What have you been watching? Including Jason Bourne, Dirk Gently’s Holistic Detective Agency and Ash vs Evil Dead

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching. 

It’s been a slightly busier weekend than I was planning, thanks in part to the arrival of my new nephew, Charlie (welcome to the world, Charlie!). That means I didn’t quite manage to watch all the new shows I wanted, but I’m otherwise pretty much up to date. I’ve already reviewed the first episode of Shut Eye (US: Hulu), but that’s as far as I’ve got – third-episode verdict later this week, though. I’m five minutes into Netflix’s Medici: Masters of Florence and it’s got a worrying Borgia-quality to it, so I’m not in a rush to get any further with that, but I’ll try.

However, I’ll definitely be previewing Swedish Dicks (Sweden: Viaplay) this week and hopefully working my way through 3% (Netflix) and anything else that looms large, too.

That means that after the jump, thanks to last week’s minor purge and the December break, I’ll be looking at the slightly reduced list of current regulars:

Canada
Travelers

US
Chance, DC’s Legends of Tomorrow, Falling Water, The Flash, The Great Indoors, Lethal Weapon, Shooter, Son of Zorn and Timeless.

I’ll also be looking at the season finales of Ash vs Evil Dead and Dirk Gently’s Holistic Detective Agency.

I did manage to watch a movie this week, too:

Jason Bourne (2016)
Disappointing return of the now-venerable franchise, with both Matt Damon and Paul Greengrass returning after the brief Tony Gilroy/Jeremy Renner interlude of The Bourne Legacy. Trying to take in the developments in world espionage since the The Bourne Supremacy, Jason Bourne brings Damon out of retirement to help Julia Stiles with her Snowden-esque activities, only to discover that his own dad might have had a hand in the Treadstone programme that created ‘Jason Bourne’. Meanwhile, Alicia Vikander is helping CIA director Tommy Lee Jones hunt down Damon and Stiles, while covering up his guilty secret, which involves Mark Zuckerberg-alike Riz Ahmed; Vincent Cassel is their asset out in the field, trying to kill Damon and Stiles, but not just because he’s following orders.

The plot and pretty much everything else is a poor retread of the best and worst bits of The Bourne Supremacy and The Bourne Ultimatum, offering nothing new, while sacrificing one of the things that made the first few movies so refreshing: a reasonable attempt at mimesis. Here, the technology is just nonsense – “I’ve embedded malware in the files. As soon as she accesses them, I’ll know where she is” – the fights and inevitable car chases are poor and implausible, and even locations are glossed over, with the Canary Islands standing in for Athens at one point.

Should have stayed off the grid, guys. Or asked Tony Gilroy to help out again.

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When’s that show you mentioned starting again, TMINE? Including 24: Legacy, Falling Water and Marvel’s Iron Fist

Every Friday, I let you know the latest announcements about when new, imported TV shows will finally be arriving on your screens – assuming anyone’s bought any, of course.

Had I done this this morning, there would have been a grand total of zero new shows to tell you about. But life moves pretty fast and a couple of new shoes have been acquired today.

Oh yes, I should also mention that Netflix’s Marvel’s Iron Fist starts March 17 2017. Since I haven’t mentioned it already.

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Shut Eye on Hulu
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Review: Shut Eye 1×1 (US: Hulu; UK: Virgin TV Ultra HD)

In the US: Available on Hulu
In the UK: Tuesdays, 10pm, Virgin TV Ultra HD. Starts September 18

So I’m going to say it now and obviously you have to bear in mind that all my predictions are inevitably wrong, but just in case for once I’m not, I’d like to take credit for my incredible psychic powers this time: peak TV is unsustainable.

You don’t technically need to be psychic to work that out. Netflix’s currently $3.1bn in debt in order to pay for all its original content and it’s going to need an awful lot of subscribers paying $9.99 a month for a long time to break even on that. To be fair, it got $2bn in revenue in Q3, so maybe not, but that’s Netflix. How about Amazon?

More so, how about Hulu, which is making shows like The Path, 12.22.63, Chance and The Handmaid’s Tale willy nilly and you can’t even watch it outside the US. And now we’ve got Shut Eye, in which Jeffrey Donovan (Burn Notice, Touching Evil) plays a Las Vegas magician turn shabby Los Angeles conman psychic who has problems with Gypsies (including matriarch Isabella Rosselini) who don’t like the fact his sister, Leah Gibson (Rogue, The Returned) is using their tricks; his wife and partner in crime KaDee Strickland (The Wedding Bells), who thinks he’s losing his mojo; and disgruntled boyfriends of his easily duped clients.

Now, obviously, Jeffrey Donovan is a good actor. But is he $175,000 an episode good? Probably not, but that’s what Hulu’s paying him. And if that’s what they’re paying him, you can bet pretty much everyone else is having to pay similar cash for similar actors, let alone the likes of Hugh Laurie and Billy Bob Thornton, who’s allegedly getting $350,000 an ep for Goliath.

Something’s got to give and either there are going to be a lot of companies who are going to have to get out of the content business soon or there are going to be some ‘market shake-ups’ (ie bankruptcies, mergers, acquisitions) in the next few years.

Again, you heard it here first.

Still, enjoy it while it lasts, since we might get some good TV out of it, at least. Is Shut Eye some of that good TV?

Almost. Certainly, Shut Eye is a good name for the first half of the show’s first episode, since it’s amazingly soporific. I was this close to switching it off and not bothering with a proper review of it.

But the show really gets its name from the concept of the mystic third eye, which when opened reveals all manner of wisdom and knowledge. Here, Donovan’s third eye is shut until that jealous boyfriend gives him a kicking to the head halfway through the episode. Then, hypnotist Emmanuelle Chriqui (Entourage) tries to hypnotise him into wanting to partner with her and before he knows it, Donovan’s inner eye is opened and he starts seeing the world beyond, including psychedelic peppers. And not just the future – soon, he starts to re-think his life and asking himself whether lying to everyone is a good idea.

That’s more or less when the show starts to become watchable. How watchable, I’ll let you know once I’ve got a few more episodes under my belt – Hulu’s put them out all at once for a change – since although Donovan’s very watchable and obviously knows from his Touching Evil days how to play brain-damaged sympathetically and accurately, the other characters are all unlovable scumbags who like to dupe others. The Gypsy side of things is pretty offensive, Donovan’s the sole source of humour, and the crime’s are all petty and the victims are all sad dupes.

That means that you’re in it only for Donovan and how well he can put off increasing serenity and not being dark and glowery for a change. Who knows – perhaps he might really be worth that $175,000 an episode after all.