Streaming TV

Review: Travelers (Canada: Showcase; UK: Netflix)


In Canada: Mondays, 9pm ET, Showcase
In the UK: Acquired by Netflix

Given that Canada, Showcase and Brad Wright have been so central to science fiction television, particularly time travel shows, in the past few decades, we shouldn’t be surprised that with the US lining up the likes of Timeless, Frequency, Time After Time and Making History, all three have decided to get in on the act to produce something similar but different.

Travelers flips most time travel stories on their head by having travelers coming from the future to our present in order to prevent a terrible disaster from occuring. So far, so identical to Showcase’s own Continuum. The difference here is that the time travelers are (apparently) the good guys and they’re from the far off future, a future so distant the human race is in danger of extinction, something they’d quite like to prevent by changing things now.

But most important of all, they can’t actually physically travel through time. Instead, provided they know the exact time and place someone is going to die, they can project their minds back in time into the ‘host’ and take over their body à la Chocky and Quantum Leap.

Travelers‘ first episode, written by Wright, is mainly establishment of the lives and families of the hosts who are shortly going to die and be replaced by an ‘elite unit’ of time travelers. We have the learning disabled Mackenzie Porter (Hell on Wheels, Blackstone); douche high school quarterback and cage fighter Jared Paul Abrahamson (Awkward); abused single mum Nesta Marlee Cooper (Heroes: Reborn); and drug-addicted college student Reilly Dolman.

Chasing after them after he becomes aware of some ‘odd traffic’ on the dark web is FBI agent Eric McCormack (Trust Me, Will and GracePerception). 

Then, of course, the time travelers turn up and the show then becomes about the differences between the hosts and their new inhabitants, who can fight back, don’t have an addiction, aren’t learning disabled, aren’t complete dicks and so on. And despite having done their research, the time travelers still have a huge culture gap to navigate, from the little things such as text message slang and not answering the front door naked through to quite big things like how people talk and discovering that people lie on social media and that maybe one of the hosts isn’t who she claimed to be online.

Shot in the style of Wright’s previous big offering, Stargate UniverseTravelers is an edgy and surprisingly intimate affair, trying its best to make all of this not ridiculous, something it does pretty well. To be fair, though, there’s actually precious little about the time travelers’ mission so it’s hard to tell if something extraordinarily silly is round the corner. Instead, it’s mostly about changing behaviours and what happens if someone starts acting very differently from how they used to behave – and whether other people will allow that or get suspicious.

Basically, it’s a science-fiction spy show with a whole bunch of sleeper agents suddenly being activated. It’s The Americans but with a different kind of time travel. Hopefully.

The characters and stories are engrossing, McCormack is as pleasing as ever and everyone, particularly Porter and Dolman, does well with what they’ve got. There’s even an appearance by ubiquitous former Huck Finn and Continuum regular Ian Tracey.

There’s a big twist at the end that will be entirely ruined if you watch the trailer below, but Travelers is definitely a very promising first start to a series that’s also got a big chunk of Netflix co-production money behind it. I’m hoping for great things, but we’ll see how it goes.

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Globally, who invests the most in TV production?

Turns out Netflix and Amazon Outspend CBS, HBO and Turner, according to analysts IHS Markit. Equally, the US is the top investor in TV, but China’s coming up fast.

Online platforms Netflix and Amazon have ramped up their investment in programming, spending $7.5 billion last year—more than CBS, HBO, Turner and most countries, including South Korea and Australia.

Between 2013 and 2015, Netflix and Amazon more than doubled their annual expenditure on programming. In 2013, Amazon spent $1.22 billion; that jumped to $2.67 billion in 2015. In the same timeframe, Netflix spending rose from $2.38 billion to $4.91 billion.

“The levels of investment we are seeing from Netflix and Amazon are only topped by Disney ($11.84 billion) and NBC ($10.27 billion),” said Tim Westcott, senior principal analyst at IHS Technology.

Other online platforms like Hulu in the US and China’s Youku Toudu, iQifyi and Tencent have also increased their investment in original programming and acquisitions.

“In what Netflix calls the era of internet TV, more and more consumers are watching content online, shaking the foundations of the traditional TV industry,” Westcott said. “However, it’s premature to declare that the era of linear TV is already over, and Netflix and Amazon have come hard on the heels of a boom in production of original drama and comedy by the likes of AMC and FX in the US.”

There were 148 new scripted shows aired by basic cable networks in the US, up from 138 the year before and 96 in 2013, according to the IHS Technology report. In 2016 so far, there have been 113 scripted basic cable shows, compared to 78 on the networks, 31 on premium cable, and 57 online. To set these numbers in context: in 2012, there were three online scripted US TV shows, that number rose to 20 in 2014, 41 in 2015.

Regional breakdown: US is clear leader, but China rises to number two in APAC

“The primacy of the US in the worldwide programming market is clear,” Westcott said. “We estimate that in 2015, the US represented 33 percent of worldwide expenditure on TV programming, with $43 billion invested across free-to-air, pay TV and online.”

“Amazon and Netflix, though they are US companies, are now commissioning for multiple territories, so we have treated them as global platforms.”

After the US, the mature Western European region is the next most important, investing $38.6 billion, or just under one third of the total. The biggest markets in Western Europe were the UK with $10.7 billion, Germany ($7.3 billion), France ($6.6 billion) and Italy ($4.6 billion).

“Notably, China is now the second largest market in the Asia Pacific region, with $8.4 billion invested last year,” Westcott said.

Japan is the largest in the region with $9.8 billion, followed by South Korea ($2.6 billion), Australia and India—both on $2.4 billion. Leading Latin American markets are Mexico ($1.5 billion) and Brazil ($1.4 million). Canada invested $3.4 billion last year. Russia and Turkey were both around the $900 million mark.

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