thereof pop up a lot in cinema and TV, particularly sci-fi – whether it’s the “clone wars” and the stormtroopers of Star Wars or the many incarnations of Tatiana Maslany in Orphan Black.
The ostensible motivations for the writers of introducing clones is to introduce an ethical or existential consideration. The Island asked if it was ethical to clone ourselves to create spare parts. Moon similarly asked if it’s ethical to create versions of ourselves to do jobs more cheaply than would be possible. In cinemas right now, we have The Gemini Man (no, not that one), which questions whether the government should be allowed to clone us to replace us with younger versions of ourselves, once we get a bit old and tired.
You don’t have to look too hard at even that little list before you realise that those reasons for the respective movies’ existence are pretty tissue-thin. Rather, beyond a cursory examination of the issues, all these uses of cloning have instead been about giving actors a chance to show off by playing several roles at once, sometimes with themselves.
So it’s odd then that the first TV show in quite some time to really consider what cloning might mean, psychologically, philosophically and existentially is a comedy written by Timothy Greenberg (The Detour) and starring Paul Rudd (Ant-Man, Anchorman, Friends) and Aisling Bea (I Feel Bad).
Living With Yourself
The Clonus Comedy
The show sees copywriter Rudd and interior designer Bea on the downslope of a marriage. The fun’s gone, they don’t talk to one another and their efforts at having a baby have come to naught. Rudd’s career is no better and he’s beginning to lose inspiration – allowing fellow co-worker Desmin Borges (You’re The Worst) to steal a march on him.
Then Borges confesses that he’s got ahead thanks to a day at the spa that utterly refreshed him. It’s exclusive and pricey – $50,000 – but he can get Rudd in if he wants. Rudd caves in and soon, he too is enjoying the benefits of the treatment.
However, it’s not long before he discovers what the treatment actually is: he’s been cloned. Or more accurately, the original Rudd has been cloned and then improved – and he’s the result.
But there’s been a glitch in the process and the original Rudd wakes to find himself buried in the woods in a plastic bag. Soon, the two of them are having to work out how to live with one another. And Bea.
