Review: Doctor Who – 3×1 – Smith and Jones

Smith and Jones

So here it is. Series three has hit us at last. Expectations are high. We’ve a new companion to meet, an established Doctor – the coolest character in the universe apparently – to touch base with again and the horrible scar tissue left over from Torchwood to deal with. That really squandered some good will.

Despite the fact Russell T Davies was writing it and it was a series premiere, I thought Smith and Jones wasn’t that bad, even with all those factors to deal with.

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Third-episode verdict: The Riches

The Carusometer for The Riches1-Caruso-Free

First, apologies for not blogging so much for the last fortnight or so. Instead of bumbling around at home, I’ve been out and about so I’ve scarcely had a chance to watch any tele, let alone write about it (despite my shiny new iPod). So, to catch up with the backlog, I’m going to break with policy and blog a bit at weekends.

The Riches is first in the queue to be cleared. As you may recall, the first episode was actually pretty good, despite Eddie Izzard’s fluctuating Southern accent. Since then, Wayne Malloy and his family have settled down and are continuing to try to steal the American dream.

With Izzard as exec producer, it’s no surprise that Wayne Malloy, despite being “the world’s greatest con man”, is pretty rubbish at being a con man, eventually ad libbing his way into the successful conclusion of a scam rather than using careful planning. His attempts to convince the world he’s a high-flying lawyer wouldn’t work anywhere except in a TV show, but they’re entertaining, particularly if you enjoy Izzard’s style of comedy. The Izzard influence even extends to Malloy’s younger son, whose transvestite tendencies are an interesting background to an already weird family. Minnie Driver continues to impress, as do the rest of the cast.

While the second episode lacked the punch of the wonderfully dark first episode, the third managed to create a new style for the show as a slightly dramatic dark comedy, rather than a slightly comedic dark drama. It’s not necessarily comfortable viewing – something that appears to be a trademark style for FX (“the dark network”) – and there are more than a few flaws in the whole set-up, but it is head and shoulders above the average piece of rubbish that hits our screens.

So it’s a pleasure to declare The Riches scored a 1 or “Caruso free” rating on The Carusometer. A “Caruso free” rating corresponds to a show that David Caruso might accidentally get sent a script for, but which he’d be unable to see a part for which his talents would be suitable. If he did ring the producers to ask for an audition, they would pretend to be a Chinese laundry rather than meet him and confess their mistake. Caruso would then dine out on the tale of how he turned down a part in the show for a minimum of seven months.

US TV

Review: The Riches

The Riches

In the US: Mondays, 10pm, FX

In the UK: Channel 4, Sky One and Five are all bidding for the rights

Much as we may love him, there’s always something in the words “Eddie Izzard has been cast as?��Ǩ��” that makes our hearts fall. He’s a great comedian, but a great actor? Not so much.

The Riches, therefore, comes as a bit of a surprise. It could have been pure evil. It co-stars Minnie Driver, who’s squandered most of our goodwill since Grosse Pointe Blank. And it features both of them as married con artists who hail from the Southern states of the US. Could anything go wrong with having two Brits as the leads? Hmmm….

Despite all this and Mr Izzard’s slightly dodgy accent, it’s actually pretty good.

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US TV

Review: Andy Barker, PI 1×01

Andy Barker, PI

In the US: Thursdays, 9.30/8.30c, NBC. All episodes available online at NBC Rewind

In the UK: No one yet.

Conan O’Brien is a funny guy. You may not know this, but most of his formative comedy career was as a script-writer for The Simpsons, back when it was still good.

He’s now returned to his roots, creating and co-writing Andy Barker, PI, a supposed comedy about an accountant who accidentally becomes a private investigator, for his old pal Andy Richter.

With all this looking for times past, has Conan got his groove back?

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US TV

Review: The Wedding Bells

The Wedding Bells

In the US: Fridays, 9/8c, Fox

In the UK: Not yet acquired.

Some of you might be wondering why I never got round to reviewing the first episode of David E Kelley’s new series, The Wedding Bells, which aired last Friday in the US.

It’s cos it’s rubbish. It’s David E Kelley by numbers. Watch Ally McBeal or Boston Legal for a few episodes, imagine what a show by him about wedding planners would be like and you can fill in the blanks yourself. Don’t believe me? Okay, which of David E Kelley’s shows did this line come from: “When men are attracted to women, it’s chemical; with women, it’s cognitive”? Could be any of them, couldn’t it?

Anyway, I tried to sit down and say something about it, but my mind went completely blank, the show is that insipid.

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