Every Friday, TMINE lets you know when the latest TV shows from around the world will air in the UK
This week, all the acquisitions have premiere dates so let’s just get right down to it – especially since practically everything starts in the next week, so we’ll need to get a move on.
Cops sit around on a stakeout, during which nothing much happens apart from them talking a lot. I’ve only watched the US remake, so I can’t really advise you on whether the original is any good, but co-creator Patrick Brammall stars in both and he’s usually pretty reliable.
Video-game playing loser is recruited by kick ass soldiers from the future to stop the world going to pot. A mish-mash of explicit references to every 80s sci-fi movie you might care to mention – The Last Starfighter, The Terminator, Back to the Future – that will probably be funnier if you watch it stoned.
Multi-season anthology series based on the real-life escapades of the somewhat eccentric and rich Getty family. Excellent cast and Danny Boyle behind the scenes, but the rich twats tried my patience so much I couldn’t even get to the end of the first episode.
British spy Sandra Oh tries to catch glamorous international assassin Jodie Comer, but generally makes a mess of things. Excellent and stylish when the episodes are written by Fleabag‘s Phoebe Waller-Bridge, distinctly not excellent the rest of the time.
Counterpart (US: Starz; UK: StarzPlay on Amazon Prime)
Premiere date: Friday, September 28
A cold war between two opposing superpowers who face off against each in Berlin. The twist? The two superpowers are parallel Earths and everyone has a ‘counterpart’ who’s just like them, including mild-mannered JK Simmons. Or are they identical? Have the two universes diverged? If so why? And if we could meet each other, would be our own best friend or our own worst enemy?
Generally superb bit of spying that has a bump in quality in episode two, but is otherwise excellent. Give it a whirl, assuming you can get through all the hoops needed to watch it.
Spanish Netflix original, so I haven’t seen it. But here be the plot:
When three working class kids enrol in the most exclusive school in Spain, the clash between the wealthy and the poor students leads to tragedy. Starring: Danna Paola, Miguel Herrán, María Pedraza.
In the US: Sundays, 10pm ET/PT, Showtime. Starts September 9
In the UK: Acquired by Sky Atlantic to air in November 2018
Jim Carrey’s one of those ‘dangerous’ actors. Not in a Clayne Crawford way, mind, more in the sense that you don’t know what he’s going to do with his performances. His characters might snap and go a bit crazy at any moment and you never know when and what they’ll do next. But when they do snap, he’s mesmerising to watch.
After a hugely successful career in comedy that began on TV with Saturday Night Live before he got his big movie break with The Mask and Ace Ventura, he branched out into more sober affairs with The Truman Show and Eternal Sunshine of the Spotless Mind. Since then, bar the occasional cameo, he’s been missing from both TV and movie screens for some time now.
Which makes Kidding, his first regular TV role for 20 years, an interesting choice. Will it be funny? Serious? Dangerous? Or maybe none of the above.
Catherine Keener as Deirdre and Jim Carrey as Jeff (aka Mr Pickles) in Kidding
When will he snap?
Kidding sees Carrey playing ‘Mr Pickles’, an icon of children’s television and a beacon of kindness and wisdom for America’s youth for generations. Anyone expecting that to be a cover for something darker will be disappointed, as Carrey’s character is pretty much as he seems on the tin – a kind-hearted man with no real desire to be anything except lovely to everyone, particularly children.
However, life can be cruel and behind the scenes, Carrey is dealing with some hard challenges: one of his twin sons was killed in a road accident and his wife (Judy Greer) is now separated from him and seeing another man (Justin Kirk). Pickles wants to process all of this misery in his own way, by giving America’s children a Very Special Edition of the programme that’s all about death and how to deal with it. But his father (Frank Langella), who also happens to be the show’s producer, vetos the idea because it might destroy the multi-million dollar empire that has been built up around Carrey’s wholesome nature and his puppet friends.
All of this is just the tip of the iceberg, what with all the problems Carrey’s sister (Catherine Keener) faces, too, so the question is whether Carrey will snap and if so, when? And if he doesn’t let it all out, is a slow descent into madness the only alternative? Moving into the house next door so he can keep an eye on his wife might just be the start of something far, far worse…
Good by association
Although billed as a ‘slow leak of sanity as hilarious as it is heartbreaking’, Kidding is really just heartbreaking in its first episode at least. For the most part, you’re only going to laugh if you enjoy kind people being hurt, tormented, socially excluded and reviled, while struggling to cope with the vicissitudes of life – and a whole bunch of sad but kindly puppets look on sadly and kindly as it happens.
But then, The Truman Show isn’t a bundle of laughs until Carrey starts to go a bit strange, so we should probably hold off expecting the laughs until later in the season, too. Do we have the patience for this? Maybe, as it’s only a half-hour episode at a time.
More to the point, there’s the top cast and the show’s creator is Eternal Sunshine writer Michel Gondry. That probably means we should assume it’ll be good by association, right? I mean, if they can get cameos from Danny Trejo and Conan O’Brien in the first episode, it must be good, right? Right?
Despite the sad evidence so far.
So I don’t really want to watch any more of it, based on what I’ve seen. It’s good at what it does, but there’s nothing that makes me want to watch more of it. Yet I feel I probably should, which is an odd place to be in. I’ll probably watch at least the first three episodes, but I do wonder if maybe we’re only going to see a full Carrey explosion when it’s too late.
