Audio and radio play reviews

Review: The Companion Chronicles 4×4 – The Pyralis Effect

The Pyralis EffectAs promised last review, I’m going to neatly step over the third in the latest series of Big Finish’s Companion Chronicles, The Prisoner of Peladon, on the general grounds that there are no companions in it, which is clearly taking the piss.

Instead, let’s talk aboutThe Pyralis Effect, starring Lalla Ward as Romana II. Now, despite the fact almost everyone loves the Fourth Doctor, most of the Companion Chronicles featuring him and his various assistants have been terrible, whether they feature Leela, Romana I or Romana II.

But, as you might have noticed, over series three of The Companion Chronicles and as we’ve gone through series four, the whole range began to get much, much better. So should it surprise you much to hear that, in contrast to those previous Fourth Doctor Chronicles, The Pyralis Effect is actually pretty good?

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Audio and radio play reviews

Review: The Companion Chronicles 4×2 – The Glorious Revolution

The Glorious RevolutionWhen first we met James Robert McCrimmon, he was fighting the Battle of Culloden in one of Doctor Who‘s last few purely historical stories, The Highlanders. He left at the end of The War Games, his memories of his time with the Doctor wiped by the Time Lords – who then ended up using him and the Second Doctor as time agents during the mythical “season 6a” that the Sixth Doctor story The Two Doctors appears to reveal.

When we last met him in the Big Finish plays, it was for a Companion Chronicle, Helicon Prime, which – to put it bluntly – was absolute rubbish. To be fair, until recently, all the second Doctor Companion Chronicles were rubbish, so Helicon Prime wasn’t on its own for this quality shortfall. But it was rubbish.

Nevertheless, despite this inauspicious return, Jamie’s back in a big way – Big Finish intend to have him in a two-handed Companion Chronicle with Deborah Watling as Victoria in March, and as a companion of the Sixth Doctor in a forthcoming trilogy of plays (one of which will also feature Wendy Padbury as Zoe) and a Companion Chronicle.

So you might have been expecting this play, in which an agent of the Time Lord’s Celestial Intervention Agency gives Jamie back his memories of his time with the Doctor, to be the launch of this Jamie range.

Wrong.

Instead, we have a pretty good historical story – with just a hint of sci-fi – set during England’s Glorious Revolution.

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Audio and radio play reviews

Review: The Companion Chronicles 4×1 – The Drowned World

The Drowned WorldYes, yes, I know. It’s been out for over half a year now. But what the hell, I might as well play catch-up with the Companion Chronicles. I’l be steering clear of obviously “taking the piss” releases, such as Prisoner of Peladon, which stars precisely no companions at all, only David Troughton as a King of Peladon who appeared in a previous Big Finish play. But I’m going to be looking at most of them, I reckon.

First up is The Drowned World, which is a follow-up to surprise hit Home Truths, starring Jean Marsh as Sara Kingdom. Home Truths is probably the best Companion Chronicle of the last three seasons, which, given it was about a character that might not even be a companion, was something of a surprise.

The question is: will the follow-up be as good?

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Audio and radio play reviews

Review: Doctor Who – The Lost Stories – 02 – Mission To Magnus

Mission To MagnusBig Finish are in something of a quandary when it comes to these Lost Stories. The idea behind them is to do a “full cast” production of a script or story that for one reason or another never got made, so that fans can finally have something like what was supposed to be on screen (but wasn’t).  

But as I’ve said before, sometimes there have been good reasons for stories not getting made. For example, apart from production difficulties, the script not getting handed in on time, etc, how about because it’s just rubbish?

What do you do if you’re Big Finish and the story is an absolute heap of sh*te? I mean terrifyingly, Timelash/Twin Dilemma bad. On TV, there are these people called script editors who take the scripts writers produce and, if necessary, make them palatable. But if Big Finish edits a really bad script that never got passed by a script editor, is it the authentic production fans wanted? If they don’t, aren’t they going to be making an absolute heap of Timelash sh*te?

The route Big Finish chose with Mission To Magnus, Philip Martin’s lost script from Colin Baker’s aborted second season, was not to edit the script. Oh dear.

Now Mission To Magnus has everything: it has the Doctor’s school bully; it has a planet ruled by women facing war with a planet ruled by men; it has Sil from Vengeance on Varos, who has a consignment of winter woolies (his words, not mine) to sell; it has child actors.

In short, it’s an absolute heap of sh*te. Normally, I don’t endorse Third Reich policies, but if you can, please burn any copies of this play that you come across. Please.

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Audio and radio play reviews

Review: Doctor Who – 129 – Plague of the Daleks

Plague of the DaleksAnd so it is that we come to the end of the Stockbridge trilogy, in which the Fifth Doctor and Nyssa travel to the past, present and future of Stockbridge because Big Finish love continuity and it was in the comics in the 80s or something.

We’ve had the past, which tried to be Monty Python and failed, but wasn’t bad when it was serious; then we had the present, which was pretty good apart from a few dodgy performances and odd directorial choices.

Now we have the future. The story carries straight on from the previous one again, except the Doctor and Nyssa appear to have ended up in some futuristic tourist park populated by Northerners and aliens, including Lisa Tarbuck and Keith Barron.

Except, as the title of the story and the cover should tell you, things aren’t what they appear to be.

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