An archive of blog entries about Canadian TV programmes and production
What have you been watching? Including Detroiters, Amadeus and Cardinal
It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching.
I’ve been having to fix stupid email servers for most of the day, so you’ve been cheated out of a review of the first episode of 24: Legacy, I’m afraid. Sorry about that, but as episode two is airing tonight, it seems more appropriate to do a review of them both tomorrow.
Last week, I reviewed the first episodes of Riverdale (US: The CW; UK: Netflix) and Powerless (US: NBC), and coming later in the week are reviews of not just 24: Legacy but the first episodes of two other new US shows, Superior Donuts and Training Day, maybe Legion as well, and an Australian show that starts on Thursday – Newton’s Law. Guess what that’s about. No, nothing to do with changes in momentum or the like.
After the jump, a look at the latest episodes of Canada’s Cardinal, the UK’s Fortitude and the US’s DC’s Legends of Tomorrow, The Flash, Lucifer, The Magicians, Man Seeking Woman, Riverdale and Timeless. But I did watch the first episode of another show:
Detroiters (US: Comedy Central)
A couple of Detroit-based lads starting out in advertising hussle the best way they can to get work, particularly from the local car manufacturers. Trouble is, they’re a bit under-motivated.
Despite being on Comedy Central, Detroiters does start off surprisingly smartly with a nice camaraderie between the two leads. The fact it was set somewhere other than the coasts or Chicago was also a plus pointing. I was thinking this could be at least the new How To Make It In America but with a few jokes.
Then they spent what felt like about five minutes throwing things at a glass door to see if it would break and I realised I was in Comedy Central stoner territory yet again.
Next!
And if you were wondering why I didn’t have much to say for myself on Wednesday, it’s because I was at… the theatre!
Amadeus (National Theatre, London)
Peter Schaffer’s play about 18th century Italian composer Salieri’s claim to have murdered Wolfgang Amadeus Mozart is one of the classics of modern theatre. No mere historical retelling, it gives us a man inspired by God to do great works but upon discovering that He has instead chosen to give musical genius to the foul-mouthed man-child Mozart, dedicates himself to the undoing of both God and His instrument.
The last time I saw it staged was at the Old Vic with David Suchet over a decade ago, so I was intrigued to see what they did with it this time. Ladies and gentlemen – it’s a comedy and not a very subtle one at that. Copious ham from both leads – Lucian Msamati as Salieri and Adam Gillen as Mozart – mean the play loses considerable depth in terms of the characters and it’s hard to feel sympathy for either of them. With a few exceptions, the supporting cast do little to ameliorate the problem, either.
That aside, it’s a very fine production, far more musical than I’ve seen before, with an orchestra and singers on stage and as much a part of the performance as the actors. A few minor acts of pretension (the Viennese having mobile phones) can’t distract from the quality of the direction in the rest of the performance.
But it’s a pale shadow – how could it be otherwise? – of 1984’s Amadeus, which is comfortably in my all-time Top 3 movies, so really, you should watch that as soon as possible if you haven’t already. Although not the Director’s Cut: to misquote Inspector Morse‘s classic Masonic Mysteries episode, “I won’t have it in the house.”
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