Classic TV

Weird old titles: The Omega Factor

Way back when I started this blog, one of the things I promised to do was review the DVD of The Omega Factor, a 1970s show of extreme weirdness. I never did review it (well, not properly), but this is a good second best, I reckon.

Made by BBC Scotland and starring James Hazeldine and Louise Jameson (Leela off Doctor Who), The Omega Factor was The X-Files of its day. Hazeldine plays Tom Crane, a journalist who comes up to Edinburgh to investigate the paranormal for an article he’s writing. While there, he comes into contact with a genuine psychic, Drexel, who is reputed to be one of the two surviving ‘men of power’. Tom accuses him of fraud, so Drexel gives him a minor demonstration of power. But it’s not enough to put Tom off his investigations, so Drexel causes Tom to crash his car, killing his wife in the process.

Tom eventually returns to Edinburgh to continue his investigations, where he’s recruited by Department 7, a top-secret government unit conducting experiments into the paranormal. They theorise – correctly – that Tom himself has psychic powers, which is why Drexel was worried about him. Indeed, Tom is soon able to solve a murder using ‘psychic visions’, visions that mysteriously incorporate the Greek letter Omega.

Subsequent episodes see Tom helping Department 7 with their experiments into his own powers as well as investigations into haunted houses, telekinesis and more. Department 7 soon reveals itself to use suspect methods, even covertly experimenting on Tom’s brother. But over time, it becomes apparent that a secret group called Omega has infiltrated Department 7, has been working with Drexel and has a plan to take over governments using mind-control. I won’t spoil it for you by revealing any more of the plot though.

The show was very popular at the time, popular enough that it was left with a cliffhanger ending, but thanks to Mary Whitehouse declaring it ‘thoroughly evil’, it never got that second series.

I didn’t watch it at the time – way too young – but caught up with it in the early 90s through VHS copies. These weren’t very good and I never saw the final three episodes. But through the murky haze, I perceived this to be possibly the scariest TV programme ever made.

Unfortunately, once I had a crystal clear DVD version and the final three episodes, I discovered it wasn’t – I’d been filling in the gaps with my own imagination – which was a shame, but it’s definitely in the top ten. There are some incredibly interesting pieces of direction and scripting: in particular there’s one scene where someone is ‘possessed’ and the mental struggle between Tom and the possessor is done entirely theatrically, rather than using effects.

Anyway, here are the dead spooky titles and a few dead spooky seconds of the first episode to give you an idea of just how weird and spooky it was. I heartily recommend you get it on DVD, if you can, but someone nice has uploaded the whole series to YouTube and even set up a playlist if you don’t want to go that far.

September at the BFI

Time for our regular look at what TV’s on at the South Bank in London in September. Most of it is going to be taken up with a Coal season (oh joy) and part two of the Stage to Screen season. BUT there is going to be a preview of the new series of Merlin.

  • 3rd: Richard II: Live From The Globe
    The first live broadcast of a theatre production in over 30 years
  • 4th: A Day in the Death of Joe Egg
    Starring Eddie Izzard, Peter Nichols’ play recorded on stage in front of a live audience
  • 6th: Merlin + Q&A
    The first episode of the new series of BBC1’s Merlin, together with a panel discussion involving cast and crew.
  • 8th: Vincent in Brixton
    A play about Vincent Van Gogh’s stay in Brixton
  • 13th/21st: The Price of Coal: Meet the People
    Ken Loach and Tony Garnett’s play about a royal visit to Milton Colliery
  • 17th: Changing Stages + Panel Discussion
    The first episode of the series dicussing the development of British theatre, followed by a panel discussion with Mark Lawson, Richard Eyre and Ben Stephenson, BBC controller of drama
  • 19th/20th: The Wars of the Roses
    All 11 parts of John Barton’s adaptation of Shakespeare’s history cycle from Henry VI to Richard III
  • 21st/29th: Which Side Are You On? + The Miners’ Film
    Two documentaries, one by Ken Loach and another made in 1975 but updated during the miners’ strike 10 years later
  • 26th: Theatre Night: Miss Julie
    Janet McTeer and Patrick Malahide star in Strindberg’s play

On at the Mediatheque: The Miners’ Picnic (Ken Russell BBC Documentary about a colliery band competition) and Ken Loach’s Meet the People.

Members’ priority booking opens: 11.30am August 4

Public booking opens: 11.30am August 11

Prices
£7.60 (members)
£5.25 (member concs)
£9.00 (non-members)
£6.65 (non-members concs)
Under 16s £5.

All shows are £5 on Tuesdays. Conc prices are available to senior citizens, students, unwaged and disability visitors. Proof of eligibility may be required.

As always, visit the BFI web site for more details

Monday’s post Comic-con news

Doctor Who

Film

British TV

Canadian TV

US TV

What have you been watching this week (w/e 24 July)?

I think you know what I’m asking, by now.

This week, I caught up via the S4C web site with the first episode of the new series of Caerdydd – only five more to go. Perplexed by recasting of Adam and Siwan Morris’s new/old hairstyle, but enjoying its bleak moodiness and the dumbness of Natasha.

Keep forgetting what happened in previous week’s Royal Pains/Burn Notice, but I’d say Burn Notice is probably having its best season so far, while Royal Pains is proving the deserved hit of the summer. Burn Notice is really shaking up the formula for the better this year. I also have minimal recollection of this week’s Top Gear but I definitely remember laughing a lot.

Dragons’ Den is becoming quite fluffy this series. I think the ending of this week’s episode was probably the loveliest of all the series so far, with Peter Jones being ever so nice, and wasn’t that woman from Sutherland desperately impressive and clever?

The second episode of the second series of Leverage was basically just an advert for MMA fights, which even to my martial arts-loving heart, was way too much. The con was moderately cleverer than normal, was still too telegraphed to really be a surprise. And it’s interesting how Christian Kane’s character has been downgraded from ‘absolutely indestructible and incredible’ in the pilot to just ‘a pretty good fighter’ over the last two series.

I’ve still got Dark Blue and the last episode of Valentine to watch, as well as lots of Samantha Who?. Wish me luck then tell us all what you’ve been watching.

As always, no spoilers unless you’re going to use the <spoiler> </spoiler> tags, please