Audio and radio play reviews

Review: The Companion Chronicles – Fear of the Daleks

Cover of Fear of the DaleksSkipping neatly over various generations of companions, we move from Vicki to Zoe for the second of the Companion Chronicles, slightly dramatised audio books in which former Doctor Who companions recount missing tales of their youthful exploits with the Doctor.

There’s a slight problem with creating tales for older companions. Do you write the stories in in the same style as the stories of the time, or adapt to changes in taste, audience, etc? With the former, you risk losing the audience through lack of pace, simplistic plot devices, et al; with the latter, you can end up losing the charm of the original stories, while making them look stupid.

Fear of the Daleks tries to have the best of both worlds by marrying modern-day writing with 1960’s style stories. Unfortunately, it fails just horribly.

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Audio and radio play reviews

Review: The Companion Chronicles – Frostfire

FrostfireNot wishing to be tasteless or anything, but it can’t have escaped your notice that a lot of the Doctors Who are dead now. Numbers one to three have passed on; number four is a tad on the eccentric side. Many of their companions live on, however.

Something of a dilemma for Big Finish, no? Being Doctor Who fans of the first order, they’ve got the collecting instinct, and getting those companions into the Big Finish range would be just great. Even better than Top Trumps, in fact.

Now, they’ve already had a fair stab at this. Carole Ann Ford’s played an alternative version of the Doctor’s granddaughter, Susan, alongside an alternative Doctor in a couple of the Doctor Who Unbound range; Anneke Wills, William Russell, Caroline John, Katy Manning and others have all played new characters in other Big Finish plays; and most of Tombo’s assistants have turned up in ranges of their own (Gallifrey and the Sarah Jane Smith series to be precise).

But with the slight exception of those Unbound plays and The Kingmaker, Big Finish’s producers have stopped short of getting other actors to play the Doctor. So what to do?

Cunning plan. How about creating audio books instead of plays, with the original companions pretending to be telling stories to other people? You don’t need the Doctor anymore and you get to make the companion the centre of the story.

Plus it’s cheap.

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Audio and radio play reviews

Review: Doctor Who – Human Resources (parts 1 and 2)

Human ResourcesThought I’d wait until both parts of the story had aired before reviewing this one. Then I thought I’d wait until I’d fixed my iPod, but I’m still waiting on a part off eBay (£10) – which seemed a better plan than getting Apple to fix it (£169) – so what the hell, I listened to it off my Mac directly. No obstacle can get in my way when I put my mind to it. Go me!

Rather than a rip-roaring, undeniably impressive two-parter to match the season opener, Blood of the Daleks, Human Resources was a reasonable, slightly dull, but flawed ending to Paul McGann’s first set of original Doctor Who plays for the Beeb. With the return of another old-series monster, the Cybermen, we might have hoped for more, but you can’t have everything.

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Canonicity: give up now

Mr Mark Wilkinson tried to goad me recently. He quoted Paul Cornell for one thing. Never a good plan, particularly after he himself had posted a link to this Lawrence Miles interview that ‘confirmed’ everyone’s worst fears about PC (how apt those initials).

Cornell, it seems, wants to talk about canonicity in Doctor Who. The problem with Who is that nothing matches up. Stories contradict each other. Then there are the comics, the audio plays, the novels, fan fic and so on. How to make it all fit together?

Some people care. Some people can be very imaginative with canonicity. How come KITT in Knight Rider exists yet is so clearly impossible with 1980s technology? Because he’s made from the crashed parts of a Cylon raider from Galactica 80, of course. Didn’t the red light at the front give the game away? It did to a whole load of fans which is why this particular theory is now “fan canon” or “fanon”.

Now, if there’s a canonicity problem, I for one simply point in the direction of Toby at Inner Toob and say if anyone can sort out this tangled mess, he can. He, after all, has a grand project to make all TV shows fit together into one canonical whole. So the whole goading thing doesn’t work. My faith in Toby is great. He will sort things out.

I’d also point out that the nature of Doctor Who is such that we could have a story in the next series of the show that said the Tom Baker era never happened and because it’s about time travel, it would be true. That would be that. It happened but it didn’t. It really doesn’t matter if anything contradicts anything else because it can all be rewritten at a moment’s notice. So lie back and enjoy the fun. Read a book, listen to the play. It happened. It didn’t happen. It’s quantum mechanics in merchandising format (do you Copenhagen or do you multi-world at WH Smith’s?).

But I’ve noticed something new is happening that makes canonicity harder and even more brain-warping.

We’re all aware of DVDs that have “deleted scenes” – scenes that never made it to the final episode but were filmed all the same. I imagine working out if they’re canonical or not is a whole load of weirdness. Plus, it’s relatively easy to discount them because they’re optional. You don’t have to watch the deleted scenes. They’re not in the episode itself. Easy.

But what of Battlestar Galactica? For the last two episodes, the producers have included a deleted scene (aka ‘bonus’ scene. You can view them on the web site, too) just before the end titles. Now it’s on television, you have no choice to watch it and it usually directly contradicts what you’ve just seen in the episode itself. How does it all fit in?

My mind hurts. I suspect that canonicity is broken, that the existence of Paul Cornell contradicts itself and he has become a figment of everyone’s imagination. But I might have forgotten to carry the 1.

Toby: save me. Save us all.

Audio and radio play reviews

Review: Doctor Who – Circular Time

Circular TimeUgh. Ugh. Ugh. I’ve been tarnished. I’ve had to listen to something by Paul Cornell again.

Okay. I’m feeling better now. Actually, the experience wasn’t that bad. Circular Time is definitely one of the better plays of late, despite the Cornellian clouds of pretension looming around every word. In fact, it’s four plays, one for each season.

I’ve no idea why they decided to set the play around the four seasons. I guess you could argue that each play represents different aspects of the age of the characters, with Spring youthful and adventurous, Summer not quite so high spirited (but what? I’m not sure. More religious?), Autumn more mature and Winter the gradual settling down and winding down of life. But it’s more of a gimmick than anything too insightful.

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