Classic TV

Nostalgia Corner: The Changes (1975)

Call it a sign of the times, but in the 1970s, people assumed the world was headed for disaster. Quite what that disaster was going to be varied. It might be a virus that wiped out the world’s population (cf Survivors), intelligent computers taking over (cf Colossus: The Forbin Project), man-made inventions (cf Doomwatch), complete ecological breakdown caused by over-population (cf Soylent Green) or the ubiquitous nuclear war – actually, that was more of a 60s/80s thing.

One thing that was very rarely seen as being a problem likely to cause the apocalypse, however, was magic. That was until the 1975 10-part BBC children’s show The Changes, based on Peter Dickinson’s The Weathermonger series of books.

Imagine waking up one day and suddenly every piece of machinery or technology in the country is emitting a strange noise, a noise that makes anyone who hears it – including you – become violent and destroy the machine. Well, that’s what happens to teenage schoolgirl Nicky Gore and, in fact, the rest of the world (or at least England). It doesn’t take long, but soon all of society falls apart and regresses to the middle ages, and even the mention of technology is forbidden.

The only people who appear unaffected by the noise are those who work on the land, very young children and Sikhs. Why? Well, it’ll take you 10 episodes to find out, or I’ll tell you after the jump.

Here’s a wee snippet and you can watch the entire series after the jump as well. Interesting title sequence twist: there were entirely different theme tunes for the start and end credits, one modern and exciting, one medieval-esque, and a new one again for the end credits for the final episode. Fun, hey?

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US TV

Preview: Go On (NBC) 1×1

Go On

In the US: Tuesdays, 9pm Eastern/8pm Central, NBC. Starts September 11
In the UK: Not yet acquired

NBC. Comedy.

Funny how if you’d stuck those two words together in the 90s, you’d have got gold, thanks to Friends, and how if you stick them together now, despite Community and 30 Rock, you get lead. Certainly the viewers seem to think so, judging from the ratings.

Yes, that’s exactly how I started my review of The New Normal yesterday and I’m reusing it for three reasons: first, that if you’re still expecting an NBC comedy to be funny, you know that definition of madness and doing the same thing over and over again and expecting something different? That one? That’s you that is.

Secondly, you notice how I mentioned Friends, ‘ratings’ and ‘gold’ in the same paragraph there? Well, NBC has that etched on the walls of their comedy commissioning office and when the thought of Matthew Perry (Chandler in Friends) appearing in a new NBC sitcom created by one of the producers of Friends hit them, they came over all funny. Okay, Studio 60 wasn’t exactly a slam dunk, but that wasn’t a comedy. This is an actual sitcom.

Hence, the commissioning of Go On, which – and here’s my third point – can only be described as Community, one of NBC’s few critical comedy successes of recent years, even if it’s not a ratings success. However, instead of Joel McHale, you have Matthew Perry and instead of a community college study group, you have a community college support group. And instead of laughter, you have tears. No, really, because although laughs are pretty thin on the ground with Go On, I did actually weep buckets during it. And no, not for NBC’s doomed ratings and the sure and certain knowledge this is going to be cancelled within a season.

Here’s a trailer that contains literally all the jokes. And – be warned – all the bits that will make you cry.

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US TV

Preview: The New Normal (NBC) 1×1

The New Normal

In the US: Tuesdays, 9.30/8.30c, NBC. Starts September 11
In the UK: Acquired by E4

NBC. Comedy.

Funny how if you’d stuck those two words together in the 90s, you’d have got gold, thanks to Friends, and how if you stick them together now, despite Community and 30 Rock, you get lead. Certainly the viewers seem to think so, judging from the ratings.

In fact, ABC is largely the network to watch if you want to see something that’s actually funny, thanks to both Modern Family and Happy Endings. So what better network for NBC to emulate with a new comedy than ABC. Of course, being NBC, it’s done it all wrong.

The New Normal is the unwanted answer to the pointless question: “What if we created a sitcom based around the gay couple in Modern Family and how they adopted their baby? Except if we made them even more stereotypically gay and less interesting, and added a bland surrogate mother based on Anna Faris’ character in Friends?” Starring Justin Batha of The Hangover, Scottish actress Georgia King from Jane Eyre and The Book of Mormon‘s Andrew Rannells, it pulls off the miracle of being both inoffensive and offensive, practically its sole redeeming feature apart from a slightly intelligent script being Ellen Barkin as King’s bigoted grandmother.

Watch the trailer and see if you laugh.

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What TV did you watch last month? Including Gates, Copper, Perception, Suits, The Newsroom and Continuum

It’s “What TV did you watch last month?”, my chance to tell you what I watched on TV in the last month that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

Yes, that’s right, last month. Don’t worry, we’ll go back to weekly or fortnightly soon – this is a one-off because of the August break. August was mostly a month of season finales, so I’ll talk about them in a moment, but there were some new shows, a lot of which I couldn’t be bothered with because it was August. September is when things start up again and I should have some previews for you this week.

So here’s a few thoughts on what I have been watching:

  • Burn Notice: Gave up on it again, two episodes before the season finale. Just don’t care any more and nothing on it makes me want to care, unfortunately. I hear there was a good twist in the finale, but again, I don’t care.
  • Continuum: This has now been picked up SyFy in both the UK and the US (I think) so I’d recommend watching it if you haven’t been watching it already. The finale, while a little less action-packed than I would have liked, managed to be a good combination of science-fiction, plot-disentangler, cliffhanger and character work. Looking forward to the second season immensely – thankfully, that second season has been commissioned. Woo hoo!
  • Copper: BBC America’s new show set in 19th century New York, where some Irish guys get to be corrupt cops and solve crimes, because no one knows how cops should behave yet. A good deal better than AMC’s Hell on Wheels, it’s still a good deal less interesting than it should be, mainly because the characters are uninspiring, although Anastasia Griffith’s early suffragette (Trauma, Royal Pains) is a big exception. Nice to see Franka Potente (Run Lola Run and The Bourne Identity) getting work again, too.

  • Covert Affairs: Given that up again, too. Bored.
  • Gates: It’s got Joanna Page in it, it’s already being lined up for a US remake, but I’ve barely managed to get through the first episode. It’s not great, I’ll tell you that for nothing.

  • The Newsroom: So it’s all come to an end and there’s a second season to sort of look forward to. A very uneven first season that took a while to find its feet and to dump the majority of its catastrophic sexism. Saddled with some very bad characters, the show is hard to root for, although the plotting remains good throughout. Bizarrely, the only really watchable character was Sloane, who was thoroughly enjoyable, and I promise never to malign Olivia Munn again, seeing as she visibly improved throughout the series and became the show’s big redeeming feature.
  • Perception: After three episodes of pretty run of the mill formula stuff with a surprisingly small amount of Jamie Bamber to relieve the boredom, the last episode was actually rather good, a decent examination of paranoid schizophrenia and why some might not want to take their medication and why some really should. Not many episodes left, but I’ll be adding it to my recommendations list from next week.
  • Royal Pains: In a sense, I admire the clever arc they’ve come up with this season designed to widen the character base and give Hank room to do more things. In another sense, I’m bored by the lack of depth to anything. The first season of Royal Pains did a good job of dealing with some of the deeper emotions and issues facing Hank and co, but the show’s becoming far tamer, far shallower and far sillier. Needs to pull its socks up.
  • Suits: An ever-so-slightly disappointing finale to a fantastic season of the best summer show. The big revelations you could see coming a mile off, but as always with Suits, how the characters then twist and manipulate events and people is what makes it interesting. A couple of things seemed out of character and why they had to introduce a new character when Jenny was within easy plotting distance and able to achieve the same effect, I don’t know.

“What did you watch last fortnight?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

UK TV

Review: Doctor Who – 7×1 – Asylum of the Daleks

Olwin

In the UK: Saturday, 7.20pm, BBC1
In the US: Saturday, 9/8c, BBC America

Well, here we are again, happy as can be. Doctor Who is back. The Daleks are back. The Ponds are back (although not for long). Steven Moffat is back. Chris Chibnall is back.

Oh.

But not till next week! Phew.

Murray Gold is back.

Oh. Well, there’s no getting round that one.

Consolation prize: new companion Jenna-Louise Coleman is here!

Hang on, wasn’t she supposed to not be here yet? Oh well, bonus for everyone.

It’s back, basically. Brace yourself for an action-packed first episode, with all the stops pulled out – Daleks firing, Doctors running. You know the form.

Except… rather than an action-packed, all guns blazing intro, our Stevie decided to launch the all-new “that Doctor – he’s not famous, he’s dead and everyone knows it” series with a decidedly low-key, creepy, adult affair that hinges on soufflé. Yes it does.

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