It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.
The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever.
With the fourth of July weekend in the US last week, things have been a little quieter than normal, but not completely quiet. There have been a few new shows to review and I’ve already cast a glance over Dead Of Summer (US: Freeform), The Kettering Incident(Australia: Foxtel Showcase) and Roadies (US: Showcase; UK: Amazon Prime), as well as passed a third-episode verdict on American Gothic (US: CBS; UK: Amazon Prime). Last night in Australia, Barracuda (Australia: ABC) started, and I’ll be reviewing that by the end of the week, I hope. There’s also a couple of new acquistions of Netflix that should be getting my attention this week, too.
Nevertheless, the regulars have been looking a bit thin on the ground, which means that after the jump, I’ll only be looking at 19-2, The Last Ship, Preacher and the final episode of Secret City. Oh yes – I managed to watch the first three episodes of the new season of Marco Polo. I’m sure you’ll be thrilled to hear about them, too
In Australia: Mondays, 8.30pm AEST, Foxtel Showcase) In the UK: Not yet acquired
As I mentioned in my recent birthday round-up of lessons learnt over the past year, Australian TV is on the rise at the moment. There are lots of reasons for this. There’s the arrival of BBC First, resulting in the native channels having to create more of their own content rather than buy it from the BBC. Keeping a keener eye on selling to foreign markets means that co-production money can elevate or even gets shows off the ground where once they would have languished or not get made – Cleverman, for example, has benefited a lot from SundanceTV US’s budget contributions. There are also government and state funding bodies, with the likes of Screen Australia and Screen New South Wales giving TV companies cash and/or help in exchange for jobs-boosting filming (cf The Doctor Blake Mysteries) – which helps a lot.
All of this comes together in some way or other with The Kettering Incident, a production from Foxtel Showcase (think of it as Australia’s Sky Atlantic, UK readers) made in association with BBC Worldwide and Screen Tasmania. It’s also got its eyes firmly on what appears to sell well to the overseas market – beautifully shot, moody locations (Top of the Lake) and ‘Australian Gothic’ (Glitch).
Elizabeth Debicki, who of course was faux American in The Night Manager, is here a faux Brit – well, an Australian who used to live in the town of Kettering in Tasmania until she was a teenager. Then, while she and her friend were out in the forbidden woods one night, they see some lights, hear some noises and suddenly it’s eight hours later, Debicki is all alone and covered in blood and her friend has gone missing.
Fast-forward 15 years and she’s now a haematologist living in London. Problem is, she’s starting to have black-outs, during which she does weird things. She wakes up in the bins at the side of the street, covered in bruises. She wanders into her hospital and starts tap dancing. Then worst of all, she wakes up back in Kettering, having unknowingly bought a plane ticket and flown over there.
Before you know it, she’s having more time gaps, other people are disappearing having seen the lights, huge moths are gathering for no good reason, and she’s having visions. All while she gets angrily stared at by all the people who think she killed her friend.
Is there some secret military base, aliens, fairies or something weirder out in the forest? Or is Debicki psychotic like her mum and killing people when she blanks out?
The first two episodes are a tad on the slow side, something that’s not helped by the fact Debicki’s character is shit to everyone she meets or just spaced out the whole time. Most of it is Debicki milling around, meeting people, having a vision (usually of a moth) then passing out, only to discover something terrible/awkward has happened while she was out. There’s also not much by way of investigation of the central mystery, which given this first season is eight episodes and the showrunners are angling for additional seasons, makes me worry it’ll be about another five weeks before anyone does anything except pass out/complain about all the logging going on/have secret meetings to discuss Debicki.
But it does look very pretty and a bit eery, thanks to all the Tasmanian filming, the time losses are disconcerting (more so than in The Anomaly, thankfully) and there’s a good chance there might be a decent mystery behind it all, so I’ll probably stick with it for another couple of weeks at least. I’m not going to recommend it just yet, but I’ll keep my eye on it for you for now.
It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.
The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever.
Yep,Monday again. So much for those grand “Friday or over the weekend” ambitions. Still, given I’m away on Friday, and Game of Thrones, Silicon Valley and Secret City have all now finished, the task isn’t so insurmountable, so maybe Monday ain’t so bad.
Elsewhere, I’ve reviewed the first two episodes of Queen of the South (US: USA Network) and passed a third-episode verdict on BrainDead (US: CBS; UK: Amazon). I didn’t get round to watching the megachurch-tastic Greenleaf (US: OWN), I’m afraid, because it looked dull, soapy and full of Oprah Winfrey. A preview of The Night Of… (US: HBO; UK: Sky Atlantic) will be coming at some point this week, I hope, although given it’s an adaptation of BBC One’s Criminal Justice, I’m not 100% psyched for it. I’m also halfway through “stupid teens at 80s summer camp” horror The Dead of Summer, so I’ll hopefully be reviewing that this week, too. And given that Amazon released the first two episodes of Showtime’s Roadies today, I might give them a stab, too.
That means that after the jump, I’ll only be taking a look at the latest episodes of 19-2, American Gothic, The Last Ship, Outcast, Preacher and Silicon Valley, as well as last week’s Secret City. Netflix also dumped season two of Marco Polo in our laps on Friday, but I haven’t watched any of that yet, I’m afraid. Again, not 100% psyched for it and it sounds like there may be even more historical liberties taken this season than there were last.
But also on Friday, Netflix gave us…
Spotless (France: Canal+; UK: Netflix) Frenchman Marc-André Grondin runs a crime-scene clean-up company in London, but is falling on hard times. Then his wayward brother Denis Ménochet (Inglorious Basterds) turns up with a dead drugs mule in his camper van freezer, and soon Grondin’s financial luck is changing for the better, even if does mean he’s working for criminals to clean up their dirty work.
It’s a very curious affair – a French/British co-production with two French leads playing two French brothers who never speak a word of French to each other, even when they’re alone, except in flashback to when they were kids and saving their mother from their murderous father. Seemingly a drama at first, albeit a terribly written drama with some terrible dialogue, it becomes a comedy-drama by the end of the first episode and almost enjoyable. Almost.
Nevertheless, despite being written by a Brit and clearly filmed by people who aren’t content simply to show the tourist parts of London, there’s a distinct lack of reality to any of it and Grondin’s character is irritating and stupid. Running out of cash? Maybe you shouldn’t try to send your kids to private school while living in a huge house in central London, just as all your contracts are suspended.
It’s already been renewed for a second season by Canal+ and the Esquire Network in the US, but unless episode two is significantly better, I won’t be watching the rest of it.