US TV

Season finale: Chuck (Season two)

Chuck in Chuck vs The Ring

For me, Chuck‘s been an “if there’s nothing else on, I’ll watch it” kind of show. I watched the first few episodes of season one and thought that while it was okay – the idea of a nerd being accidentally turned into a spy not exactly being a new one (eg Jake 2.0) – it wasn’t really for me and gave up on it. Then lovely wife started watching it on Virgin 1 and before you know it, we’re watching it every week.

Season two has been okay. With Chuck, there’s a hell of a lot of water being tread – it’s always reasonably good, just never excellent. Chuck never leaves his job at the Buy More to get a new life, or if he does, he’s back within an episode. He and Sarah, his secret agent handler, never get together, except if they do, they have to return to a platonic status quo within an episode. The ‘top’ spies, even the guest ones, are never that good and would get turned into mincemeat by the guys of The Unit, Michael Westen on Burn Notice or Daniel Craig as James Bond without too much of a problem. And even the few revelatory bad things in Chuck or Sarah’s past (Stanford, Jill, his father, her father, Bryce) turn out to be not as bad as previously though, depriving the show of any true edge.

Okay, so there’s a place for “not too much thinking after a hard day at work” escapist television and to a certain extent, this is more of a show about camaraderie, family and disappointment in life than about spies, but it’s not without reason that even lovely wife is saying things like “something had better happen soon”.

Whether Chuck will get that option, since it still hasn’t been picked up for a third season, is a tricky question. But although it looks like there’s a real risk of a return to something like the status quo if it does come back, the season finale – really a two-parter in disguise if you include the preceding episode – is something of a game-changer, at least in some ways.

Spoilers ahoy.

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US TV

Review: Caprica 1×1

A Cylon in Caprica

In the US: SyFy, 2010
In the UK: Sky One, 2010

I’m confused. This is a review of a DVD that contains an extended version of the pilot episode of Battlestar Galactica prequel Caprica, which won’t be transmitted until next year. So is it a preview or a review?

Whatever it is, let’s begin.

Science fiction is a lot of things to a lot of people. It can be space exploration, like Star Trek; it can be alternative reality fare like Eureka; it can be science extrapolation like The Six Million Dollar Man.

Battlestar Galactica is loosely credited with revitalising science fiction, taking the dull, lifeless and artificial people and situations of Star Trek and replacing them with a dark, gritty, quasi-realistic examination of the horrors of war. But BSG only really addressed one category of science-fiction.

Caprica takes away the war, combat and exploration of BSG to revitalise another vein of science fiction: what another, futuristic society might be like. More of a soap opera concerned with relationships and the nature of belief and society than with spaceships and war, Caprica isn’t really like anything you’ve seen before – although it’s probably like something you might have read.

The burning question: do we have a soul and if we do, can it be copied?

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US TV

Season finale: Heroes 3×25 – An Invisible Thread

The Invisible Thread

It’s the end of the season and the end of volume four of Heroes. Just about everyone who’s bothered to watch the volume has regarded it as a definite return (almost) to the quality of season one, so naturally we’ve all been excited to see if the show was going to go out with a bang or a whimper.

Given the budget cutting on recent episodes, we’ve all been expecting a big finale. All roads have been leading to a big fight, but with Tim Kring – who also wrote the disappointing season one finale – on writing duty, were we more likely to be annoyed than satisfied?

The answer has been revealed. After the jump.

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UK TV

Review: Reggie Perrin 1×1

Martin Clunes as Reggie Perrin

In the UK: Fridays, 9.30pm, BBC1

Is what was relevant in 1976 relevant today? I didn’t get to where I am today without knowing the answer to that kind of question, but the BBC has answered with an unequivocal yes by choosing to remake The Fall and Rise of Reginald Perrin. Originally starring Leonard Rossiter, this saw Sunshine Desserts office drone Reginald Perrin gradually finding the boredom of everyday life taking its toll on his sanity. He starts to daydream, having fantasies about his secretary and just about everyone else, including his mother-in-law (always accompanied by a picture of his hippopotamus), and starts to act out in bizarre ways – before eventually faking his own death.

Reggie Perrin, as it now is, stars Martin Clunes as Perrin, now gainfully employed by Groomtech but still finding life to be somewhat disappointing. As indeed, are we.

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Classic TV

Lost Gems: The One Game (1988)

Patrick Malahide and Stephen Dillane in The One Game

The story of Merlin and King Arthur has been around for centuries, so it’s not surprising that every so often, someone wants to retell it*. Most recently, we’ve had the BBC series Merlin, but there have been numerous other retellings including the Sam Neill mini-series Merlin, the movie Excalibur, the Clive Owen historical, King Arthur, and mild American 70s sitcom Mr Merlin.

Back in the 80s though, there was a more subtle adaptation of the myth set in modern times. Starring Patrick Malahide (Minder et al) as the Merlin-esque ‘Magnus’ and Stephen Dillane (Hamlet, Spy Game, Welcome to Sarajevo) as Nick, the King Arthur of the piece, The One Game posited the question: “What would have happened if Arthur had been made King with Merlin’s help – and then Arthur had kicked him out?”

This being the 80s, however, for the retelling Nick was the MD of a games company and Magnus was the creator of his best-selling game, thrown out and sent to a mental asylum after he couldn’t handle Nick’s rejection of his newest invention. Magnus escapes from the asylum and using his near-magical skills, steals all Nick’s company’s assets and plans his further revenge.

What made The One Game so interesting and worthy of being described as a Lost Gem was its then-unique concept: during the course of the four episodes, set over a Bank Holiday weekend, everyone Nick meets – including friends and loved-ones – and everything he does and comes across may be part of ‘The One Game’, a live-action and possibly deadly game invented by Magnus to teach Nick a lesson.

It was only ever shown once on ITV1, was released on DVD but is no longer available. It’s The One Game and it’s a Lost Gem. Here’s the the opening titles to the second episode, Saturday, complete with theme tune sung in Patagonian Welsh and annoying 80s narrator recapping just enough of the plot for you to know what’s going on.

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