US TV

Pick of the TV podcasts

There’s something odd about the BBC web site. Well, specifically the BBC’s Doctor Who web site. Every episode of the series has had a podcast, sometimes graced by David Tennant and Russell T Davies, sometimes not. You can download them separately from each episode’s web page. There are even instructions on how to subscribe to them on the site. But the bizarre thing is, there’s no direct link for subscribing. Here are the iTunes instructions.

Search for “Doctor Who Commentaries” and you should find our feed. Otherwise, follow the instructions below

Which is odd, because if you have iTunes, all you have to do is click this link that I’ve just made and it’ll subscribe you to the podcast automatically: Rob’s Doctor Who iTunes podcast hyperlink. Given the technical sophistication of the rest of the site, you’d have thought they could have made it a little bit easier, but they didn’t.

Which gets me nicely onto the podcasts themselves. They’re really not all they could be. For that we have to go to the US.

Battlestar Galactica

BSG podcastUndoubtedly the gold standard in podcasts, it’s great just to listen to Battlestar Galactica’s Exec Producer(s) explain all the thinking that went into the episode, how it was filmed and so on. The Doctor Who podcast trawls the shallows a bit in comparison and is more than a little self-congratulatory. Ronald D Moore may have a show with a gadzillion times the budget of Doctor Who and considerably higher US ratings, but unlike RTD and co, he’s perfectly prepared to admit when an episode or scene stank. There is, incidentally, a great interview with him over on Podcast411.

As well as the standard episode commentaries, there have also been three recordings of writers’ meetings, where we get to hear how one particular episode was whittled into shape. It’s fascinating to hear the various iterations of the show as it slowly became closer to the televised form. Well, it is for me.

Lost

Lost podcastAnyone watching in the UK probably isn’t going to want to listen to the later episodes of this particular podcast, but the earlier ones should be safe. It’s quite instructive to listen to, since rather than a standard DVD-style commentary, the podcasts contain interviews with the cast, previews of the next episode, and explanations and clarifications of the previous episode (always vital with Lost) by the exec producers, Damon Lindelof and Carlton Cuse, who actually now have their own theme tune thanks to a listener competition. Lindelof and Cuse also answer questions from Lost fans, usually by insulting them slyly or using extreme sarcasm, which is more than worth the free entrance fee. As if that weren’t enough, there are occasional additional podcasts with behind-the-scenes tours.

Now, while Doctor Who is doing well to have a podcast, its own dedicated web site (if you want to see a sorry web site, go look at the ITV site. That needs life support) and TARDISodes, it’s being edged out in a couple of areas. Don’t you think we owe it to the BBC to ensure we keep the lead with high podcast quality?

US TV

Who’s worked out well for Sci-Fi?

David Tennant has some fun in CasanovaDoctor Who, that’s who. Turns out that even if you air it in a crap time slot (Friday night) and forget to mention kids might like it, you can still double your ratings compared with last year’s output.

Nicely done, Eccles. Let’s see what DT does for the US as the cold winter nights set-in. Marie? Lisa? Anyone want to hazard a guess?

PS: Please find enclosed one picture of David Tennant.

Five’s plans for new channels are going badly wrong

Well, they may have invented a channel just for me, Five US, but no good deed goes unpunished. It looks like there won’t actually be any programmes on it, according to Broadcast.

Five’s new US acquisitions channel is facing an autumn launch without a number of its biggest hit shows, including House, Grey’s Anatomy and Law and Order.

Living TV owns the exclusive rights to Grey’s Anatomy, which it licenses to Five but does not want to share with Five US. Hallmark, meanwhile, is not prepared to give up multichannel rights to popular Five series House, Law and Order, Special Victims Unit and Criminal Intent.

Five is also locked in a bidding war with Living over the multichannel rights to its highest rated series CSI with US producer Alliance Atlantis. Living is believed to hold the rights to the most recent series of the show but older episodes coming out of licence are up for grabs.

So what can we expect to see instead?

Five US is expected to launch its limited hours primetime line-up with recently purchased series it owns exclusively, male-skewing Hollywood movies, music shows, US documentaries and US sport.

Aargh! That’s not a TV channel just for me! That’s a TV channel expressly designed to ensure I never watch so much as a second of it! I have visions of Five US turning into ESPN 8, aka “the Ocho”, from Dodgeball: “And now, live from Arizona, midget-tossing!”

Oh well. Maybe something better will come along.

US TV

24 movie given the greenlight

Kiefer Sutherland as Jack Bauer

After much mulling, musing and moaning, there’s finally going to be a 24 movie, according to Variety. Kiefer hasn’t signed up for it yet, although frankly the producers would be insane not to spend a good part of the budget, if necessary, to get him on board.

A couple of notable facts

  1. It’s not going to real time. Neither is it going to be 24 hours long. Let’s face it, a 24-hour movie wouldn’t be a great attraction. However, it is likely that part of the film will be in real-time, so if you can imagine the first hour being set-up and the second hour being continuous, you’ve got a good idea of how it’s supposed to work
  2. Parts of it could be shot in London. Clearly, that won’t be the real-time part because having Kiefer standing on the Northern line platform for seven minutes, waiting for the train, only to realise he really needs the City branch which means going up to Euston then coming back down again just isn’t that interesting.

It’s going to occur between seasons six and seven (because you just know there’s going to be a season seven). Since they work something like 26 hours a day, nine days a week while they’re filming and rely on the two or three months they get free between seasons to catch up with their sleep, expect a certain degree of tiredness, hallucinations, irritability, sudden mood swings, etc, in the main characters’ performances