US TV

Season finales: Smallville, Supernatural, CSI

Those season finales are coming thick and fast now.

Smallville

Unlike certain shows I could mention that don’t really do the cliffhanger thing, every season of Smallville ends on a cataclysmic series of deaths, destruction, revelations, and plot wrap-ups. This season was no different.

Despite being one of the strongest, creatively, since the show began, there has been a certain meandering quality to it, with plots laboured past their natural death point, minor reset buttons pushed and so on. I won’t tell you how many of the major cast ‘die’ – they’ll be back, you know they will – but it’s rather a lot and if one in particular doesn’t come back, well, I don’t think there’ll be much point watching next year for its final season.

Explanations, when they do come, are pretty far-fetched, but hey, it’s a comic book – what you going do about it? Superman fans, however, will be delighted by the arrival of at least two characters from the comic books, one expected, and one me am expecting, too (there’s a clue for you), although the origins of both have changed. And there is the possibility that something might finally have changed. Permanently. No going back on it this time.

Tension: 9/10 (1/10 really because we all know a giant magic reset button will be in the next episode, because there always is)

Continue reading “Season finales: Smallville, Supernatural, CSI”

US TV

Season finales: Smallville, Supernatural, CSI

Those season finales are coming thick and fast now.

Smallville

Unlike certain shows I could mention that don’t really do the cliffhanger thing, every season of Smallville ends on a cataclysmic series of deaths, destruction, revelations, and plot wrap-ups. This season was no different.

Despite being one of the strongest, creatively, since the show began, there has been a certain meandering quality to it, with plots laboured past their natural death point, minor reset buttons pushed and so on. I won’t tell you how many of the major cast ‘die’ – they’ll be back, you know they will – but it’s rather a lot and if one in particular doesn’t come back, well, I don’t think there’ll be much point watching next year for its final season.

Explanations, when they do come, are pretty far-fetched, but hey, it’s a comic book – what you going do about it? Superman fans, however, will be delighted by the arrival of at least two characters from the comic books, one expected, and one me am expecting, too (there’s a clue for you), although the origins of both have changed. And there is the possibility that something might finally have changed. Permanently. No going back on it this time.

Tension: 9/10 (1/10 really because we all know a giant magic reset button will be in the next episode, because there always is)

Continue reading “Season finales: Smallville, Supernatural, CSI”

US TV

Season finales: CSI: Miami

CSI Miami

I was a little surprised by this particular finale. Normally, seeing the name Sunil Nayar, one of the show’s producers, in the writers’ credits is enough to put fear into your heart, given he’s written some of the worst crimes against humanity that CSI: Miami has perpetrated: nothing has been too stupid or offensive for our Sunil.

But this season’s finale was a relatively low key affair. There were few mind-blowingly dumb moments, just a couple; there were no cliffhangers, no massive plot resolutions, no lives imperilled. If it hadn’t been for the three-minute music video conclusion, you’d never have known it was a season finale. About the only real tension was from a few “will they, won’t they” moments between Calleigh and Eric.

To a certain extent, that’s because this has been a season without a long story arc: there have been a few two- or three-episode arcs, but nothing really to rival previous seasons’ gangs/brothers/hot forbidden fruit South American sister-in-law/marriage shootings arcs. Given the show doesn’t really need to work to bring the viewers in and it’s not a show that people watch to tax their brains or learn something about humanity, it’s more surprising that previous seasons have actually felt this need at all.

Still, even the Carusobot seemed unable to believe he was doing a Batman/Angel/Captain Jack on the top of a helipad for no adequately explored reason at the end.

So don’t be afeared, UK viewers, you can watch this episode without any worries, apart from potential brain damage.

Tension: 2/10

The Eurovision song contest: some thoughts

Well, I’m here in Miami. I’ve unpacked the Carusometer from its lovingly filigreed portmanteau. Temperature yesterday was about 32?Ǭ?C. Nice.

Normally, it being a Monday, I’d have reviewed Saturday’s episode of Doctor Who by now. But I can’t, because the Eurovision Song Contest was on instead. So I’ve decided to scribble down a few thoughts on that instead.

Continue reading “The Eurovision song contest: some thoughts”

Spousal wisdom passed on about a couple of programmes – The Tudors and How The Edwardians Spoke

I still haven’t convinced her to watch any Heroes, but my wife has been providing input on a couple of programmes. Since some of you seemed to be interested in her opinions, I thought I’d pass them on.

First up, I introduced her to The Tudors. She’s on a bit of a Tudor thing at the moment, and is practically begging to go to Hampton Court some time soon, so I thought I’d give her something in the interim. Her verdict? “Everything’s out of sync. Henry’s too serious: at that point he was much more happy-go-lucky. Buckingham was more powerful and had Henry’s ear, too.” And Jonathan Rhys Meyers looks absolutely nothing like Henry is supposed to. So, entertaining as it might be, the general verdict is that timelines have been accelerated and various things fudged to make it entertaining.

We also tuned into How The Edwardians Spoke on BBC4 on Sunday. Within the last four years, a load of recordings made of British prisoners of war by an Austrian academic have turned up. The general idea of the programme, we thought, was to show how accents have changed since the time of the Edwardians. Could have been good, no?

Instead, we got an accent coach zooming round the country, patronising people and bursting into sniffles at the slightest provocation – but precious little hard information on accent change.

To me, it had all the signs of BBC4-ness and an over-commission: give a producer an hour then they discover there’s only half an hour to fill it with, so a load of completely redundant waffling is added. It seemed more like a vanity trip for the accent coach rather than anything else. Could we not have had a professor of linguistics or something?

My wife’s verdict was much the same and since she’s an expert on such matters, I’ll pass it on to you. “It’s rubbish. Her theory on accents is ridiculous.” Said accent coach seemed to believe that accents mirror the surrounding country – if the country is wide and open, you get wide open vowels; if it’s flat, you get flatness; and so on.

‘Course, you don’t need to be an expert to recognise that as rubbish, but it is nice to be vindicated by one…