US TV

Review: Doctor Who – 4×10 – Midnight

Doctor Who - Midnight

Who’s this by again? “Russell T Davies”? Blimey. Is he still writing for Doctor Who then?

With all the Steven Moffat fuss of late, it’s easy to forget that Russell T Davies – aka RTD OBE – is still showrunner of Doctor Who and will be until 2010. Or that he actually writes scripts for it now and then.

With Midnight, he’s drawn something of the short straw for himself – the “we’ve run out of budget and Catherine Tate needs a break” episode. But given a small cast and three sets or so to play with, Rusty doesn’t do a bad job at all.

In fact, there’s only one man who can bring this house of cards tumbling down. You guessed it. It’s Murray Gold.

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UK TV

Review: Andy McNab’s Tour of Duty 1×1

In the UK: Tuesdays, 10pm, ITV4

Sometimes it’s hard to be a man. Probably not as hard as it is to be a woman, what with the glass ceiling, low relative pay rates, systematic oppression by religions, etc. But it’s still hard, sometimes.

Indeed, being ‘hard’ is one of those issues that affects men more than women. Just as (apparently) you can never be too thin – or have too much hair – if you’re a woman, you can never be too hard if you’re a man. 

Clearly, that’s not true though. If you live in a city, are a teenage boy and everyone has knives or guns, trying to be hard is probably going to get you killed, so it’s not always a good thing. But as books like Amazing Tales For Making Men Out of Boys, have demonstrated, in times of war or emergency, it’s a great thing to be since you’re going to end up saving lives. You’re going to be a hero.

If you draw up a hierarchy of hardness – since no matter how hard you are, there’s always someone harder than you – the SAS are going to be very near the top. Andy McNab, who led the ill-fated Bravo 20 SAS mission during the last Gulf War, has spent the last two decades writing books about fictional hard men, but now he’s fronting a new documentary series for ‘man’s channel’ ITV4 about the real deal.

Called Andy McNab’s Tour of Duty, it aims to show what it’s like for both UK and US soldiers who have been fighting in the Middle East and to show great battalions of British men what real-life heroes are like. Which is a laudable aim, even if it does involve SHOUTING EVERY WORD.

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Today's Joanna Page

Today’s Joanna Page: Mine All Mine

Mine All Mine

Today’s proper Today’s Joanna Page is Russell T Davies’s Mine All Mine. Stick around Who-ers and Torchwood-ers, this might be about a girl but there’s something in it for you as well.

Just kidding. I am awful, aren’t I?

Now Russell T Davies has been mentioned rather a lot on this blog and it’s not always been positive – which is a little unfair. So I thought I’d first take a moment to give some well deserved praise and thanks to the great RTD.

  • Thank you RTD for enlivening children’s TV in the 80s and early 90s with shows such as Dark Season and Century Falls.
  • Thank you RTD for writing for Touching Evil. While I didn’t like the UK version of the show much, the US version, which used your scripts, remains one of my favourite shows of all time.
  • Thank you RTD for rescuing us from stultifying conformity by increasing the range and number of gay characters on television, whether in shows you contributed to such as The Grand, or shows you created such as Bob & Rose, Torchwood and, of course, Queer as Folk. The effect can be seen as far afield as Footballers’ Wives and Caerdydd
  • Thank you RTD for casting David Tennant
  • Thank you RTD for bringing back Doctor Who and revolutionising Saturday night television

Most of all though, thank you RTD for your “stealth Welsh” initiative.

The Welsh on television pre-RTD
It’s hard to remember what television was like before Russell T Davies. For years, Welsh actors and characters either didn’t get a look in or were there for comedy value. Back in the 70s, it was Pobol Y Cwm on BBC1, just before kids television started and that was about it. No, Ivor the Engine doesn’t count.

Come the 80s, S4C started up and took Pobol Y Cwm with it. That left mainstream TV with Ruth Madoc in Hi-De-Hi, and the hysterical John Sparkes as Siadwell in Naked Video and in Absolutely. Catherine Zeta Jones’s turn in The Darling Buds of May before her move to Hollywood helped up the Welsh profile a bit, but she never played any roles with her own accent – something that’s been true for the vast majority of Welsh actors and actresses since. As for shows set and filmed in Wales, they were pretty few and far between – can you think of any?

Then along came Russell T Davies (joined by Julie Gardner later on) with his “stealth Welsh” initiative – his plan to “normalise” the Welsh accent as a feature of British TV shows, get Welsh people represented on-screen and to create a viable TV industry in Wales.

And he’s doing it, too. There’s Torchwood and Doctor Who filmed in Wales, with Welsh actors and Welsh characters; Gavin & Stacey does likewise, coming in those programmes’ “Cool Cymru” wake. They’re all some of the most popular programmes on their respective networks (BBC2, BBC1, BBC3).

There’s a long way to go still and the scaling back of DW and Torchwood from 13 episodes plus specials to four and five episodes next year respectively, coupled with the impending end of Gavin & Stacey altogether, suggest it could all fall apart again. A certain Joanna Page, for example, has even remarked that’s she’s been to auditions, asked to do the role in her own accent, and been told “It’s fine for you to have any regional accent apart from Welsh”. But look how much he’s achieved.

No wonder Cardiff is thinking of erecting a statue of the man.

But the first real strike in his “stealth Welsh” plan wasn’t with the BBC – it was for ITV. Set in his home town of Swansea, Mine All Mine was a comedy drama starring Griff Rhys Jones as Max Vivaldi, a man who claimed to own the whole city, and a mostly Welsh cast able to use their own accents for once.

Now I really wanted to like this. Just about every possible checkbox was ticked for my liking it: Russell T Davies – check; Swansea – check; Joanna Page – check; Siwan Morris from Caerdydd – check; Griff Rhys Jones – check; Ruth Madoc – check; lots of Welsh people – check; etc.

Yet, even though rewatching it I liked it more than when I watched it the first time, it still wasn’t what you could describe as “great”, unfortunately.

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Today's Joanna Page

Rob Brydon’s Identity Crisis

It’s going to be a bit of a Joanna Page overload day, today – we might have to switch from "Today’s Joanna Page" to "Joanna Page day" in fact. In fact, it might even be "Joanna Page week", judging by some of the entries since the weekend. I’m not sure how it’s happened, but I suspect a bizarre cabal of Jonathan Miller, the controllers of BBC1, BBC2 and BBC3, Richard Curtis and my wife, all working together to sabotage my editorial calendar and promote blonde Welsh actresses (or one of them at least).

First, then, a little note to mention that Rob Brydon’s Identity Crisis is being repeated on BBC2 on Wednesday at 11.20pm. Originally shown on BBC4, it’s quite a nice little piece – and funny, as you’d expect from Rob Brydon.

In it, Brydon sets himself the challenge of getting to grips with his Welsh roots by touring Wales, talking with people about what it means to be Welsh, what the Welsh are like, the Welsh language, etc, before performing a stand-up act at the end based on what he discovers.

Along the way, he talks to the English (in particular AA Gill and James Corden) and various Welsh luminaries including Alfred Marks, Ruth Jones, Joanna Page (of course), Griff Rhys Jones, Max Boyce, Victor Spinetti, Nicky Wire from Manic Street Preachers, and Goldie Lookin’ Chain.

It’s quite interesting, not just because of the various opinions he encounters, but because of his personal journey. At the beginning of the documentary, he starts off quite pessimistic, not very involved with his Welsh roots and unsure if he’ll ever be able to get an hour’s material out of the trip. But by the end, he’s loving it all and feeling very patriotic and positive.

Probably the highlight of the documentary, apart from archive footage of Brydon trying to pronounce Welsh placenames while on a stint as a gameshow host, is the behind-the-scenes filming of Gavin & Stacey and James Corden, who delivers this interesting thought on the Welsh language.

If you’re just in it for Joanna Page, here’s her contribution, more or less. I won’t lie to you: there’s not much.

UK TV

Review: Doctor Who – 4×9 – Forest of the Dead

Forest of the Dead

Two-parters are tricky, aren’t they? You set up mysteries and problems in the first part that need to be answered in the second. Most importantly, you have to make sure there’s sufficient pay-off for the viewer, who’s been hanging around waiting for the answers.

Last week in Silence in the Library, Steven Moffat set up all sorts of questions that needed to be answered this week. Did he answer them this week? And did he answer them well?

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