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The Wednesday Play: The Lie (1970)

Ingmar Bergman is obviously best known as a film director, but intriguingly, back in 1970, he wrote a play for British television called The Lie. To be strictly accurate, it was commissioned by the Swedish Broadcasting Corporation on behalf of European members participating in ‘The Largest Theatre in the World’ – a project to have a play broadcast simultaneously in several languages across Europe – and the BBC carried the UK version as part of its Play for Today strand.

This was directed by Alan Bridges and starred Frank Finlay and Gemma Jomes as a married couple with a not especially great relationship. Finlay’s character is being over-looked in favour of younger men at work, while Jones spends most of her time with her mentally ill brother (Joss Ackland) and her lover (John Carson). The only things that keep the two together are lies. And then the lies get exposed.

Sounds as cheery as most Bergman works, hey? Well, it’s this week’s Wednesday’s Play and you can watch it below. Enjoy!

Interestingly, despite The Lie being a European project, Alex Segal directed a version in 1973 in the US for CBS’s Playhouse 90 that starred George Segal, Shirley Knight Hopkins, Robert Culp, Victor Buono and William Daniels.

UPDATE: Now with newly working video, thanks to Chaim

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Preview: Penny Dreadful 1×1 (Showtime/Sky Atlantic)


In the US: Sundays, 10pm ET/PT, Showtime. Starts May 11
In the UK: Will air on Sky Atlantic in May

Sometimes, it’s nice to have a fresh pair eyes come to a genre, free of its cliches, unwritten expectations and rules, and history, and throw everything up in the air to create something new and different. If that writer or director is also extremely talented, so much the better, since they can perhaps create a new ‘paradigm’ for that genre that will change it forever.

Look at literary history and you’ll see how neophytes have created some of horror’s greatest icons: consider, for example, Bram Stoker, Mary Shelley, Oscar Wilde and Robert Louis Stevenson, 19th century authors who without any history of writing horror came fresh to it and created Dracula, Frankenstein, Dorian Gray and Dr Jekyll.

That, though, is the utopian vision. The flipside, of course, is that the new arrival, no matter how talented they are, simply won’t know what hoary old tropes they’re recycling and will add precisely nothing, no matter how well written it is.

So how much should you be looking forward to the self-consciously titled Penny Dreadful, a US-UK co-production between Showtime and Sky Atlantic, that’s written by no lesser a scribe than John Logan and exec produced by Sam Mendes? Neither has done much by way of horror but still have the likes of Skyfall, Gladiator, Coriolanus and American Beauty under their belts.

The series, as you might imagine all those of you who know what a penny dreadful was, is a Victorian horror show. It pulls together the acting talents of Timothy Dalton, Josh Hartnett, Eva Green, Billie Piper, Rory Kinnear, Helen McRory and Simon Russell Beale, to name but a few, and imagines a London where the works of Shelley, Wilde and co are all true and Dracula, Gray and other creatures of the night really do skulk in the dark. It’s up to Dalton, Green and Hartnett to rescue those in peril from the supernatural horrors that are mere legends.

Revolutionary or merely Alan Moore’s League of Extraordinary Gentlemen again? If you’re in the US, you can watch and find out below; the rest of you can watch the trailer then follow me after the jump and I’ll let you know.

Continue reading “Preview: Penny Dreadful 1×1 (Showtime/Sky Atlantic)”