Tuesday’s “Murder Bitches, cable up, network down ratings, and dead Munsters” news

Doctor Who

Film

  • Longmire‘s Bailey Chase joins Ashley Scott and Cuba Gooding Jr in Summoned

Trailers

  • TV spot for Alex Cross, with Tyler Perry, Mathew Fox, Rachel Nichols and Jean Reno

Canadian TV

UK TV

US TV

US TV casting

New US TV Shows

  • Munsters reboot Mockingbird Lane ironically probably dead
  • ABC buys Dakota, CBS buys The Centurion
  • Ryan Murphy to produce drama Montauk for Fox, comedy for NBC
  • Shonda Rhimes sells I Hate LA Dudes and The Mix to ABC
  • CBS buys single-camera family comedy
  • The Mentalist producers sells Murder Bitches to CBS
  • Fox buys two couples comedies
  • The CW developing supernatural ‘fixer’ drama Abaddon’s Journal
  • The SHIELD characters [minor spoilers]

What did you watch last fortnight? Including Moone Boy, Homeland, Revolution and Mob Doctor

It’s “What did you watch last fortnight?”, my chance to tell you what I movies and TV I watched in the past two weeks that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

First, the usual recommendations: The Thick of It and Homeland.

So here’s a few thoughts on what I have been watching:

  • Go On – Still okay. Last week’s episode was dedicated to giving the lesbian character some actual, you know, character, which actually worked quite well – looking at with less tired eyes, Go On actually probably has the most diverse cast on TV. It’s just a little too Perry-focused, a little too Benanti-light still and the rest of the cast need to get more characters, too
  • Homeland – Well, I watched the first 20 minutes last time, and good news! The rest of it’s really good, too. While Carrie’s storyline is more obviously mental than last year’s, Brodie’s is working out well quite tensely, thank you, and the final scene with his daughter was surprisingly touching. So still one to watch.
  • Mob Doctor – Switched off halfway through episode two. Jordana Spiro’s great but this show isn’t the vehicle for her, unfortunately.
  • The New Normal – episode two was such a hate crime, I gave up. I hear episode 4 might have been interesting though, since it’s from Ellen Barkin’s point of view. Not going to try it though.
  • Perception – While the finale was still marginally ludicrous, everything with Daniel worked well. Overall, a pretty good first season, hampered by its format. Jamie Bamber was woefully under-used, while Rachael Leigh Cooke shouldn’t have been used at all. Definitely recommended as a bit of fluff with surprising depth, and I’ll be tuning into season two.
  • Revolution – Episode two was possibly even more boring than episode 1. If it weren’t for the sword-fights, there would be literally nothing to this show at all.
  • The Thick of It – The beast is back! Good to see Malcolm back to his old fieriness and poor old Nicola. A beautifully written piece of political manipulation.
  • Animal Practice – A mild improvement on episode one, but still a fundamentally flawed, stupid NBC comedy.
  • Moone BoyThe IT Crowd‘s Chris O’Dowd writes and stars in this semi-biopic as the imaginary best friend of his 1989 self. Very weird, but charming and amusing.

Still in the pile: Made in Jersey and 666 Park Avenue. I’ll get onto them later today and tomorrow.

And in movies:

  • The Dark Knight Returns: Part 1 – A pretty decent animation of Frank Miller’s acclaimed “Batman when he’s old” graphic novel. This only covers Batman’s return, the new Robin and the pre-Superman half, with a second movie to come dealing with all of that. Peter Weller is a little miscast as the voice of Bruce Wayne, lacking much expressiveness, but he’s not the worst Batman there’s ever been, by any stretch of the imagination. It also shows its age, having originally been written in the 80s, and its vision of the future is indeed very 80s. Ariel Winter from Modern Family is the surprising choice for Robin, but she works quite well, too.

“What did you watch last fortnight?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Monday’s “Channel 4’s winter dramas, Greg Kinnear returns to TV and Morrison redoes Watchmen” news

I lied

Doctor Who

Film

  • No Taken 3?
  • Andrew Garfield confirmed for The Amazing Spider-Man 2
  • Martin Freeman and Eddie Marsan join Edgar Wright’s The World’s End
  • Judi Dench and Steve Coogan to star in Stephen Frears’ Philomena

Trailers

  • Clip from Red Dawn remake with Chris Hemsworth and Adrianne Palicki
  • Trailer for Bullet to the Head with Sylvester Stallone and Christian Slater

Comics

UK TV

US TV

US TV casting

New US TV shows

New US TV show casting

US TV

Review: Vegas 1×1 (CBS/Sky Atlantic)

Vegas

In the US: Tuesdays, 10/9c, CBS
In the UK: Acquired by Sky Atlantic HD

As you may recall, last year, everyone when 60s crazy. And by everyone, I mean NBC and ABC, with The Playboy Club and Pan Am. The Playboy Club was hampered essentially by budget and a script that tried so hard to fair to everyone and not be exploitative that not much interesting happened when Amber Heard wasn’t around in a scarlet bunny outfit. Certainly nothing interesting happened when Eddie Cibrian was on-screen.

Pan Am, by contast, had no problems with budget or even its cast. Instead, it was hampered by a script that was tedious bollocks. Trans-atlantic flights are more interesting.

The accusation then was the networks were trying to cash in on the popularity of period cable show Mad Men. Maybe a bit, but given Mad Men first aired in 2007 and the networks had already tried series set in the 70s, 80s and 90s, it’s a stretch to say it had to be because of a mad rush to ape Mad Men. But it was at least an attempt to emulate the tone of the quality period dramas of cable TV. Hell, even Starz is trying to do that with Magic City and it is a cable network.

But all those efforts failed, because fundamentally neither NBC nor ABC can make those kinds of shows. Fox? Don’t even think about it. It’s busily trying to be CBS.

Just as we all were starting to despair that no US broadcast network could actually make decent, quality dramas of any kind any more, let alone period dramas, along comes CBS – our last, best hope for quality – and saves the day with Vegas, written by Nicholas Pileggi of GoodFellas fame. Set in 1960s Las Vegas and based on a real story, it has a stellar movie-star cast that includes Dennis Quaid, Carrie-Anne Moss from The Matrix and Michael Chiklis (The Shield, Fantastic Four, No Ordinary Family), features some seamless attention to detail, a suitably complex bit of plotting and characterisation, and – because it’s CBS – a bit of police procedure.

Oh yes, and it’s got Jason O’Mara from Terra Nova. Can’t have everything right, huh?

Here’s a trailer and behind-the-scenes preview.

Continue reading “Review: Vegas 1×1 (CBS/Sky Atlantic)”