Tell Me A Story
US TV

What have you been watching? Including Tell Me A Story

It’s “What have you been watching?”, your chance to recommend to fellow TMINE readers anything you’ve been watching this week

It’s been a bit of a slow one, this week – yes, I’m talking about myself – but it’s also been a bit quiet for TV. I’m vaguely considering watching Amazon’s Homecoming, since:

  1. It stars Julia Roberts
  2. It’s from Sam Esmail (Mr Robot)
  3. Each episode is only about half an hour long
  4. I would have watched it last weekend, but I was away (!)

But that’s more or less been it for new shows, although I’ll be taking a look at the first episode of new arrival Tell Me A Story (US: CBS All Access) after the jump.

I’m sure the weekend will bring us something new, though. Gosh, if only there were a handy feature on this ‘ere blog that could tell me when new shows were starting

Time for the regulars, though. Black Lightning went on holiday this week, so after the jump, it’s DC’s Legends of Tomorrow, Doctor Who, Happy Together, The Last Ship, Magnum PI, Pine Gap, Titans and You. There’s not one but two promotions in that list. Can you guess which ones will receive the TMINE blessing?

Continue reading “What have you been watching? Including Tell Me A Story”

Deutsch-Les-Landes
Airdates

When’s that show you mentioned starting, TMINE? Including Mirzapur and Deutsch-Les-Landes

Every Friday, TMINE lets you know when the latest TV shows from around the world will air in the UK

Acquisitions

The big acquisition news of the week – if not the entire year – was the BBC’s decision to mirror the Sky Atlantic-HBO-Showtime agreement and become FX (US)’s content home in the UK. FX shows that have already been acquired by other UK networks, such as American Horror Story, are going to stay in their current homes, but new shows, including Danny Boyle’s Devs, the TV spin-off with Matt Berry of What We Do In The Shadows, Phyllis Schlafly biopic Mrs America and a Bob Fosse-Gwen Verdon biopic, are all going to end up on the BBC.

The situation for shows that haven’t already been acquired by UK networks but have already aired on FX is a little more complicated. The Beeb, for example, has also acquired Ryan Murphy’s 80s transgender show PoseSons of Anarchy spin-off Mayans MC and Better Things. But Mr InBetween, which was made by Foxtel in Australia with FX’s backing, doesn’t seem yet to be included in the deal (although it might be).

Premiere dates

Mirzapur

Mirzapur (Amazon Prime)
Premiere date: Friday, November 16

Amazon’s fifth Indian original:

The journey of two brothers lured by the idea of power only to get consumed by it, Mirzapur is an amped-up portrayal of India’s heartland and youth. It’s a world replete with drugs, guns, and lawlessness, where caste, power, egos and tempers intersect and violence is the only way of life.

Iron-fisted Akhandanand Tripathi is a millionaire carpet exporter and the mafia don of Mirzapur. His son, Munna – an unworthy, power-hungry heir – will stop at nothing to inherit his father’s legacy.

An incident at a wedding procession forces him to cross paths with Ramakant Pandit, an upstanding lawyer, and his sons, Guddu and Bablu.

This snowballs into a game of ambition, power and greed that threatens the fabric of the lawless city. With heart-pounding action, violence at an operatic scale, gangsters with sharp minds and dry humor, Mirzapur is a hinterland story that is as raw as it gets.

Deutsch-Les-Landes

Deutsch-Les-Landes (Germanized) (Amazon)
Premiere date: Friday, November 30

Deutsch-Les-Landes is the story of Jiscalosse, an idyllic French village in the département of Landes. The village is on the edge of bankruptcy and Martine (Marie-Anne Chazel), the matriarch of the community, needs money to save it. Martine therefore decides to sell part of the village to Gerhard Jäger, the eccentric CEO of a car company, who has fallen in love with Landes. However, he decides to relocate all the company and its workers to the south of France, which leads to a dramatic and comedic culture clash.

The trailer looks interesting, but I’m not sure how well it’ll wash in the UK. Lots of the jokes concern language differences and pronunciation, which obviously don’t translate (even the title is a French-German linguistic hybrid). It’s also worth knowing that whereas the UK stereotype of Germans is of being humourless and efficient, more accurately, the French (who do, of course, live right next door and work with Germans a lot, rather than relying on old Second World War movies) believe them to be a light-hearted bunch, always making jokes and not taking things too seriously. Again, that might not work as well for a UK audience.

Hell, I don’t even know if they’ll give it English subtitles. But it might be worth a punt.

The Haunting of Hill House
Streaming TV

What have you been watching? Including Mr InBetween and The Haunting of Hill House

It’s “What have you been watching?”, your chance to recommend to fellow TMINE readers anything you’ve been watching this week

Not many new shows this week, so I was able to make it through the entire first season of Chilling Adventures of Sabrina yesterday. I also passed verdict on Titans (US: DC Universe; UK: Netflix). I’m not sure if Netflix or Amazon have anything shiny and new for me this coming weekend, so who knows what might happen on Monday. I might even review all the films I’ve watched in the past six months in the exceptionally infrequent ‘Movie Monday’…

After the jump, we can talk about all the usual regulars: Black Lightning, DC’s Legends of Tomorrow, Doctor Who, Happy Together, The Last Ship, Magnum P.I., Pine Gap, and You. We can also talk about the final episode of Mr InBetween and the final two episodes of The Haunting of Hill House

Continue reading “What have you been watching? Including Mr InBetween and The Haunting of Hill House”

Constantine in Legends of Tomorrow
Streaming TV

What have you been watching? Including DC’s Legends of Tomorrow

It’s “What have you been watching?”, your chance to recommend to fellow TMINE readers anything you’ve been watching this week

With The CW’s new roster of shows almost out the way – there’s another Vampire Diaries spin-off, Legacies, due to start tomorrow, but that’s it for this year, as far as I know – it’s been a relatively quiet week this week. I ran through the first episodes of Charmed (US: The CW; UK: E4), Camping (US: HBO; UK: Sky Atlantic), The Rookie (US: ABC; UK: Sky Witness) and The Kids Are Alright (US: ABC) all in one go, and the latest season of Marvel’s Daredevil was this week’s Boxset Monday. But that’s comparatively few shows, I’m sure you’ll agree. I reckon NBC is sitting on some, waiting to unleash them when we least expect them.

Next week’s Boxset Monday is going to be Riverdale spin-off Chilling Adventures of Sabrina (Netflix), assuming that I manage to find the time at the weekend. But until then, I think I’m more or less bang up to date, unless Canada’s been secretly making new shows without telling me.

After the jump then, we can run through the regulars: Black Lightning, Doctor Who, Happy Together, The Last Ship, Magnum P.I., Mr InBetween, Pine Gap, Titans and You. I’ve also nearly got to the end of The Haunting of Hill House (oh, my nerves!). And just starting its fourth season this week is the world’s funniest and deliberately stupidest superhero show: DC’s Legends of Tomorrow. Oh the unicorn carnage.

Continue reading “What have you been watching? Including DC’s Legends of Tomorrow”

The Quatermass Experiment
Streaming TV

Question of the week: what’s the modern etiquette for spoilers?

Tell everyone what you think about the latest burning media issue with TMINE’s Question of the Week

Once upon a time, there was no such thing as a spoiler. When TV first started, it was broadcast live and wasn’t recorded. If the BBC wanted to repeat a programme, they’d have to get all the actors and production team to turn up again and repeat their performance, just like at the theatre. If you missed a programme, that was it, you’d missed it, so if someone at work started telling you what had happened, the idea that he or she might be ‘spoiling’ you would never occur to you.

Small wonder that a show like The Quatermass Experiment could literally empty streets in the UK.

Video created the TV spoiler

Then film and video started to be used to record TV programmes in advance of the transmission. This enabled the development of the ‘repeat’ (or the ‘re-run’ in the US) – a nifty way of filling the schedules with shows people might have missed and couldn’t record themselves, since no one at home had the same recording technology that the TV networks did. It was practically a public service, the repeat.

All the same, it might be months, years or precisely ‘never’ before a show you missed might be transmitted again, so the idea of the spoiler had yet to be born.

It wasn’t until the 80s and the arrival of home VHS systems that anyone felt able to say, “Hang on! Don’t tell me. I recorded that last night and haven’t watched it yet! Don’t spoil it!”

Nevertheless, it was a few years before VHS was ubiquitous enough that any real spoiler etiquette came into effect. Ask before revealing any plot details. Maybe hold off for a couple of days before discussing a show loudly with anyone else. Certainly don’t reveal what’s happened in a foreign TV show you might have seen before the episode has actually arrived in the UK.

Now, of course, we live in a world where a TV show broadcast in one country can be instantly available in another country even before it’s broadcast there. There aren’t even fixed schedules, necessarily, with TV shows released on the Internet as ‘boxsets’ – even though the age of DVD boxsets is almost over – and available for anyone to watch in one go, if they have the inclination. Not everyone may have access to a service, either, and even if they do, there may be parts of the service that other people don’t have access to: how many people not only have Amazon Prime, but have also invested in the additional Amazon Prime channel Starzplay so they can watch Counterpart, a show never shown on any other service or TV channel in the UK? I can’t imagine it’s a huge number.

A free for all?

All of which makes me wonder if there is a ‘spoiler etiquette’ any more. Some people, including the actors and production staff who have made a show, may indulge in ‘Live Tweeting’, for example, broadcasting to all and sundry their thoughts about what’s happening in the episode as it happens. There is some etiquette there, with most conscientiously include a hashtag with their Tweets so that others can ‘mute’ those thoughts, if they’re technologically sophisticated enough.

Nevertheless, there is a general adage that you shouldn’t go on either Twitter or Facebook after a show has finished, because your chances of avoiding spoilers will be almost zero and will rapidly decrease over the next day.

Media services are even worse, it turns out. One of the hazards I run into when doing The Daily News is that they’ll often want to discuss the latest episode of a popular show, often with a clickbait headline along the lines of ‘you’ll never believe who just died in XXXX’. It’s an attempt to avoid spoiling people, sure, but one that only works if you don’t then include a picture of the person in question with the headline. RSS feeds offer similar spoiler cloaking, but invariably also include the identity of said person and a photo in the first paragraph.

That, however, is not the worst I’ve seen recently. On Friday, for example, by about 2pm, there were services posting spoilers about the latest season of Marvel’s Daredevil without even trying to avoid spoiling the reader (Digital Spy, I’m thinking of you in particular). Given that season was 13 episodes and it went live at 8am, there’s no way anyone at all – other than journalists with access to previews – could have seen the final episode, and yet the spoilers were out there just nine hours before anyone could have actually seen the final episode.

And that was just the UK services – the US services started spoiling at the same time as the UK services. They were at least five hours behind and yet because Twitter UK was off spoiling, the US services had to be there, too, to avoid losing clicks.

Is the age of spoiler etiquette dead?

Etiquette, smetiquette

There is a little bit of exciting anthropology science dedicated to ‘positive’ and ‘negative’ politeness societies. England, India and Japan are examples of ‘negative politeness’ societies. That is, people are expected to demonstrate politeness to other people by not disrupting their life. Try to be quiet, try not to do anything that places a burden on someone else, try not to inconvenience them in any way and you’re demonstrating utmost politeness.

Meanwhile, most of the rest of the world, including the US – except maybe not New York – is an example of a ‘positive politeness’ society. That is, to show politeness, you have to show interest, strike up conversation and generally try to show respect and kindness. No “French exits” for positive politeness societies – say goodbye to everyone you’ve met at a party when you leave and thank them, and you’ll be considered so polite, they’ll think you’re Texan. Do that in the UK and people will wonder what you’re trying to sell.

I mention this because this week’s question, dear reader, asks you not only if there is a spoiler etiquette but if there’s any point having one. Are we in fact assuming we’re in a negative politeness culture when globalisation has turned the entire TV-viewing world in a positive politeness culture?

We’re in an age when TV plots can and will be splurged widely on the Internet even before anyone’s actually seen them, and not just in a small post on Ain’t It Cool News that you have to seek out. So is it now incumbent on the TV reader to actively avoid spoilers, while everyone else should just assume they can talk about any TV show at any time they like, unless asked not to? Should we turn off, tune off and drop out from all real-world and virtual conversations until we’ve seen a show we want to see?

Or should we still be acting like TV spoilers shouldn’t be discussed until everyone’s had a reasonable chance to watch a show? What do you think?

You can use <spoiler> tags in your answer, of course.