Holy frack: Last week on US TV

Quite a stupendous week in US TV for various shows that have been up and running for a few weeks. Battlestar Galactica‘s fourth episode, Exodus Part 2, shifted upwards the quality threshold for TV sci-fi by about 10,000 feet, alternating between tear-jerking tragedy (I certainly had a sniffle at one particular scene) and staggering action that probably blew the show’s budget for the next decade. If you’re ever going to give Battlestar Galactica a look in, UK viewers, that’s the one to watch.

Meanwhile, Jericho has suddenly turned properly interesting, five episodes in. Both Skeet Urich and Lennie James’ characters have revealed themselves to be a gadzillion times more interesting than anything up to the third episode had really promised. Despite a saggy middle section that featured yet another “disaster of the week”, the episode also had a promising opening as well as very, very promising ending that indicates a whole load of interesting things are going to be happening soon. Looking around at the various spoiler zones, I’d say that these aren’t false promises either. So hang in there until the fifth episode, potential Jericho viewers in the UK: it’s worth it now.

UK TV

Third-episode verdict: Lead Balloon

Lead Balloon

In the UK: Wednesdays, 10.30pm, BBC4, repeated Thursdays at 2.20am at 9pm. Scheduled to be repeated on BBC2, starting 26th October at 9.30pm. Also available streamed from the BBC web site.

In the US: Not scheduled yes. Might get picked up by BBC America at some point.

Jack Dee’s new sitcom has been picking up so much good word of late – as well as ratings – that it’s getting an immediate repeat on BBC2 following the end of its run on BBC4. It’s certainly good compared to some sitcoms I could mention, but I don’t think it’s quite worth the adulation it’s been getting.

Continue reading “Third-episode verdict: Lead Balloon”

US TV

Third-episode verdict: The Nine

The Nine

Well, the first episode was dull and that was pretty much the high point. Ever since then, The Nine has descended into a sea of tranquillity and tedium that makes watching paint dry seem like an Olympic sport.

Unlike Lost‘s flashbacks, The Nine‘s don’t add a single thing. Two minutes of someone hiding in the bathroom: goodie. That was time well spent. The characters are all bonding nicely, but they’re all about as exciting as filling in a tax return.

So a definite thumbs down for The Nine. Steer clear of it.

US TV

Third-episode verdict: Friday Night Lights

Friday Night Lights

Friday Night Lights seems to have been almost magically created to answer Mark Wright’s question in TV Today, “Where are the shows that tell me what the condition of being a US citizen actually is?” Here’s one Mark – The Wire‘s another – although it should be pointed out that finding a show that illustrates the condition of being a US citizen is like trying to find a show that illustrates the condition of being a European, given the US is continent-sized and just as diverse.

The small Texan town depicted in Friday Night Lights, whose entire self-esteem hangs on how well the high school football team does and who say prayers at the drop of a hat (no ten-gallons in sight), is pretty much a Texas phenomenon* so can’t be described as representing the US is general. But thanks to the cast’s reasonably naturalistic performances and the show’s handheld camerawork and documentary style, you feel as though you’re seeing the gospel truth of what it’s like to live in such a town.

The focus of the show, perhaps even more so since the pilot episode, is the football, with large amounts of each episode dedicated to showing just how hard the team trains (it certainly makes all that rugby practice I did at school seem woosy by comparison). How much of that is tolerable depends on how much you can stomach football: while the match in the pilot episode was accessible to everyone, football fans and non-fans alike, football practice isn’t so riveting to watch.

Also, a considerable amount of time is being spent on the kids, rather than the adults, and on the fallout from a particular incident in the first episode. If angsting teenagers annoy you, no matter how wide-eyed and Christian they may be, Friday Night Lights is going to be something other than your cup of tea.

So, it’s starting to get a little dull, to be honest. I’m still enjoying it, but there needs to be some plot advancement soon. By the end of the third episode, it did look as though a corner had been turned and things are going to start progressing. But that could be an optical illusion.

A minor recommendation from me, then. It’s pretty much like watching a “drama-docu”: if a docu-drama is a dramatised version of a real event, then a drama-docu is a documentary-ised version of a drama. If you fancy sitting through a series of documentaries on the same high school town, Friday Night Lights is pretty interesting in its way and you probably won’t have seen anything like it before. But it’s not for everyone.

Incidentally, UK readers, ITV has picked up the series, so it will be airing in the UK at some point, particularly now NBC has commissioned nine additional scripts for the show.

* Footnote: I hear. But what do I know? I’ve been to Austin. Once. For a day.

Torchwood: the reviews begin

In case you’re wondering whether Torchwood is going to be any good, reviews are already coming in, principally from The Guardian. Its Organ Grinder blog reviews it over here, while its Media Talk podcast has a brief review by Gareth McLean and Matt Wells towards the end, which is along the lines of “good, but the opening 20 minutes should have been chopped out.”

As always, wait until the third episode to be sure.

PS Ooh, another PS for Scott, whom I notice has left a comment over at the Media Talk podcast. You’re right, Scott: I think Emily Bell has missed the point, too, particularly in her comments on the value of local news coverage. But that’s for elsewhere…