Thursday’s “Continuum and Endeavour renewed, William Shatner: live and Rod Serling’s final screenplay” news

Film casting

Trailers

  • Trailer for Getaway with Ethan Hawke and Selena Gomez
  • Trailer for Paranoia with Liam Hemsworth, Harrison Ford, Amber Heard and Gary Oldman

Canadian TV

UK TV

US TV

US TV casting

New US TV show casting

Wednesday’s “More Seed, WGN America enters scripted market, and Bridget Regan joins White Collar” news

Film casting

Trailers

  • Trailer for The Family, with Robert De Niro, Michelle Pgeiffer, Tommy Lee Jones et al

Canadian TV

  • City TV renews Seed, green lights Package Deal
  • Vision TV acquires ITV’s Mr Selfridge

UK TV

US TV

US TV casting

New US TV shows

New US TV show casting

Tuesday’s “Dominic West to star in The Affair and Benicio Del Toro joins Guardians of the Galaxy” news

Film casting

UK TV

US TV

US TV casting

New US TV show casting

Monday’s “Bye, bye Matt Smith, Karen Gillan: movie villain, more Hannibal and more Dan Harmon” news

Doctor Who

Film casting

Trailers

  • Trailer for Prisoners with Hugh Jackman and Jack Gyllenhaal
  • Trailer for Machete Kills with Danny Trejo, Sofia Vergara, Amber Heard et al
  • 13-minute Man of Steel featurette
  • 3-minute clip from Hammer of the Gods

Theatre

Canadian TV

  • Jessica Pare, Jerry O’Connell and Tommy Chong to guest on Satisfaction

UK TV

US TV

US TV casting

New US TV shows

New US TV show casting

What did you watch this week? Including Continuum, Arrested Development, The Fall, The Goodwin Games and The Black Dahlia

A little earlier than normal since I’m away tomorrow, it’s “What did you watch this week?”, my chance to tell you what I movies and TV I’ve watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

First, the usual recommendations, which are somewhat dwindling now ‘summer’ has arrived:

  • Continuum (Showcase/SyFy)
  • The Daily Show (Comedy Central)
  • Don’t Trust The B—- (ABC)
  • The Fall (BBC2/Netflix)
  • Hannibal (NBC/Sky Living)

These are all going to be on in either the UK or the US, perhaps even both, but I can’t be sure which.

Now, some thoughts on some of the regulars and some of the shows I’m still trying:

  • Arrested Development (Netflix): Well, I watched most of the first episode of the new Netflix series and laughed a couple of times, but that was about it. I wasn’t even sure at first I was watching the right episode. But I was. I hear, however, it gets better with episode three.
  • Continuum (Showcase/SyFy): Shaping up to be quite a disappointing second season this, after the strong and clever narrative of the first season, but the arrival of Alessandro Juliani as a psychiatrist from the future was an intriguing twist, at least, and the final revelation was unexpected, too.
  • The Fall (BBC2/Netflix): A meditation on modern misogyny, with Anderson’s cop staying calm under pressure from above and below for the terrible crime of having sex. It’s all handled very well, with the media’s participation in misogyny flagged up, and the parallels with the misogyny of the serial killer make it an inditement of patriarchy rather than just particular institutions.
  • The Goodwin Games (Fox): Gave up in the middle of the second episode. Just not funny.

And in movies:

The Black Dahlia
Ah, the irony – a Brian De Palma film about misogyny! Based on a James McEllroy novel, it’s a fictional investigation into the real-life Black Dahlia murder, starring Josh Hartnett and Aaron Eckhart as boxing rivals-cum-police partners. However, most of the interest is in the female cast, with Scarlett Johansson as Eckhart’s ex-prostitute girlfriend, Hillary Swank superb as a rich girl Hartnett takes up with and the likes of Mia Kirshner as the murder victim and Fiona Shaw as Swank’s mother, with KD Lang, Jemima Rooper and Rose McGowan in bit parts. For the turgid first half it tries to have its cake and eat it, concerning itself with the fates of the women involved. But De Palma can’t avoid his exploitative tendencies and the second half is mostly distasteful misogyny, some of it admittedly in keeping with the 1950s time period. But it’s in the last 15 minutes that the whole thing falls apart in quite the most insane way – I have literally no idea what Shaw in particular is up to in one particular scene and it consequently veers into unplanned comedy. Steer well clear.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?